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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Periodicals: newspapers and magazines Description An account of the resource The collection is rich in hard to find magazines and/or newspapers like Ernesto Valentini's <em>Zarathustra</em>, Vincenzo Vacirca's <em>Il Solco </em>and <em>La Strada</em>, Aldino Felicani's <em>La Controcorrente</em>, <em>Il Proletario</em>, Enrico Arrigoni's <em>Eresia</em>, Carlo Tresca's <em>Il Martello</em> and <em>Guardia Rossa</em>, Antonino Capraro's <em>Alba Nuova</em>, Arturo Giovannitti's <em>Vita</em>, Agostino De Biasi's <em>Il Carroccio, </em>T. Lucidi's <em>Il Messaggero della Salute</em>, Guido Podrecca's and Gabriele Galantara's <em>L'Asino</em> (this last mostly published in Rome) and others.<br /><br />As Francesco Durante rightly observed in <em>Italoamericana</em>, understanding the contribution of journalism among Italian Americans - almost solely in Italian at the outset - to the community life, as well as to the culture of the immigrant community, is central to understanding that community. <br /><br />Virtually all of the writers whose book-length works we see and celebrate in the collection, whether political or not, began their writing careers with newspaper or magazine writing. Some even immigrated to the U.S. precisely to do just that, but those were exceptional.<br /><br />The politics of the magazines and newspapers ran the gamut from left to right, and some - e.g., <em>Il Messaggero della Salute</em> - were not really political in that sense at all. The separation often observed between the political and the literary sections of the magazines is surprising and deserves examination all by itself: one can find the stories of Clara Vacirca, married to and sharing the political leanings of the socialist Vincenzo Vacirca, published in the right-wing <em>Il Carroccio</em>, and less overtly political writers like Salvatore Benanti and Federico Mennella often contributed literary pieces to leftist periodicals like <em>La Follia di New York. </em>For example, Mennella wrote the dialect column for <em>La Follia </em>for some time. The catholic nature of the magazines in the literary culture of the Italians reflected one of its strengths.<br /><br />Whatever the mixture of news from Italy and from America, whether "news events," or political or cultural commentary, short stories or poems, whether from Italians still in Italy or immigrants in the U.S. or translated from German, French. English or Russian - all of which were quite prevalent - or elaborations of philosophies of living, sometimes imported but sometimes "home-grown" in the U.S., the magazines and newspapers provide a rich insight into this world. <br /><br />Beyond the articles themselves were, in many cases, letters to the editors and lists of new subscribers (and the cities and towns they lived in), both of which enlarge our understanding of what parts of the immigrant community were reached and affected by the printed word. <br /><br />This, too, is a subject that deserves close examination, and has been discussed recently, for example, in a fine essay by historian Adam Quinn discussing whether the <em>Cronaca Sovversiva</em> of the anti-organizational anarchist Luigi Galleani was a "seditious rag" or a community newspaper - or both. Quinn clearly concludes that it was both. The same can be said for <em>Il Martello</em>, <em>La Follia di New York</em>, <em>Il Carroccio</em> and many of the other political magazines - they were part of the "glue" that held together the Italian community quite beyond their immediate political messages. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource <strong><em>La Parola del Popolo: rivista di politica e cultura degli italiani di tutte le Americhe</em></strong><em> </em>[The Voice of the People: magazine and culture of the Italians in all the Americas].<strong> Chicago, 1958-1982.</strong> Description An account of the resource The Collection includes issues from the very late years of this publication, which had begun in 1908 under the name of <em>La Parola dei Socialisti</em>, and took the name it has in these issues in 1920. Durante has an excellent discussion of the magazine in its various incarnations. One of the longest-lived of the socialist publications, <em>La Parola</em> went through many name changes to evade postal authorities and for other reasons. <br /><p><span style="font-weight:400;">The earliest issue in the Collection is a large-format, 336-page commemorative edition of 1958 for the 50th anniversary of the newspaper.