1 25 150 https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/0ee0269eeadc6f7ebf040a68274e2e81.jpg?Expires=1779926400&Signature=oAJr5QA4T7I61Hw6hPAYFROaQh9BF%7EjcbOGYaIcUkm0uNZZtPVFMZwASHMq0Dmz4f-KEY3eGYsZb61Qujrj1yzTfAWepqP87wloGsKOQ-x7b438klA2pES1eja8aoLwQQHCFkQtx0eGN5EUNv0alMz4DEx4BFugf8yphbYMf1gs-iExbf1EY2StMmjPPrLmJAM7Gcibd9NFZY9Ix4FgJ7tJ3hv4LPBsUjyHoAfUENNgMP5t1fe7Z7ciwHFc2ZmEwkisgoJXF8ZQtOEgA1f-DBZMwK25GjmGNzZ-zjVUxVR1UQgSC6jeJXGb3bEUrXrg3XsZzdVixrngCc0FY-D6EYw__&Key-Pair-Id=K6UGZS9ZTDSZM b510df1d41f7fa2fdcb0f970afe09188 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Imaginative literature of the great migration: Fiction, poetry, drama, music, and art in books, magazines, and other works on paper Description An account of the resource During this period fiction, poetry and drama ranged from the sensational urban “mysteries” of Bernardino Ciambelli (never translated into English) to the arguably more literary and certainly more political fiction of Ezio Taddei. Unlike most of the others, Taddei enjoyed a significant, however brief, success in American intellectual circles, with English translations of most of his American works. Illustrations, such as those by Costantino Nivola (the first non-American admitted to the American Academy of Arts and Letters) in Parole Colletive, matched the sophistication of Taddei’s writing. Poetry was written largely in dialect rather than the standard Italian used by the novelists, could be found in the poetry, of Calicchiu Pucciu, or Francesco Sisca. Drama, more than the other genres, was largely though not exclusively devoted to political education, and was often the central entertainment of May Day picnics of Italian leftists consisting of performances of the plays of Gigi Damiani or other dramatists, discussed in Section VII. Italian American theatre began in New York in the 1870s. Theatre filled important emotional needs -- entertainment, a support system and social intercourse, supported by a network of fraternal and benevolent associations. Italian and European writers were introduced to immigrant audiences, whether in Italian, Neapolitan, Sicilian or other dialects. The Italian American experience furnished the subject matter for original plays written by Italian immigrant playwrights. Among them, Eduardo Migliaccio, known as Farfariello, who appears in one of the playbills advertising his performance here, made the Italian American immigrant the hero of his dramatic creations. Riccardo Cordiferro, several of whose play scripts appear here, concerned himself in his plays, as in his philosophical writings, with the social conditions of the Italian immigrant, and was less action-oriented than, say, the hard-core work of the sovversivi. Women in the theatre, like Ria Rosa, whose playbills appear here, enjoyed freedom and an outlet for creativity not available to women who played out their lives in traditional domestic roles. Antonio Maiori introduced Shakespeare to his immigrant audiences in his southern Italian dialect productions. Guglielmo Ricciardi, whose later memoirs appear in the collection, originated Italian American theatre in Brooklyn, and went on to a successful career in American theatre and cinema. Magazines reflected the politics of the publishers to a greater or lesser extent, whether of the nationalist (and later Fascist) Il Carroccio, or Arturo Giovannitti’s literary but also politically leftist Vita, Vincenzo Vacirca’s Il Solco, Ernesto Vallentini’s socialist Zarathustra, or Enrico Arrigoni’s anarchist-individualist Eresia, all of which are reflected in the collection. The generically (and gently) leftist and anti-clerical La Follia di New York was was one of the earliest, in the 1890s, begun by the Sisca family (of whom Alessandro, pen name Riccardo Cordiferro, was the most celebrated), and was perhaps the single longest-lived magazine published in Italian in the U.S. Cordiferro’s brother, Marziale Sisca, packaged the caricatures of the charismatic Enrico Caruso that adorned the pages of La Follia into a book that went through many editions, beginning in 1908 and continuing with an edition as late as 1965, which suggests that it financially sustained La Follia. Evidence of widespread cultural influence may be found in publications which included letters from enthusiastic readers or reviewers preceding or following the work itself, much like today’s review blurbs, and also lists of subscribers from around the entire country. Subject The topic of the resource While the amount of political literature (anarchist, socialist, fascist) in the collection suggests its prevalence in the Italian American community, it might well be the great survival rate of those materials that's responsible. The non-political imaginative literature created in Italian by the Italian community in the U.S., richer in wildly varying qualities, philosophies and interests than the political literature perhaps, provide a three-dimensional view of the Italian community. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Semiramis [FACSIMILE]. New York: [n.p.], 1922. Creator An entity primarily responsible for making the resource Rosario Di Vita Publisher An entity responsible for making the resource available New York, [n.p.] Date A point or period of time associated with an event in the lifecycle of the resource 1922 Format The file format, physical medium, or dimensions of the resource 24x18.5cm; 26 p. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Il Martello [The Hammer], Anno III & IV. New York: Casa Ed. "Il Martello," 19 issues: Incomplete Anno III, IV- 1918, 1919: Description An account of the resource See the general entry for Il Martello for the years 1918-1943 (repeated in a few descriptions of individual issues) for the history of the founding and running by Carlo Tresca of this, perhaps the most famous and almost surely the most long-lived of the radical newspapers in Italian in the Italian American community. This is a bound volume - the first of two - of 20 issues of the newspaper-magazine Il Martello, spanning the period from 1918-1919. This was bound by hand by a subscriber and great admirer of Tresca's - Augusto Lentricchia, and was a gift to me of Frank Lentricchia, novelist and Katherine Everett Gilbert Professor of Literature and Theater Studies at Duke University. It includes important works like a novella of Arturo Giovannitti, "Come era nel principio ..." and frequent contributions from Vincenzo Vacirca, who himself founded several important magazines that are in the collection, La Strada and Il Solco, and other important radical writers, such as Ludovico Caminita. A poem by Efrem Bartoletti celebrating the appearance of Il Martello in December of 1917 graces the verso of the cover page of the January 1, 1918 issue (erroneously dated January 1, 1917). That a reader of a review like Il Martello would lovingly gather issues into a homemade binding, beginning only a year after the magazine's founding in 1917, is a measure of the affection that Tresca’s followers felt for him and everything he did. An immigrant from Morollo, south of Rome, Augusto Lentricchia settled in Utica in the first decade of the 20th century, where he worked for the New York Central Railroad, from which he was fired several times for trying to organize other railroad workers to radical causes. Lentricchia was also a poet who wrote about radical issues; one of his poems was published in Il Martello. His bound diaries containing his poetry were donated by Professor Lentricchia to the Italian American Collection at the State University of New York at Stony Brook. List of issues in this volume: 1 (1 Gennaio [January] 1917 [sic]), 2 (16 Gennaio), 3 (16 Febbraio [February]), 4 (1 Marzo [March], 5 (16 Marzo), 6 (1 Aprile [April], 7 (15 Aprile), 8 (16 Maggio [May]), 9 (1 Giugno [June]), 10 (16 Giugno), 11 (1 Luglio [July]), 13 (1 Agosto [August]), 14 (16 Agosto), 15 (1 Settembre [September], 16 (1 Ottobre [October]), 17 (16 Ottobre), 19 (16 Novembre [November]), - incomplete Anno IV - 1919, Nos. 1 (1 Gennaio), 2 (16 Gennaio), 3 (1 Febbraio). Creator An entity primarily responsible for making the resource Carlo Tresca Publisher An entity responsible for making the resource available Casa Ed. "Il Martello" Date A point or period of time associated with an event in the lifecycle of the resource 16 Aprile [April] 1918 - ??? Relation A related resource <a href="https://italianamericanimprints.omeka.net/items/show/527">Il Martello, Vol. 7, No. 9 - 19 Marzo [March] 1921</a> <a href="https://italianamericanimprints.omeka.net/items/show/528">Il Martello, Vol. 7, No. 24 - 19 Luglio [July] 1921</a> <a href="https://italianamericanimprints.omeka.net/items/show/529">Il Martello, Vol. 7, No. 42 - 12 Dicembre [December] 1921</a> <a href="https://italianamericanimprints.omeka.net/items/show/530">Il Martello, Vol. 8, No. 8 - 4 Marzo [March] 1922</a> <a href="https://italianamericanimprints.omeka.net/items/show/531">Il Martello, Vol. 8, No. 14 - 27 Aprile [April] 1922</a> <a href="https://italianamericanimprints.omeka.net/items/show/532">Il Martello, Vol. 28, No. 1 - 14 Gennaio [January] 1943</a> <a href="https://italianamericanimprints.omeka.net/items/show/533">Il Martello, Vol. 28, No. 2 - 28 Febbraio [February] 1943</a> <a href="https://italianamericanimprints.omeka.net/items/show/534">Il Martello, Vol. 28, No. 3 - 14 Marzo [March] 1943</a> <a href="https://italianamericanimprints.omeka.net/items/show/526">Il Martello [main entry]</a> Language A language of the resource Italian 1911-1920 anti-fascist Carlo Tresca Durante Il Martello New York periodical https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/8b1e02e1716f9c7e7dc16113ed034537.jpg?Expires=1779926400&Signature=faE6JboK3iBJkPUuA5oHNusOzMsT2DuLBHyW2iZnql6OHtqsaydfCQGSU-PgW7nODlvxv2-t4-E12kYXmzbCeS39CSR2xj0bafd2zLMZ5WzTiJ6mw5%7EKtwunCKNzrgQmYWtsXrrWfbZNUl6JCl2-Tg8PPINWWuNrkRcSZ9k63cgSDqVntdAtuQiKyss9t9WzmAd4BACi7TPSktf4xFGAHKFjIN3GihAd1DGESvw02A5PaIRybBUQlCCqZds8SmPqJnxNJI2yxUz4RckU-naT9SBTTt9Zn9wBjJVbucSHASJxihjhUMENNIsvm%7Ez37SOETqqnxInLcbRvEIg%7E5JttIg__&Key-Pair-Id=K6UGZS9ZTDSZM 04117b5dccf691228d304448b4c10dc6 https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/84d681bdbdf4a5bbedc8f92eddfd2e07.jpg?Expires=1779926400&Signature=bOmkCoVkCXLfzbQ-YFUQxIiQEnQT%7E5XDq4IRpbQxQPT8IhM7Ofx%7E4k9l5ntFuMccaql%7EuT41ssoh4m6b%7EMbJZrnhagD6mOTP98IpIkHeKkO3-6p2-bKXgtI3XRJzmg%7EJH1ZUPYq2wB7aieb7TicT2HGNosX4tv3Y6vz9P6KQ2v7kDzXczZXuT%7EZyRelUdeB51gQUBzXzseT23ao09g1GYXdokds8qjg-Q-VKpJvoo7I7QmMPNTT1WJpoBUGZcMN6cHKbXkzs4t1O0gn0PYDvw7wS4ETBG7V0MN3%7E%7ExAfYy63R27qPLDtbEL0Ey0Sy4QepRd5uA36aPVpqcCyldCpcw__&Key-Pair-Id=K6UGZS9ZTDSZM 65303188c259c6140956aaebc3317a8f https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/805c4b8463a4acd6fd38f837e170c3e9.jpg?Expires=1779926400&Signature=IzEAy5lIfArWHCzYyb7QS3QuT8fkxNWHUd4npbg9obtsYA8jXoKvj0j7P6hmJtfZn2AYdkzIJyc79i--la-YXsgAJH6HRnqnPtwCCuY31A3X89CGO5zntVPYzYpqlUhKX5OUjDO8cgSTUA7Aa0KJQYP8KKW70Mhw3bFFV0wjoc7sd%7ELrDtNlv3d3o%7EZ3myCFtVjv5plw7qOGVyxbAKC5fXeamYoBWq5TlWiKW3pl5lzVh9g%7EvahudqgO1BAk4L6nY0wl6fEALEC8ZWPBB9AxfGLAPnc4xYHM249xbYlfJyV2yzct0IazxvhzhkiM-Vzs0VR-lGEaI2tZCtzdlXE2%7Eg__&Key-Pair-Id=K6UGZS9ZTDSZM 4571ec3b512f8cdd87a886f5435e0599 https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/089015066ddf04f91ad9ebf7e8ecd752.jpg?Expires=1779926400&Signature=a%7EptZaV9HK7-fVZNeFZxsz3qksB0dgXNfxsIfYPNukYK1ZjuTh3pgqghY2E4r60VpXrcMoQWVVnIAGCjXfA0vxKForarn7zYJ23PH2lDxqOE%7ETkgKyKSfqZAr6-gbhpcdoa9IBOgEXGTDfrwYc20JdtcKbTmrEvpPrJ7L1ZurLDw8UJs1Ahi5nqMfKRrOj0K%7EyHHrhd7g1YoNZdYQ9L6gCZCZ4oqdRooftuG0p2M2XSTppxesvouQxPZR8TuVWbO9cFi6MuM01lo0gw2bo-zmSfxLlXeRCN-p6YwlTLyr%7E8-hlbSi5NIzUcN7gH5wP1luXYWkdztUrLAbnFa6BMZlQ__&Key-Pair-Id=K6UGZS9ZTDSZM 385773a9af2fb92a9b787dfe02acf530 https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/b9c0446ef5c4305063e1c24968f9e512.jpg?Expires=1779926400&Signature=YAu-9hkAZniHfxctgmxi9IFjBeqmU%7EQLn6Mc4pKM4YgDrZwoOabNv7JqRHJVfwgw9MjqnCWDno2SmmkVrHV2cFIaJ%7EWl2zLk3JnBafSkarrF%7Ee-nFe4sMKD1xbT2qcLQ4ZbVKb0tUHOZzFMoOjr9ru93gvSCMIFaDlskUGcTgy1Bl2P3Q16HsTG4QitgCc3-AFv1f1Pwlj5ULAhOinqlSulZU4si2UG16JB4RLKex0mFjK19DenDwscec8F9ahR7JAfOPW9217OnOjhc504VN3whNCC%7Ep9Q1Kp7%7ExAU5vC1AXiZ8QAOmC2syhB1JlRrmDO303UmyLY75e0cujPpmsA__&Key-Pair-Id=K6UGZS9ZTDSZM cf9b2256d0a247070f8160b6d1da7ba1 https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/427ccc6755f5b9b62da3f19abfda9f3f.jpg?Expires=1779926400&Signature=pQjV-k5hhrP6r-DKLJeCSaJPFP4MixpRExus-Ezwps4fOvCLbGswk864%7EVnSwFnCzx7GVFuWYn0DIin9B7gLZ9BCNNoHmH1k3G191c2SFcR0-2x96eU3hZiBwuqesuDLZPB0qCusk0YCYd9M8wA2ZEHIAMCMx%7E%7EsDkNsVMiOqrZKM9Q%7EtZF1%7ECsruQHqSGXpgOw9DvKhbiryH52NGwBs9phZcQitPPmmBLjqn8n8cG9ZV0jWtYW-glp8Z7mnpjq6wEC0aBo%7Eq2YE1Qdek%7EWUe%7EjWnDAeEil12DS-WUjk%7EeBx8CHt3n%7EzQrLtVt9k%7EY7sEYCkYz2WoBOqdCGXL3CADg__&Key-Pair-Id=K6UGZS9ZTDSZM 03817fcae5907ace899cd1d2cd954e48 https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/7a7bff3dfab9c07107f4b92225cc3e4d.jpg?Expires=1779926400&Signature=SKJU4ujY-eEHBNOW8B3olCVuR3wjiEdAkGqE0rCJIqA-GxLNV3CS69jfDrONuT1BHWacNkGjoBqjHL-ZRtpzjoUKTBBC4uJo-E1uvKbcVpGTHN2Te3e2c-stunpNqZ0CPZzFHPPOMGauq7xBXOdTimwvL7Rv4birlXXO6KsIG2LK6K8aYB87638nwkySNbLWixI%7EhFqJBDrxcLjA-jW7BnuwoGMZfEJzbQMQx%7Ev7niMJJRYguHSz-aSlrLJQ89iUNlNT34B0itDLaB8%7E%7Eyf8O-ThMrH6hfQ2ezEajTHvLSsFdHvzlKWaXPnXq89IEj7ey8D7fp3QS0g1Hz9SgYDQeQ__&Key-Pair-Id=K6UGZS9ZTDSZM 8d7208f891b348914c33331562304a72 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Il Martello [The Hammer], Anno III, IV - 1918-1919 (incomplete) New York: Casa Ed. "Il Martello," 1 Gennaio [January] 1918 - 16 Febbraio [February] 1919. Description An account of the resource See the general entry for Il Martello for the years 