</span><span style="font-weight:400;"> Its pages contain many illustrations by the leading leftist illustrator, Fort Velona (see, in the Collection, </span><i><span style="font-weight:400;">Sotto il segno del littorio</span></i><span style="font-weight:400;"> and </span><i><span style="font-weight:400;">Memorie di vita di tempeste sociali</span></i><span style="font-weight:400;">), and large black and white photographs of leading anti-fascist scholar Gaetano Salvemini and of Giacomo Battistoni (see holograph letter of Carlo Tresca to Battistoni in the Collection), as well as of the objects of the “</span><i><span style="font-weight:400;">ommagi” </span></i><span style="font-weight:400;">[tributes] to several influential radicals. <br /><br />In that commemorative edition, note the large number of prominent names in the "Sommario" of articles, including Domenico Saudino, Filippo Turrati, Giovannitti and Mario De Ciampis, q.v. all in the Collection except Turati.</span></p> <p><span style="font-weight:400;">Fort Velona’s summary in the 50th anniversary commemorative edition of the history of this important organ of Italian socialists shows the parallel growth of the Italian socialist movement in the U.S. and the newspaper that was its banner: after a period of name changes from </span><i><span style="font-weight:400;">La Parola dei Socialisti, </span></i><span style="font-weight:400;">its name in 1908 and at least until 1917, in a vain attempt to evade postal authorities’ efforts to prevent sending subscribers copies of the newspaper of the fledgling Federazione Socialista Italiana (</span><i><span style="font-weight:400;">La Fiaccola</span></i><span style="font-weight:400;"> and </span><i><span style="font-weight:400;">L’Avanti! </span></i><span style="font-weight:400;">were two others), and following the ending of World War I, when postal suppression relaxed, the former </span><i><span style="font-weight:400;">La Parola dei Socialisti</span></i><span style="font-weight:400;"> (see </span><i><span style="font-weight:400;">La morale di Arlecchino</span></i><span style="font-weight:400;">) was reborn as La </span><i><span style="font-weight:400;">Parola del Popolo</span></i><span style="font-weight:400;"> in 1920.<br /><br />The Collection also has a 352-page 1976 bientennal edition of <em>La Parola</em> (Sett.-Ott.), with opening tributes from then U.S. President Gerald Ford - one wonders if he knew the background and content of the magazine! - and from the then Italian President, Giovanni Leone. There are mostly articles in English, by Joseph Tusiani, Rudolph Vecoli, Gaetano Cipolla, Angelo Pellegrini, Margherita Marchione and Laura Fermi, among others. There are articles in Italian, but many fewer, by Pasquale de Ciampis, Alberto Cupelli, Margherita Marchione, and Max Salvadori, among others -  but none of the important names reflected in articles in the 1958-59 50th Anniversary issue of the magazine noted above.  <br /><br />From that time, when Egidio Clemente took over the renamed newspaper, publication continued uninterrupted until its final issue in 1982. The last issue now in the Collection is the May-June 1982 issue (no. 160) in that last year of publication.<br /><br />Years after his editorship of </span><i><span style="font-weight:400;">La Parola</span></i><span style="font-weight:400;">, Clemente (b. Trieste, 1899; d. Chicago, ?) established his own imprint, which published Giovannitti’s Italian poems in 1957 (</span><i><span style="font-weight:400;">Quando canta il gallo</span></i><span style="font-weight:400;">, q.v.</span><span style="font-weight:400;">) and again, posthumously, in 1962, in a commemorative edition of “Collected Poems” of the English-language poems of the perfectly bi-lingual Giovannitti.