1918-1943 (repeated in a few descriptions of individual issues) for the history of the founding and running by Carlo Tresca of this, perhaps the most famous and almost surely the most long-lived of the radical newspapers in Italian in the Italian American community. Bound volume - the second of two - of 23 issues of the newspaper-magazine Il Martello, spanning the period from January 1918 (Volume 3 or Anno III, No. 1) to February 1919 (Volume 4 or Anno IV, No. 3), with no post-February issues in the second, 1919 volume. This volume is largely duplicative -but in unfailing chronological order, unlike the other volume - of the first volume bound by Augusto Lentricchia and was a gift to me of Frank Lentricchia, novelist and Katherine Everett Gilbert Professor of Literature and Theater Studies at Duke University. That a reader of a review like Il Martello would lovingly gather issues into a homemade binding, beginning only a year after the founding of Il Martello in 1917, is a measure of the affection that Tresca’s followers felt for him and everything he did. An immigrant from Morollo, south of Rome, Augusto Lentricchia settled in Utica in the first decade of the 20th century, where he worked for the New York Central Railroad, from which he was fired several times for trying to organize other railroad workers to radical causes. Lentricchia was also a poet who wrote about radical issues; one of his poems was published in Il Martello. His bound diaries containing his poetry were donated by Professor Frank Lentricchia to the Italian American Collection at the State University of New York at Stony Brook. This volume includes: Il Martello, Anno III, No. 1 - 1 Gennaio [January] 1917 [i.e. 1918] Il Martello, Anno III, No. 2 - 16 Gennaio [January] 1918 Il Martello, Anno III, No. 3 - 16 Febbraio [February] 1918 Il Martello, Anno III, No. 4 - 1 Marzo [March] 1918 Il Martello, Anno III, No. 5 - 16 Marzo [March] 1918 Il Martello, Anno III, No. 6 - 1 Aprile [April] 1918 Il Martello, Anno III, Numero Special Il Martello, Anno III, No. 8 - 16 Maggio [May] 1918 Il Martello, Anno III, No. 9 - 1 Giugno [June] 1918 Il Martello, Anno III, No. 10 - 16 Giugno [June] 1918 Il Martello, Anno III, No. 11 - 1 Luglio [July] 1918 Il Martello, Anno III, No. 12 - 16 Luglio [July] 1918 Il Martello, Anno III, No. 13 - 1 Agosto [August] 1918 Il Martello, Anno III, No. 14 - 16 Agosto [August] 1918 Il Martello, Anno III, No. 15 - 1 Settembre [September] 1918 Il Martello, Anno III, No. 16 - 1 Ottobre [October] 1918 Il Martello, Anno III, No. 17 - 16 Ottobre [October] 1918 Il Martello, Anno III, No. 18 - 1 Novembre [November] 1918 Il Martello, Anno III, No. 19 - 16 Novembre [November] 1918 Il Martello, Anno IV, No. 1 - 1 Gennaio [January] 1919 Il Martello, Anno IV, No. 2 - 16 Gennaio [January] 1919 Il Martello, Anno IV, No. 3 - 1 Febbraio [February] 1919 Il Martello, Anno IV, Supplemento al No. 3 - 16 Febbraio [February] 1919 Creator An entity primarily responsible for making the resource Carlo Tresca Publisher An entity responsible for making the resource available Casa Ed. "Il Martello" Date A point or period of time associated with an event in the lifecycle of the resource 1 Gennaio [January] 1918 - 16 Febbraio [February] 1919 Language A language of the resource Italian Relation A related resource <a href="https://italianamericanimprints.omeka.net/items/show/527">Il Martello, Vol. 7, No. 9 - 19 Marzo [March] 1921</a> <a href="https://italianamericanimprints.omeka.net/items/show/528">Il Martello, Vol. 7, No. 24 - 19 Luglio [July] 1921</a> <a href="https://italianamericanimprints.omeka.net/items/show/529">Il Martello, Vol. 7, No. 42 - 12 Dicembre [December] 1921</a> <a href="https://italianamericanimprints.omeka.net/items/show/530">Il Martello, Vol. 8, No. 8 - 4 Marzo [March] 1922</a> <a href="https://italianamericanimprints.omeka.net/items/show/531">Il Martello, Vol. 8, No. 14 - 27 Aprile [April] 1922</a> <a href="https://italianamericanimprints.omeka.net/items/show/532">Il Martello, Vol. 28, No. 1 - 14 Gennaio [January] 1943</a> <a href="https://italianamericanimprints.omeka.net/items/show/533">Il Martello, Vol. 28, No. 2 - 28 Febbraio [February] 1943</a> <a href="https://italianamericanimprints.omeka.net/items/show/534">Il Martello, Vol. 28, No. 3 - 14 Marzo [March] 1943</a> <a href="https://italianamericanimprints.omeka.net/items/show/526">Il Martello [main entry]</a> 1911-1920 anti-fascist Carlo Tresca Durante Il Martello New York periodical https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/81e2a4d2e3fddb99e4572e1d23c6bf3f.jpg?Expires=1779926400&Signature=E2VJ6DUPjJ4SW5Z9z%7E4rMGprIBZ0IbjYmbF1BBtfpuUoP6CTJvcgqzeWEeILCVtKcQSHm89TpLkQddwJ9YHcctnQPXNgGr6P0nvYCsF8DIZ4eyz01U2j1jKk-ieFscbQ8xLlRCrYO1dQiIePCVObyZzplE9XbiOJni-IGQSW6l1xXiUUIBgsIA8AWvfWjC8TTlVpHs%7E0Jn-2vqmuGwnazefbMn0g-Qm%7E2H5iEdWMPuxmRI3rEp%7EU9nKxKN8tK0B3fBYcKZjVD-QxCgkcW6M1%7EQpPIReXyov8hmtUMSTJmatVBpKGldPAj5velGE4JerJ5XBz-GPyx9EBB0WWtWcvUQ__&Key-Pair-Id=K6UGZS9ZTDSZM c32c621573376b83591e8256a5ca61c2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Il Martello [The Hammer], Vol 28, No. 3. New York: Casa Ed. "Il Martello," 14 Marzo [March] 1943. Date A point or period of time associated with an event in the lifecycle of the resource 14 Marzo [March] 1943 Creator An entity primarily responsible for making the resource Carlo Tresca Relation A related resource <a href="https://italianamericanimprints.omeka.net/items/show/535">Il Martello, Anno 3, No. 1 - Anno 4, No 3 - 1 Gennaio [January] 1918 - 16 Febbraio [February] 1919</a> <a href="https://italianamericanimprints.omeka.net/items/show/536">Il Martello, Anno 3-4, 1918-1919</a> <a href="https://italianamericanimprints.omeka.net/items/show/527">Il Martello, Vol. 7, No. 9 - 19 Marzo [March] 1921</a> <a href="https://italianamericanimprints.omeka.net/items/show/528">Il Martello, Vol. 7, No. 24 - 19 Luglio [July] 1921</a> <a href="https://italianamericanimprints.omeka.net/items/show/529">Il Martello, Vol. 7, No. 42 - 12 Dicembre [December] 1921</a> <a href="https://italianamericanimprints.omeka.net/items/show/530">Il Martello, Vol. 8, No. 8 - 4 Marzo [March] 1922</a> <a href="https://italianamericanimprints.omeka.net/items/show/531">Il Martello, Vol. 8, No. 14 - 27 Aprile [April] 1922</a> <a href="https://italianamericanimprints.omeka.net/items/show/532">Il Martello, Vol. 28, No. 1 - 14 Gennaio [January] 1943</a> <a href="https://italianamericanimprints.omeka.net/items/show/533">Il Martello, Vol. 28, No. 2 - 28 Febbraio [February] 1943</a> <a href="https://italianamericanimprints.omeka.net/items/show/534"></a> <a href="https://italianamericanimprints.omeka.net/items/show/526">Il Martello [main entry]</a> Publisher An entity responsible for making the resource available Casa Ed. "Il Martello" Language A language of the resource Italian Description An account of the resource See the general entry for Il Martello for the years 1918-1943 for the history of the founding and running by Carlo Tresca of this, perhaps the most famous and almost surely the most long-lived of the radical newspapers in Italian in the Italian American community. 