<br /><br />Professor Laura E. Ruberto generously made a recent gift of 34 issues beginning with No. 125 (1974) through No. 160 (1982), including the massive (376 pp.) "Bicentennial [edition] - The Italian Contribution," discussed above. They belonged to her late father, Raffaele G. Ruberto, who was a long-time subscriber to the magazine. <em>Mille grazie</em> to Laura, and to Raffaele, who faithfulness and diligence in acquiring and keeping this important magazine has benefited us all. (Cf. the same with Augusto Lentricchia, whose carefully kept issues from 1918-1919 of <em>Il Martello </em>have benefitted us all.)<br /><br />The issues here include:<br /><br /><em>La Parola del Popolo</em>, Vol. IX, No. 37, Dicembre-Genn. 1958-1959 (336 pp.)<br /><em>La Parola del Popolo,</em> Vol. XXII, No. 112 - Luglio-Agosto 1972<br /><em>La Parola del Popolo,</em> Vol. XXII, No. 114 - Nov.-Dic. 1972<br /><em>La Parola del Popolo,</em> Vol. XXIII, No. 118 - Luglio-Agosto 1973<br /><em>La Parola del Popolo,</em> Vol. XXIV, No. 120 - Nov. Dic. 1973<br /><em>La Parola del Popolo,</em> Vol. XXIV, No. 125 - Sett.-Ott. 1974<br /><em>La Parola del Popolo,</em> Vol. XXIV, No. 126 - Nov.-Dic. 1974<br /><em>La Parola del Popolo,</em> Vol. XXV, No. 127 - Genn.-Febb. 1975<br /><em>La Parola del Popolo,</em> Vol. XXV, No. 128 - Marzo-Aprile 1975<br /><em>La Parola del Popolo,</em> Vol. XXV, No. 129 - Maggio-Giugno 1975<br /><em>La Parola del Popolo,</em> Vol. XXV, No. 130 - Sett.-Ott. 1975<br /><em>La Parola del Popolo,</em> Vol. XXV, No. 131 - Nov.-Dec. 1975<br /><em>La Parola del Popolo,</em> Vol. XXVI, No. 132 - Genn.-Febb. 1976<br /><em>La Parola del Popolo,</em> Vol. XXVI, No. 133 - Marzo-Apr. 1976<br /><em>La Parola del Popolo,</em> Vol. XXVI, No. 134 - Sett.-Ott. 1976 - Bicentennial Ed. (352 pp.)<br /><em>La Parola del Popolo,</em> Vol. XXVI, No. 135 - Nov.-Dec. 1976<br /><em>La Parola del Popolo,</em> Vol. XXVII, No. 136 - Genn.-Febb. 1977<br /><em>La Parola del Popolo,</em> Vol. XXVIII, No. 137 - Marzo-Apr. 1977<br /><em>La Parola del Popolo,</em> Vol. XXVIII, No. 138 - Magg.-Giugno 1977<br /><em>La Parola del Popolo,</em> Vol. XXVIII, No. 140 - Sett.-Ott. 1977<br /><em>La Parola del Popolo,</em> Vol. XXVIII, No. 141 - Nov.-Dec. 1977<br /><em>La Parola del Popolo,</em> Vol. XXIX, No. 142 - Genn.-Febb. 1978<br /><em>La Parola del Popolo,</em> Vol. XXIX, No. 143 - Marzo-Apr. 1978<br /><em>La Parola del Popolo,</em> Vol. XXIX, No. 144 - Magg.-Giugno 1978<br /><em>La Parola del Popolo,</em> Vol. XXIX, No. 145 - Lugl.-Aug. 1978 <br /><em>La Parola del Popolo,</em> Vol. XXIX, No. 146 - Sett.-Ott. 1978<br /><em>La Parola del Popolo,</em> Vol. XXIX, No. 148 - Magg.-Giugno 1979<br /><em>La Parola del Popolo,</em> Vol. XXIX, No. 149 - Lugl.-Aug. 1979<br /><em>La Parola del Popolo,</em> Vol. XXIX, No. 150 - Nov.-Dic. 1979<br /><em>La Parola del Popolo,</em> Vol. XXIX, No. 151 - Genn.-Febb. 1980<br /><em>La Parola del Popolo,</em> Vol. XXIX, No. 152 - Marzo-Apr. 1980<br /><em>La Parola del Popolo,</em> Vol. XXIX, No. 153 - Sett.-Ott. 1980<br /><em>La Parola del Popolo,</em> Vol. XXX, No. 154 - Nov.-Dic. 1980<br /><em>La Parola del Popolo,</em> Vol. XXXI, No. 155 - Genn.-Feb. 1981<br /><em>La Parola del Popolo,</em> Vol. XXX [sic], No. 156 - Marzo-Apr. 1981<br /><em>La Parola del Popolo,</em> Vol. XXXI, No. 157 - Magg.-Giugno 1981<br /><em>La Parola del Popolo,</em> Vol. XXXI, No. 158 - Nov.-Dic. 1981<br /><em>La Parola del Popolo,</em> Vol. XXXII, No. 159 - Genn.-Feb. 1982<br /><em>La Parola del Popolo,</em> Vol. XXXII, No. 160 - Magg.-Giugno 1982<br /></span></p> Format The file format, physical medium, or dimensions of the resource 28.5x21.5cm 29.5x20.5cm Language A language of the resource Italian Source A related resource from which the described resource is derived Professor Laura E. Ruberto (all but a few issues) 1971-1980 Chicago Domenico Saudino Egidio Clemente Fort Velona Mario De Ciampis periodical socialist Vittorio Buttis https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/475c1afe978924b2d526e8076818d8af.jpg?Expires=1789603200&Signature=eyagCznxykAShEwT2zs6nuPxJtQ1gihBQW%7EYIkqcPGb80OUNCERiTBCt0Xbp4UuRjmV00WRJrTLyRbVfXVyZ2ukWdN1B58yKr8n760WpxVn8tXkDSYY49nzMoV9RmA1Wr%7EIqkkRgnoTdjNFtunwnle-gafqezxEvQVCKWdbNQl8l33pPGGlj3VoTScjtcY%7EMmwev6l9b6a29o0GptlFt2mN9kFwnm6iF7rTnD8sE6YGUcm2lDoUQgy309-vF9nm907C38UYNur3imvsmxJoM%7EWsa0Uf568YjEXv0XS2eIHhVkgVST2Paxib%7EAN%7EMW9buxP9ClYgF-w391vbxodus2Q__&Key-Pair-Id=K6UGZS9ZTDSZM 5e9aeb5b229c9931744ec28a31532dd7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Periodicals: newspapers and magazines Description An account of the resource The collection is rich in hard to find magazines and/or newspapers like Ernesto Valentini's <em>Zarathustra</em>, Vincenzo Vacirca's <em>Il Solco </em>and <em>La Strada</em>, Aldino Felicani's <em>La Controcorrente</em>, <em>Il Proletario</em>, Enrico Arrigoni's <em>Eresia</em>, Carlo Tresca's <em>Il Martello</em> and <em>Guardia Rossa</em>, Antonino Capraro's <em>Alba Nuova</em>, Arturo Giovannitti's <em>Vita</em>, Agostino De Biasi's <em>Il Carroccio, </em>T. Lucidi's <em>Il Messaggero della Salute</em>, Guido Podrecca's and Gabriele Galantara's <em>L'Asino</em> (this last mostly published in Rome) and others.<br /><br />As Francesco Durante rightly observed in <em>Italoamericana</em>, understanding the contribution of journalism among Italian Americans - almost solely in Italian at the outset - to the community life, as well as to the culture of the immigrant community, is central to understanding that community. <br /><br />Virtually all of the writers whose book-length works we see and celebrate in the collection, whether political or not, began their writing careers with newspaper or magazine writing. Some even immigrated to the U.S. precisely to do just that, but those were exceptional.<br /><br />The politics of the magazines and newspapers ran the gamut from left to right, and some - e.g., <em>Il Messaggero della Salute</em> - were not really political in that sense at all. The separation often observed between the political and the literary sections of the magazines is surprising and deserves examination all by itself: one can find the stories of Clara Vacirca, married to and sharing the political leanings of the socialist Vincenzo Vacirca, published in the right-wing <em>Il Carroccio</em>, and less overtly political writers like Salvatore Benanti and Federico Mennella often contributed literary pieces to leftist periodicals like <em>La Follia di New York. </em>For example, Mennella wrote the dialect column for <em>La Follia </em>for some time. The catholic nature of the magazines in the literary culture of the Italians reflected one of its strengths.<br /><br />Whatever the mixture of news from Italy and from America, whether "news events," or political or cultural commentary, short stories or poems, whether from Italians still in Italy or immigrants in the U.S. or translated from German, French. English or Russian - all of which were quite prevalent - or elaborations of philosophies of living, sometimes imported but sometimes "home-grown" in the U.S., the magazines and newspapers provide a rich insight into this world. <br /><br />Beyond the articles themselves were, in many cases, letters to the editors and lists of new subscribers (and the cities and towns they lived in), both of which enlarge our understanding of what parts of the immigrant community were reached and affected by the printed word. <br /><br />This, too, is a subject that deserves close examination, and has been discussed recently, for example, in a fine essay by historian Adam Quinn discussing whether the <em>Cronaca Sovversiva</em> of the anti-organizational anarchist Luigi Galleani was a "seditious rag" or a community newspaper - or both. Quinn clearly concludes that it was both. The same can be said for <em>Il Martello</em>, <em>La Follia di New York</em>, <em>Il Carroccio</em> and many of the other political magazines - they were part of the "glue" that held together the Italian community quite beyond their immediate political messages. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource <em><strong>La Follia di New York</strong></em> [The New York Folly].<strong> New York: <span>Marziale Sisca; The Italian National Magazine Company, 1935-1977.</span></strong> Description An account of the resource The Collection includes only a few issues of this long-lived important literary and political magazine:<br /><br /><em>La Follia di New York</em>, Vol. XXXXIII, No. 1 - January 6, 1935<br /><em>La Follia di New York - </em>Dicembre [December] 1977<br /><em>La Follia di New York</em> - Aprile [April] 1977<br /><p><span style="font-weight:400;">Emigrating with his family to America in 1892, soon thereafter Alessandro Sisca, known usually as Riccardo Cordiferro, founded the weekly literary magazine </span><i><span style="font-weight:400;">La Follia di New York</span></i><span style="font-weight:400;">, together with his father Francesco (1839–1928), who was also a poet (q.v. his </span><i><span style="font-weight:400;">Lu Ciucciu, </span></i><span style="font-weight:400;">in Calabrian dialect</span><span style="font-weight:400;">), and with Alessandro's brother Marziale. Francesco Durante's essay on Cordiferro, on this website, is a delight to read.