1941-1950 anti-fascist Carlo Tresca Durante Il Martello New York periodical https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/73da7d53164231fa740b2881605758c8.jpg?Expires=1779926400&Signature=mafOFobLsA0TT3rXw79DGZT2spI2aZuVkldDOyoC-DZvZ7V6fDFbTdRzgwIXZC4WfEahNqZGJb2V7JGqRHSZ7PGm8Hf18nmr5RjZOwVx1xh722m1egvmBKM3Cua3VEmVyeqQnZpnnRs1-bLjg3W6WBxZnquCpQa5Iew2mXNfGi0rj6VLvO9WTV-NZPZwAfD5WOfVNYGGhIY1x9xmNVGUoesONfmMWSyAlftxMx0jaHxkWXgvyeK4yK2hBuAxDKcqV24wGqRwRn9Lc3PWNUkXRYJtqnODpHIGP5Jc%7En9TaSYgtvFCdYf8riTfoDk2mOpoksFNTBis7WVyASe%7EuHkDvA__&Key-Pair-Id=K6UGZS9ZTDSZM c70dca6269b0088d256c24bbc1dee014 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Il Martello [The Hammer], Vol 28, No. 2. New York: Casa Ed. "Il Martello," 28 Febbraio [February] 1943. Date A point or period of time associated with an event in the lifecycle of the resource 28 Febbraio [February] 1943 Relation A related resource <a href="https://italianamericanimprints.omeka.net/items/show/535">Il Martello, Anno 3, No. 1 - Anno 4, No 3 - 1 Gennaio [January] 1918 - 16 Febbraio [February] 1919</a> <a href="https://italianamericanimprints.omeka.net/items/show/536">Il Martello, Anno 3, No. 7 - ??? - 16 Aprile [April] 1918 - ???</a> <a href="https://italianamericanimprints.omeka.net/items/show/527">Il Martello, Vol. 7, No. 9 - 19 Marzo [March] 1921</a> <a href="https://italianamericanimprints.omeka.net/items/show/528">Il Martello, Vol. 7, No. 24 - 19 Luglio [July] 1921</a> <a href="https://italianamericanimprints.omeka.net/items/show/529">Il Martello, Vol. 7, No. 42 - 12 Dicembre [December] 1921</a> <a href="https://italianamericanimprints.omeka.net/items/show/530">Il Martello, Vol. 8, No. 8 - 4 Marzo [March] 1922</a> <a href="https://italianamericanimprints.omeka.net/items/show/531">Il Martello, Vol. 8, No. 14 - 27 Aprile [April] 1922</a> <a href="https://italianamericanimprints.omeka.net/items/show/532">Il Martello, Vol. 28, No. 1 - 14 Gennaio [January] 1943</a><a href="https://italianamericanimprints.omeka.net/items/show/533"></a> <a href="https://italianamericanimprints.omeka.net/items/show/534">Il Martello, Vol. 28, No. 3 - 14 Marzo [March] 1943</a> <a href="https://italianamericanimprints.omeka.net/items/show/526">Il Martello [main entry]</a> Creator An entity primarily responsible for making the resource Carlo Tresca Publisher An entity responsible for making the resource available Casa Ed. "Il Martello" Language A language of the resource Italian Description An account of the resource See the general entry for Il Martello for the years 1918-1943 for the history of the founding and running by Carlo Tresca of this, perhaps the most famous and almost surely the most long-lived of the radical newspapers in Italian in the Italian American community. 1941-1950 anti-fascist Carlo Tresca Durante Il Martello New York periodical https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/c61bd40859a2a3e2a46b03ae383b98d6.jpg?Expires=1779926400&Signature=AI-VsXW3WpFi20KWnVbqXQMoMc%7EwNYrydY22hokOMoIDDW0jCG08kX-PRLn1X2BkwfwjLIOzU0UfZRmgjsiUCu70KG-9u8crpilVKP3B%7EywQlWqy5OHGC7EihprHd-P8Q95AWhZOAO5NEKBbvloW0bO%7Eu3rN1VRjJS92bdhio0oriS96CKT3WTFnFzyCGiU3aJkuyhts-TX87pW7-3Zto8obp%7EDofEmU1n1eyKkmzexTzMqmrE7dBvpa%7EG5PrfJyHWLVyPhTluF2vBgYnWR8f%7EYcMCA7GqZqyBuGgFQ-%7EPoLO3Oz2%7EtNSldFaaergaUqemO5vzSoLP8Xp4H0RaKvkg__&Key-Pair-Id=K6UGZS9ZTDSZM 7520228ae0b821055770b90b07f97af6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Il Martello [The Hammer], Vol 28, No. 1. New York: Casa Ed. "Il Martello," 14 Gennaio [January] 1943. Date A point or period of time associated with an event in the lifecycle of the resource 14 Gennaio [January] 1943 Creator An entity primarily responsible for making the resource Carlo Tresca Publisher An entity responsible for making the resource available Casa Ed. "Il Martello" Relation A related resource <a href="https://italianamericanimprints.omeka.net/items/show/535">Il Martello, Anno 3, No. 1 - Anno 4, No 3 - 1 Gennaio [January] 1918 - 16 Febbraio [February] 1919</a> <a href="https://italianamericanimprints.omeka.net/items/show/536">Il Martello, Anno 3, No. 7 - ??? - 16 Aprile [April] 1918 - ???</a> <a href="https://italianamericanimprints.omeka.net/items/show/527">Il Martello, Vol. 7, No. 9 - 19 Marzo [March] 1921</a> <a href="https://italianamericanimprints.omeka.net/items/show/528">Il Martello, Vol. 7, No. 24 - 19 Luglio [July] 1921</a> <a href="https://italianamericanimprints.omeka.net/items/show/529">Il Martello, Vol. 7, No. 42 - 12 Dicembre [December] 1921</a> <a href="https://italianamericanimprints.omeka.net/items/show/530">Il Martello, Vol. 8, No. 8 - 4 Marzo [March] 1922</a> <a href="https://italianamericanimprints.omeka.net/items/show/531">Il Martello, Vol. 8, No. 14 - 27 Aprile [April] 1922</a> <a href="https://italianamericanimprints.omeka.net/items/show/533">Il Martello, Vol. 28, No. 2 - 28 Febbraio [February] 1943</a> <a href="https://italianamericanimprints.omeka.net/items/show/534">Il Martello, Vol. 28, No. 3 - 14 Marzo [March] 1943</a> <a href="https://italianamericanimprints.omeka.net/items/show/526">Il Martello [main entry</a> Language A language of the resource Italian Description An account of the resource See the general entry for Il Martello for the years 1918-1943 for the history of the founding and running by Carlo Tresca of this, perhaps the most famous and almost surely the most long-lived of the radical newspapers in Italian in the Italian American community. 1941-1950 anti-fascist Carlo Tresca Durante Il Martello New York periodical https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/90dccbdebe3b94855ac0df29968af37d.jpg?Expires=1779926400&Signature=qq47DKF47BUZy-yO3nnkIrke8v3oOz0uaYQzGerTdPOmPLeBBxuFPCEy6CWG19h8t5eso8%7Eghl9nbwTCDR8QIaNlFw5BbCBpoVm2VBpHXBWkcg2uZi6hTMGX4djdWqUb2Y-wyY3KXg0xddsyobHNU017c8w433kSzB7yVbiXMP0yr0%7EmBOuNS4PfwnMSezIsizXYHUqHOIxjXW%7Ern8WYtaP2ivoKZiShezWh3790FXAJcnPsR3swefs2RE2pxBsGqyBoTr9AEdSfuqIxaVcJfZbAzmvqTPMjIt4HhA%7EvCjQxzux5ZbPfYAWjs8l5Ntes9ChBpBaLhElVv1RcMywesA__&Key-Pair-Id=K6UGZS9ZTDSZM cd1f4fd66fae04be39f2ed651dce01f4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Il Martello [The Hammer], Vol. VIII, No. 14. New York: Casa Ed. "Il Martello," 27 Aprile [April] 1922. Relation A related resource <a href="https://italianamericanimprints.omeka.net/items/show/535">Il Martello, Anno 3, No. 1 - Anno 4, No 3 - 1 Gennaio [January] 1918 - 16 Febbraio [February] 1919</a><a href="https://italianamericanimprints.omeka.net/items/show/534"> </a><a href="https://italianamericanimprints.omeka.net/items/show/536">Il Martello, Anno 3, No. 7 - ??? - 16 Aprile [April] 1918 - ???</a><a href="https://italianamericanimprints.omeka.net/items/show/534"> </a><a href="https://italianamericanimprints.omeka.net/items/show/527">Il Martello, Vol. 7, No. 9 - 19 Marzo [March] 1921</a><a href="https://italianamericanimprints.omeka.net/items/show/534"> </a><a href="https://italianamericanimprints.omeka.net/items/show/528">Il Martello, Vol. 7, No. 24 - 19 Luglio [July] 1921</a><a href="https://italianamericanimprints.omeka.net/items/show/534"> </a><a href="https://italianamericanimprints.omeka.net/items/show/529">Il Martello, Vol. 7, No. 42 - 12 Dicembre [December] 1921</a><a href="https://italianamericanimprints.omeka.net/items/show/534"> </a><a href="https://italianamericanimprints.omeka.net/items/show/530">Il Martello, Vol. 8, No. 8 - 4 Marzo [March] 1922</a><a href="https://italianamericanimprints.omeka.net/items/show/534"> </a><a href="https://italianamericanimprints.omeka.net/items/show/532">Il Martello, Vol. 28, No. 1 - 14 Gennaio [January] 1943</a><a href="https://italianamericanimprints.omeka.net/items/show/534"> </a><a href="https://italianamericanimprints.omeka.net/items/show/533">Il Martello, Vol. 28, No. 2 - 28 Febbraio [February] 1943</a><a href="https://italianamericanimprints.omeka.net/items/show/534"> </a><a href="https://italianamericanimprints.omeka.net/items/show/534">Il Martello, Vol. 28, No. 3 - 14 Marzo [March] 1943</a><a href="https://italianamericanimprints.omeka.net/items/show/534"></a> <a href="https://italianamericanimprints.omeka.net/items/show/526">Il Martello [main entry]</a> Creator An entity primarily responsible for making the resource Carlo Tresca Publisher An entity responsible for making the resource available Casa Ed. "Il Martello" Language A language of the resource Italian Date A point or period of time associated with an event in the lifecycle of the resource 27 Aprile [April] 1922 Description An account of the resource See the general entry for Il Martello for the years 1918-1943 for the history of the founding and running by Carlo Tresca of this, perhaps the most famous and almost surely the most long-lived of the radical newspapers in Italian in the Italian American community. 1921-1930 anti-fascist Carlo Tresca Durante Il Martello New York periodical https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/0019d4fba2732748c8e0280ffa0c0aad.jpg?Expires=1779926400&Signature=toBTfY6aXvDjWxf0UiewqBg8pic1RbgeH30g%7Ezp5Au4AU54xrNUvI7G6lxQVU3c8PHnCP3cXD81WlGXd1f5nKzwVujW%7EbfTi6Cw-ST5YZ5UXFBaaoAslECWyK0EIy7cERpdSMkn3E2EShAZGgm0PPJVjmyx1PQ1t6%7E0Dg8QhjhdWWQ-reJU9692zV1ENkQeX%7EOUMSUBDPPmZNLDzBtQNnDZy7MwFVwmbHdCqG29m2voCW0FeDTPz32hRMjCtdun8Qn9utVjryU9mCy0F1uQYhWcdEz3TROnR8f8934yLBnaJuW70eGe9AwKByH8cVV6WbH7foJNe-Msoqh3g6ziUzA__&Key-Pair-Id=K6UGZS9ZTDSZM 5334b29fb55469343d39acb93f96f343 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Il Martello [The Hammer], Vol. VIII, No. 8. New York: Casa Ed. "Il Martello," 4 Marzo [March] 1922. Relation A related resource <a href="https://italianamericanimprints.omeka.net/items/show/535">Il Martello, Anno 3, No. 1 - Anno 4, No 3 - 1 Gennaio [January] 1918 - 16 Febbraio [February] 1919</a><a href="https://italianamericanimprints.omeka.net/items/show/534"> </a><a href="https://italianamericanimprints.omeka.net/items/show/536">Il Martello, Anno 3-4, 1918-1919</a><a href="https://italianamericanimprints.omeka.net/items/show/534"> </a><a href="https://italianamericanimprints.omeka.net/items/show/527">Il Martello, Vol. 7, No. 9 - 19 Marzo [March] 1921</a><a href="https://italianamericanimprints.omeka.net/items/show/534"> </a><a href="https://italianamericanimprints.omeka.net/items/show/528">Il Martello, Vol. 7, No. 24 - 19 Luglio [July] 1921</a><a href="https://italianamericanimprints.omeka.net/items/show/534"> </a><a href="https://italianamericanimprints.omeka.net/items/show/529">Il Martello, Vol. 7, No. 42 - 12 Dicembre [December] 1921</a><a href="https://italianamericanimprints.omeka.net/items/show/534"> </a><a href="https://italianamericanimprints.omeka.net/items/show/531">Il Martello, Vol. 8, No. 14 - 27 Aprile [April] 1922</a><a href="https://italianamericanimprints.omeka.net/items/show/534"> </a><a href="https://italianamericanimprints.omeka.net/items/show/532">Il Martello, Vol. 28, No. 1 - 14 Gennaio [January] 1943</a><a href="https://italianamericanimprints.omeka.net/items/show/534"> </a><a href="https://italianamericanimprints.omeka.net/items/show/533">Il Martello, Vol. 28, No. 2 - 28 Febbraio [February] 1943</a><a href="https://italianamericanimprints.omeka.net/items/show/534"> </a><a href="https://italianamericanimprints.omeka.net/items/show/534">Il Martello, Vol. 28, No. 3 - 14 Marzo [March] 1943</a><a href="https://italianamericanimprints.omeka.net/items/show/534"></a> <a href="https://italianamericanimprints.omeka.net/items/show/526">Il Martello [main entry]</a> Creator An entity primarily responsible for making the resource Carlo Tresca Publisher An entity responsible for making the resource available Casa Ed. "Il Martello" Language A language of the resource Italian Date A point or period of time associated with an event in the lifecycle of the resource 4 Marzo [March] 1922 Description An account of the resource Carlo Tresca was the editor-in-chief (or equivalent) at several radical newspapers over his career, but the one that he founded and ran for decades — Il Martello — is the one most closely identified with him, and he with it. Tresca founded Il Martello in 1917, and he directed it (with some interruptions due to poor finances) until his assassination in 1943. As is evident from the broad range of writing genres it encompassed, Il Martello was not a traditional Italian anarchist newspaper or a “movement” publication in the specific way that La Questione Sociale (edited by Ludovico Caminita and by Galleani briefly) was for anarcho-syndicalists, or the Cronaca Sovversiva and L’Adunata dei Refrattari were for anti-organizationist anarchist communists like Galleani and his followers. Rather, Il Martello was too eclectic and unorthodox, like Tresca himself, to be classified according to conventional typology —“You can’t label him. You can’t classify him,” said Max Eastman in a famous The New Yorker profile. The personal affection that Tresca’s friends and colleagues had for him infuriated the more cerebral Galleani and his ultraloyal founders, who unfairly attacked Tresca personally when they were unable to do so doctrinally. 