<br /><br />The work for </span><i><span style="font-weight:400;">La Follia</span></i><span style="font-weight:400;">, combined with his intense literary productivity, absorbed Cordiferro completely, and gave him a vehicle by which to publish several of his works, such as</span><i><span style="font-weight:400;"> La vendetta</span></i><span style="font-weight:400;"> (q.v.). Approbation for the magazine’s notable success on the East Coast led him to make frequent trips throughout the country and beyond to give theatrical presentations and poetry readings, and to engage in debates, very often with political overtones.</span></p> <p><span style="font-weight:400;">Though not committed to any one strain of leftist thought, Cordiferro maintained close contact with anarchist and socialist circles, which resulted in more than one arrest and constrained him to resign from directing</span><i><span style="font-weight:400;"> La Follia</span></i><span style="font-weight:400;">. In 1895, his drama, </span><i><span style="font-weight:400;">Il pezzente </span></i><span style="font-weight:400;">[</span><span style="font-weight:400;">The Tramp], ran for hundreds of performances and became a standard in the repertory of amateur players in revolutionary political </span><span style="font-weight:400;">circles. See Durante's essay on this website, “Riccardo Cordiferro,” pp. 21–22.<br /><br />Marziale Sisca, Alessandro's brother, was the business manager who was primarily responsible for keeping the magazine as fiscally sound as it was. It was Marziale who probably deserves the credit for getting Enrico Caruso to supply the magazine with his marvelous caricatures, two collected editions of which are in the Collection, q.v.; the later editions of these are commonly available for purchase, probably having been issued, in various editions over the years, in relatively large numbers for an Italian-American audience that adored Caruso. </span></p> <span style="font-weight:400;"></span> Publisher An entity responsible for making the resource available Marziale Sisca The Italian National Magazine Company Date A point or period of time associated with an event in the lifecycle of the resource 1935-1977 Format The file format, physical medium, or dimensions of the resource 27.5x21cm 28x22cm Language A language of the resource Italian 1931-1940 1971-1980 Enrico Caruso Francesco Sisca Francesco Durante La Follia di New York Marziale Sisca periodical Riccardo Cordiferro https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/7bb72e753ec429d94568b8959d1752b7.jpg?Expires=1789603200&Signature=GFxOfjzh2DfcnT%7EIALnGHI7riZUAbbNZ53yZOtsffhJRtXYxmxbfJ338Z%7Ed43fYF4wp57oFLpUCsebXgfRjHzuc5cpU7rfPj3cOf%7Eo7SoSusxgZnhSZC6KA4twI6Wg-fDhr1t89NYpIHNRpZ5SLiviamoBdtPGa2eTcVRwM-Q861sqm2ZsJc1v7wHywVEK0Hlo78kzxmNIIlWfvc4f7tKeVoSBrvGLlxBJRLS4bKM4R%7EC-QReQoN9AAJQMAYQGNwuJJpew-guEVBvDTOAj5xNU3aPqAj2ml3J3JrpkR%7EwK-hx%7EDAt8Ac23lldyIIgXiupms7bB%7EWyL6Q-YK2TOvs9g__&Key-Pair-Id=K6UGZS9ZTDSZM 53c1bee8a5185c688bec03452b564856 https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/933bc4bfb47b47f8b24900da9a95d391.jpg?Expires=1789603200&Signature=uFEVDTemGS5oIN86WzWgF-o3Cogkau7TCNnOqRmpmNA2FbMRCAQnaIzoXUeU141h1z6ZrMWcJivNRR4c3B8LqfBCdqr8Qb39RjDBYEJv96A1QVKGuIo7mUFZppJkGcsnP6hpwmYrRfVGIBvWn6HNoNq3P5hwS%7E89x7VcekCOl2dybVdqmBX3w-l5I5tajDkBbtRgrhdl5Fdh1DB5cReoAWtIKHmuDzR7VGOXeRoB7OL6WDPYFMh3WLL1Me2fJHR9gju0go8U4x6itAdw-u6yQzqIg-uCt2NFXlT2tzgYD3kbpgmN6Vk8HXuOpwxAw1DQavJsQvpIpVouJbUIPGsknw__&Key-Pair-Id=K6UGZS9ZTDSZM a1eab652b9bbdc44c6513ef717892221 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource <em>Histories, philosophy, biographies, directories, bibliographies, almanacs, catalogues, annuals, religious, educational, and travel literature</em> Subject The topic of the resource These largely non-political works reflect a broad pallette of non-fiction reflections on the history of Italians in the U.S., travel literature, biographies (like that