1921-1930 anti-fascist Carlo Tresca Durante Il Martello New York periodical https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/f406ad1208bd614d571c8292ca6891bd.jpg?Expires=1779926400&Signature=qYDPI%7EwH-K9BrBgdLwUXMYvd3UgvcbheE016hjUILgDf3bb207ZdaSL6pe1W0adwRxUWzB4q6MrfGkGTBOJHGrksmXDuZrlenDg0vec2CjDfYYJxyxAyQgO%7EjKYsM9HYq3S5esFtwSvR5q9jToRmYZtEVHz9gnaM7YR-3bUxRpIhP1Dy0yMUc%7EfxXfbDRPtQqoE3qWnOvXNiPfaxD0akxZnrFL1WcqpxNP59GxNzF6W-aeUb4yF6XkB-vhGrR83Szws1zvPlLq%7E3cuH9hrJ413htCiifU7qPGZu6mFRDb%7E3erMO4IwWDLDWP0NhMutOoTi4gd79jC57xO3dJ8VYWxQ__&Key-Pair-Id=K6UGZS9ZTDSZM 47fd0f89c8cecffd3e178b50d02b3b71 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Il Martello [The Hammer], Vol. VII, No. 42. New York: Casa Ed. "Il Martello," 12 Dicembre [December] 1921. Relation A related resource <a href="https://italianamericanimprints.omeka.net/items/show/535">Il Martello, Anno 3, No. 1 - Anno 4, No 3 - 1 Gennaio [January] 1918 - 16 Febbraio [February] 1919</a> <a href="https://italianamericanimprints.omeka.net/items/show/536">Il Martello, Anno 3-4, 1918-1919</a> <a href="https://italianamericanimprints.omeka.net/items/show/527">Il Martello, Vol. 7, No. 9 - 19 Marzo [March] 1921</a> <a href="https://italianamericanimprints.omeka.net/items/show/528">Il Martello, Vol. 7, No. 24 - 19 Luglio [July] 1921</a> <a href="https://italianamericanimprints.omeka.net/items/show/530">Il Martello, Vol. 8, No. 8 - 4 Marzo [March] 1922</a> <a href="https://italianamericanimprints.omeka.net/items/show/531">Il Martello, Vol. 8, No. 14 - 27 Aprile [April] 1922</a> <a href="https://italianamericanimprints.omeka.net/items/show/532">Il Martello, Vol. 28, No. 1 - 14 Gennaio [January] 1943</a> <a href="https://italianamericanimprints.omeka.net/items/show/533">Il Martello, Vol. 28, No. 2 - 28 Febbraio [February] 1943</a> <a href="https://italianamericanimprints.omeka.net/items/show/534">Il Martello, Vol. 28, No. 3 - 14 Marzo [March] 1943</a> <a href="https://italianamericanimprints.omeka.net/items/show/526">Il Martello [main entry]</a> Creator An entity primarily responsible for making the resource Carlo Tresca Publisher An entity responsible for making the resource available Casa Ed. "Il Martello" Language A language of the resource Italian Date A point or period of time associated with an event in the lifecycle of the resource 12 Dicembre [December] 1921 Description An account of the resource Carlo Tresca was the editor-in-chief (or equivalent) at several radical newspapers over his career, but the one that he founded and ran for decades — Il Martello — is the one most closely identified with him, and he with it. Tresca founded Il Martello in 1917, and he directed it (with some interruptions due to poor finances) until his assassination in 1943. As is evident from the broad range of writing genres it encompassed, Il Martello was not a traditional Italian anarchist newspaper or a “movement” publication in the specific way that La Questione Sociale (edited by Ludovico Caminita and by Galleani briefly) was for anarcho-syndicalists, or the Cronaca Sovversiva and L’Adunata dei Refrattari were for anti-organizationist anarchist communists like Galleani and his followers. Rather, Il Martello was too eclectic and unorthodox, like Tresca himself, to be classified according to conventional typology —“You can’t label him. You can’t classify him,” said Max Eastman in a famous The New Yorker profile. The personal affection that Tresca’s friends and colleagues had for him infuriated the more cerebral Galleani and his ultraloyal founders, who unfairly attacked Tresca personally when they were unable to do so doctrinally. 1921-1930 anti-fascist Carlo Tresca Durante Il Martello New York periodical https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/c2e335064382c2390677a0f3d0e0e420.jpg?Expires=1779926400&Signature=dTXGmd0NCpECuxkNOhoOUOHn5k4AWl6CnOP2Cnc1nA3yLUwLC45zZli7kvv2avWrJrTFCiP3wpRF0Bao3PugS6jxQcXhevHBALJL3aMdl5DNf4QwGAU8cgFo2grl6C-XZ0Ay3bh53Y-iltiOl3IoX9sloz8Ym-mw28Xrms3ekuF76jP3K6SsYyzB1ZIkU7P0BIIhlCaaCbHBddAFnmG36UYwrDOFsJ-iy18GTKImx8Aq4OLbB023UTPe1mRBTiHHMqm-413HIowuB44Fut3sb--rmhVQTUxGDFXhUCHGsDUpj-av0UTXvDrfobkoxQP1%7EJJ9dizD2qrNvAjORzXX1w__&Key-Pair-Id=K6UGZS9ZTDSZM 4e3465a439d27cb2ef8dde5e5e255366 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Il Martello [The Hammer], Vol. VII, No. 24. New York: Casa Ed. "Il Martello," 19 Luglio [July] 1921. Relation A related resource <a href="https://italianamericanimprints.omeka.net/items/show/535">Il Martello, Anno 3, No. 1 - Anno 4, No 3 - 1 Gennaio [January] 1918 - 16 Febbraio [February] 1919</a><a href="https://italianamericanimprints.omeka.net/items/show/534"> </a><a href="https://italianamericanimprints.omeka.net/items/show/536">Il Martello, Anno 3-4, 1918-1919 </a><a href="https://italianamericanimprints.omeka.net/items/show/527">Il Martello, Vol. 7, No. 9 - 19 Marzo [March] 1921</a><a href="https://italianamericanimprints.omeka.net/items/show/534"> </a><a href="https://italianamericanimprints.omeka.net/items/show/529">Il Martello, Vol. 7, No. 42 - 12 Dicembre [December] 1921</a><a href="https://italianamericanimprints.omeka.net/items/show/534"> </a><a href="https://italianamericanimprints.omeka.net/items/show/530">Il Martello, Vol. 8, No. 8 - 4 Marzo [March] 1922</a><a href="https://italianamericanimprints.omeka.net/items/show/534"> </a><a href="https://italianamericanimprints.omeka.net/items/show/531">Il Martello, Vol. 8, No. 14 - 27 Aprile [April] 1922</a><a href="https://italianamericanimprints.omeka.net/items/show/534"> </a><a href="https://italianamericanimprints.omeka.net/items/show/532">Il Martello, Vol. 28, No. 1 - 14 Gennaio [January] 1943</a><a href="https://italianamericanimprints.omeka.net/items/show/534"> </a><a href="https://italianamericanimprints.omeka.net/items/show/533">Il Martello, Vol. 28, No. 2 - 28 Febbraio [February] 1943</a><a href="https://italianamericanimprints.omeka.net/items/show/534"> </a><a href="https://italianamericanimprints.omeka.net/items/show/534">Il Martello, Vol. 28, No. 3 - 14 Marzo [March] 1943</a><a href="https://italianamericanimprints.omeka.net/items/show/534"></a> <a href="https://italianamericanimprints.omeka.net/items/show/526">Il Martello [main entry]</a> Creator An entity primarily responsible for making the resource Carlo Tresca Publisher An entity responsible for making the resource available Casa Ed. "Il Martello" Language A language of the resource Italian Date A point or period of time associated with an event in the lifecycle of the resource 19 Luglio [July] 1921 Description An account of the resource Carlo Tresca was the editor-in-chief (or equivalent) at several radical newspapers over his career, but the one that he founded and ran for decades — Il Martello — is the one most closely identified with him, and he with it. Tresca founded Il Martello in 1917, and he directed it (with some interruptions due to poor finances) until his assassination in 1943. As is evident from the broad range of writing genres it encompassed, Il Martello was not a traditional Italian anarchist newspaper or a “movement” publication in the specific way that La Questione Sociale (edited by Ludovico Caminita and by Galleani briefly) was for anarcho-syndicalists, or the Cronaca Sovversiva and L’Adunata dei Refrattari were for anti-organizationist anarchist communists like Galleani and his followers. Rather, Il Martello was too eclectic and unorthodox, like Tresca himself, to be classified according to conventional typology —“You can’t label him. You can’t classify him,” said Max Eastman in a famous The New Yorker profile. The personal affection that Tresca’s friends and colleagues had for him infuriated the more cerebral Galleani and his ultraloyal founders, who unfairly attacked Tresca personally when they were unable to do so doctrinally. 