of the Peanut King, Obici), or the religious, like Sister, later Mother, and final Saint Cabrini. Description An account of the resource In these non-fiction works, Italians reflected upon themselves and their American experiences. Representing the non-<em>sovversivi</em> type of immigrant, who were more interested in becoming American and “making it” in America than in stoking class warfare and remaking society, They began to place themselves in the context of contemporary American society and the history in America. <br /><br />The release in 1921 of Alfredo Bosi’s <em>Cinquant’anni di vita italiana in America</em>, the first history of Italians in the United States, represented a watershed - the first 50 years of Italians in America - and allegedly arose from a conversation between journalist Bosi and King Vittorio Emanuele of Italy in 1901, in which the king expressed curiosity about the Italian colony in America. <br /><br />Luigi Roversi’s biography of Palma di Cesnola proudly places that Italian within the august homes of white Anglo-Saxon Protestant America, into which di Cesnola had married, and where he ruled as the first director of the Metropolitan Museum of Art. <br /><br />More than the first half of Flamma’s “biography” of the greatest mayor New York City had ever seen, Fiorello LaGuardia, has little to do with La Guardia, unfortunately, but the work did reflect his obvious pride that after electing mayors in 29 other cities, Italians “finally” elected (in 1933) a mayor of Italian heritage to the country’s most important city. <br /><br />The directories discussed here, from New York to San Francisco, provide a particularly rich source of information about the different businesses and professions Italians had in virtually every state of the union, from as early as the 1880s (in San Francisco) to the first few decades of the 20th Century (primarily in New York). Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource <strong><em>Voglio disturbare l'America: Lettere a Benedetto Croce e Giovanni Papini ed altro| </em>A cura di Gabriel Cacho Millet</strong> [I Want to Trouble America: Letters to Benedetto Croce and Giovanni Papini, ed. by Gabriel Cacho Millet]. <strong>Firenze: La Casa Usher, 1980.</strong> Description An account of the resource The path the life of Carnevali (1897-1942) took was unlike that of any other Italian American of his era. <br /><br />Emigrating to the US in 1914, after odd jobs, he taught Italian to Joel Spingarn, a Columbia University comparative literature professor. Carnevali's rapid acquisition of English was unusual; his poetry in English was quickly published in the U.S.<br /><br />After his debut published poem in 1918 in <em>The Forum</em>, Carnevali became a leading poetry figure in New York and then in Chicago, where he became an editor of <em>Poetry</em> magazine under the legendary Harriet Monroe, also in 1918. <br /><br />In 1920, he became associate editor of <em>Poetry.</em> <br /><br />His poetry appeared in 1934 in <em>A History of American Poetry</em>, along with that of Arturo Giovannitti,  the other Italian American poet who had acquired English quickly and effortlessly<em>.<br /><br /></em>His admirers and friends included Robert McAlmon, William Carlos Williams, Ezra Pound, and Kay Boyle. Even after his final return to Italy in 1922 when ill, and his death not long after, his reviews were published in several venues.<br /><br />As is evident, these letters were published long after his death. Gabriel Cacho Millet (1939-2016) was an Argentine writer who went to Europe as a correspondent for Latin American literature. He is credited not only with the "rediscovery" of Carnevali, but also a deeper appreciation of Jorge Luis Borges and Luigi Pirandello. <br /><br />Besides an excerpt in Durante, see Kay Boyle, ed., <em>The Autobiography of Emanuele Carnevali.</em> Creator An entity primarily responsible for making the resource Emanuel Carnevali Gabriel Cacho Millet, ed. Publisher An entity responsible for making the resource available La Casa Usher Date A point or period of time associated with an event in the lifecycle of the resource 1980 Format The file format, physical medium, or dimensions of the resource 21 x 13cm; 207 p. Language A language of the resource Italian 1971-1980 Durante Firenze letters poetry