1921-1930 anti-fascist Carlo Tresca Durante Il Martello New York periodical https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/5b6eaaae65feb437ff606001d18b44dc.jpg?Expires=1779926400&Signature=fw%7EOBX-2ZGdeU340dHWI2xS-bel5fD9Ag05yHQ25Ux%7EPeKEvLgULdsmcxI2M8A-nj1JIsivma9NyBs2EtWlTAOXGTev%7EMTuEI2ZF4qwik4R4SzI%7EWAmcsETx1L9uzpjwMVYiaS%7EKsagUkcnsRAJWIkflxSKQkvOsFSD7RqTBt55YdjLoPf4%7E8-OFd8culiThSZ31-jkRhZ005gZsZNLPbypeKmXxUx4-QajXLtvQjLpLQe9QT1tVGyUkJ4X0SfeKLNuEmVG4PbNluTYGzAyOoycCfkniNKHl%7EWfZCs%7E7JFJ8VSci5d3ZN2BBGmq2AGlLyWOVzb2K0h7pIz-0DJAqag__&Key-Pair-Id=K6UGZS9ZTDSZM e95a659887f5a2536e8025f30b506b19 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Il Martello [The Hammer], Vol. VII, No. 9. New York: Casa Ed. "Il Martello," 19 Marzo [March] 1921. Relation A related resource <a href="https://italianamericanimprints.omeka.net/items/show/534"></a><a href="https://italianamericanimprints.omeka.net/items/show/535">Il Martello, Anno 3, No. 1 - Anno 4, No 3 - 1 Gennaio [January] 1918 - 16 Febbraio [February] 1919</a><a href="https://italianamericanimprints.omeka.net/items/show/534"> </a><a href="https://italianamericanimprints.omeka.net/items/show/536">Il Martello, Anno 3-4, 1918-1919</a><a href="https://italianamericanimprints.omeka.net/items/show/534"> </a><a href="https://italianamericanimprints.omeka.net/items/show/528">Il Martello, Vol. 7, No. 24 - 19 Luglio [July] 1921</a><a href="https://italianamericanimprints.omeka.net/items/show/534"> </a><a href="https://italianamericanimprints.omeka.net/items/show/529">Il Martello, Vol. 7, No. 42 - 12 Dicembre [December] 1921</a><a href="https://italianamericanimprints.omeka.net/items/show/534"> </a><a href="https://italianamericanimprints.omeka.net/items/show/530">Il Martello, Vol. 8, No. 8 - 4 Marzo [March] 1922</a><a href="https://italianamericanimprints.omeka.net/items/show/534"> </a><a href="https://italianamericanimprints.omeka.net/items/show/531">Il Martello, Vol. 8, No. 14 - 27 Aprile [April] 1922</a><a href="https://italianamericanimprints.omeka.net/items/show/534"> </a><a href="https://italianamericanimprints.omeka.net/items/show/532">Il Martello, Vol. 28, No. 1 - 14 Gennaio [January] 1943</a><a href="https://italianamericanimprints.omeka.net/items/show/534"> </a><a href="https://italianamericanimprints.omeka.net/items/show/533">Il Martello, Vol. 28, No. 2 - 28 Febbraio [February] 1943</a><a href="https://italianamericanimprints.omeka.net/items/show/534"> </a><a href="https://italianamericanimprints.omeka.net/items/show/534">Il Martello, Vol. 28, No. 3 - 14 Marzo [March] 1943</a><a href="https://italianamericanimprints.omeka.net/items/show/534"></a> <a href="https://italianamericanimprints.omeka.net/items/show/526">Il Martello [main entry]</a> Creator An entity primarily responsible for making the resource Carlo Tresca Publisher An entity responsible for making the resource available Casa Ed. "Il Martello" Language A language of the resource Italian Date A point or period of time associated with an event in the lifecycle of the resource 19 Marzo [March] 1921 Description An account of the resource Carlo Tresca was the editor-in-chief (or equivalent) at several radical newspapers over his career, but the one that he founded and ran for decades — Il Martello — is the one most closely identified with him, and he with it. Tresca founded Il Martello in 1917, and he directed it (with some interruptions due to poor finances) until his assassination in 1943. As is evident from the broad range of writing genres it encompassed, Il Martello was not a traditional Italian anarchist newspaper or a “movement” publication in the specific way that La Questione Sociale (edited by Galleani and Caminita) was for anarcho-syndicalists. Rather, Il Martello was too eclectic and unorthodox, like Tresca himself, to be classified according to conventional typology —“You can’t label him. You can’t classify him,” said Max Eastman in a famous profile in The New Yorker. The personal affection that Tresca’s friends and colleagues had for him infuriated the more cerebral Galleani and his ultraloyal founders, who unfairly attacked Tresca personally when they were unable to do so doctrinally. 1921-1930 anti-fascist Carlo Tresca Durante Il Martello New York periodical https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/2ddbbefbdfd0ad9f8d73c2375b4abc44.jpg?Expires=1779926400&Signature=mdpISDBD9RFd%7ElEG4cY33IyB1zeugV5opHSWR6U%7ECCaHTHVKs8XNu2ddarpJxteGNUAmH-oDGpTrMm-a8OUDfX-UoGBo-AYKnM5aD-P1meH1tZkzRtD3jnih2u5tn8FTR89vpSP7hHFkOIGMYZ-6EcU%7EyfExnFsUIFprNTvAgXAhLQKIT%7EadQQpEnuVS101Wv%7EAR6VwIex2fJMkRVk%7E3hm%7E5eMF3SI1Yf7YeeNFJ0dwYQ7UZF006pLmXpwmFY4e3XyQcLKqIx6LgfRwN27r6eGGZhS4SpYeOj3I4XWfROTEsDgEHEvFLKi2zZWkYzc8vlCTI%7EFQ6JMsxqz0sJDy0Ig__&Key-Pair-Id=K6UGZS9ZTDSZM c6df1d20c814b5242bd989899e8dd266 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Periodicals: newspapers and magazines Description An account of the resource The collection is rich in hard to find magazines and/or newspapers like Ernesto Valentini's Zarathustra, Vincenzo Vacirca's Il Solco and La Strada, Aldino Felicani's La Controcorrente, Il Proletario, Enrico Arrigoni's Eresia, Carlo Tresca's Il Martello and Guardia Rossa, Antonino Capraro's Alba Nuova, Arturo Giovannitti's Vita, Agostino De Biasi's Il Carroccio, T. Lucidi's Il Messaggero della Salute, Guido Podrecca's and Gabriele Galantara's L'Asino (this last mostly published in Rome) and others. As Francesco Durante rightly observed in Italoamericana, understanding the contribution of journalism among Italian Americans - almost solely in Italian at the outset - to the community life, as well as to the culture of the immigrant community, is central to understanding that community. Virtually all of the writers whose book-length works we see and celebrate in the collection, whether political or not, began their writing careers with newspaper or magazine writing. Some even immigrated to the U.S. precisely to do just that, but those were exceptional. The politics of the magazines and newspapers ran the gamut from left to right, and some - e.g., Il Messaggero della Salute - were not really political in that sense at all. The separation often observed between the political and the literary sections of the magazines is surprising and deserves examination all by itself: one can find the stories of Clara Vacirca, married to and sharing the political leanings of the socialist Vincenzo Vacirca, published in the right-wing Il Carroccio, and less overtly political writers like Salvatore Benanti and Federico Mennella often contributed literary pieces to leftist periodicals like La Follia di New York. For example, Mennella wrote the dialect column for La Follia for some time. The catholic nature of the magazines in the literary culture of the Italians reflected one of its strengths. Whatever the mixture of news from Italy and from America, whether "news events," or political or cultural commentary, short stories or poems, whether from Italians still in Italy or immigrants in the U.S. or translated from German, French. English or Russian - all of which were quite prevalent - or elaborations of philosophies of living, sometimes imported but sometimes "home-grown" in the U.S., the magazines and newspapers provide a rich insight into this world. Beyond the articles themselves were, in many cases, letters to the editors and lists of new subscribers (and the cities and towns they lived in), both of which enlarge our understanding of what parts of the immigrant community were reached and affected by the printed word. This, too, is a subject that deserves close examination, and has been discussed recently, for example, in a fine essay by historian Adam Quinn discussing whether the Cronaca Sovversiva of the anti-organizational anarchist Luigi Galleani was a "seditious rag" or a community newspaper - or both. Quinn clearly concludes that it was both. The same can be said for Il Martello, La Follia di New York, Il Carroccio and many of the other political magazines - they were part of the "glue" that held together the Italian community quite beyond their immediate political messages. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Il Martello [The Hammer]. New York: Casa Ed. "Il Martello," 1918-1943. Description An account of the resource Carlo Tresca was the editor-in-chief (or equivalent) at several radical newspapers over his career, but the one that he founded and ran for decades — Il Martello — is the one most closely identified with him, and he with it. Tresca founded Il Martello in 1916, and he directed it (with some interruptions due to poor finances) until his assassination in 1943; the paper continued for a few more years, until 1946. As is evident from the broad range of writing genres it encompassed, Il Martello was not a traditional Italian anarchist newspaper or a “movement” publication in the specific way that La Questione Sociale (edited by Galleani and Caminita) was for anarcho-syndicalists. Rather, Il Martello was too eclectic and unorthodox, like Tresca himself, to be classified according to conventional typology —“You can’t label him. You can’t classify him,” said Max Eastman in a famous profile in The New Yorker. In 1923, Il Martello reached international distribution, being mailed throughout Italy. Tresca mailed his paper to subscribers in Italy without charging any money, according to Nunzio Pernicone in Carlo Tresca: Portrait of a Rebel. The Italian government responded by banning the importation of Il Martello. This was probably a "first" for an Italian-language American periodical's foray into the Italian market. (It's the converse of the banning of export of L'Asino from Rome to the United States that led to the "publication" in New York of the same magazine, with the same cartoons and stories but with advertisements from New York Italian businesses, not Roman ones.) The personal affection that Tresca’s friends and colleagues had for him infuriated the more cerebral Galleani and his ultraloyal founders, who unfairly attacked Tresca personally when they were unable to do so doctrinally. Still, there was plenty in Tresca's life - e.g., his affair with a 16-year old tutoring him in English - that merited personal disapproval and even condemnation with Galleanisti looking very hard. The collection includes: <div id="dublin-core-title" class="element"> <div class="field two columns alpha">Title</div> <div class="element-text five columns omega"> <a href="https://italianamericanimprints.omeka.net/items/show/535">Il Martello, Anno III - IV, 1918-1919 - 20 issues</a> <a href="https://italianamericanimprints.omeka.net/items/show/536">Il Martello, Anno III - IV, 1918-1919 </a>- 23 issues <a href="https://italianamericanimprints.omeka.net/items/show/527">Il Martello, Anno (Vol.) 7, No. 9 - 19 Marzo [March] 1921</a> <a href="https://italianamericanimprints.omeka.net/items/show/528">Il Martello, Anno (Vol.) 7, No. 24 - 19 Luglio [July] 1921</a> <a href="https://italianamericanimprints.omeka.net/items/show/529">Il Martello, Anno (Vol. 7), No. 42 - 12 Dicembre [December] 1921</a> <a href="https://italianamericanimprints.omeka.net/items/show/530">Il Martello, Vol. 8, No. 8 - 4 Marzo [March] 1922</a> <a href="https://italianamericanimprints.omeka.net/items/show/531">Il Martello, Vol. 8, No. 14 - 27 Aprile [April] 1922</a> <a href="https://italianamericanimprints.omeka.net/items/show/532">Il Martello, Vol. 28, No. 1 - 14 Gennaio [January] 1943</a> <a href="https://italianamericanimprints.omeka.net/items/show/533">Il Martello, Vol. 28, No. 2 - 28 Febbraio [February] 1943</a> <a href="https://italianamericanimprints.omeka.net/items/show/534">Il Martello, Vol. 28, No. 3 - 14 Marzo [March] 1943</a> </div> </div> Creator An entity primarily responsible for making the resource Carlo Tresca Language A language of the resource Italian Publisher An entity responsible for making the resource available Casa Ed. "Il Martello" 1911-1920 anti-fascist Carlo Tresca Durante Il Martello New York periodical https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/dd439a04729fb4a41eac0c5a68b90b29.jpg?Expires=1779926400&Signature=ktI6wJVJx2AaL8D0X0nG4h5bp6JcfNJFvNmVRt0QpMwjrwqOaPDNjIcNB%7EwNKn5lN%7E4iZArzdLD5MlsM1WaRxw-cSIixONi7iy1h8nPzL-40evCWjGsnwCz0RZ%7EoOUXr0506uLLTVMvXI-NnAUnIGC2J6kLuSUfaMIN38Q8REsOCApM7uqdajVxGUaIvSQephEGbD8X049RPgmHZ1oOLkyo0hzmm-z05GwaqpXU1WRYbhjdNfT2mHswUTnakvruvXeX-HoNXjbRjMkBfadFrq8YO8nT64%7Ebzx6IVAEKj3dSTY6jCtQBu0kf-XLABldDuN7rC03EfK1b2uC-xq5pirA__&Key-Pair-Id=K6UGZS9ZTDSZM 79fda7d55449dd2b9a27db2303d65542 https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/2765335df79c9f00e5ff413e528e1ca0.jpg?Expires=1779926400&Signature=Vd5KXDk66KrsC04XNmDn7wJwFGDRY6KhNbwlqYKrURX9n114vacW-ePQCESJ8xOZCPbEhIMPOfAwlSNoYaNXzvn8flaDL2XFCdwR0xp5%7EHxcs8xnoWoVtwt2AeqL6s16E2dqeq-8M0X9q%7EQKK5VKU8ZIJVsrjy9BF41g4K931smbOIYDASpyKL9tAyMYo-LNZ86PQ00WdmKibh6Y3bQJRozGB4DTy4jcIigDpya9RCSmP-XG2qr4fDpCSkfivGjiTQQk06%7EJthKHSCxO0xENgH4YORoSEowA47bByD9DBI7hzN7uonMYqmCGcbaVQ%7EAree%7EJHsrj1MOkXG70KseI8A__&Key-Pair-Id=K6UGZS9ZTDSZM 2ba2ffccd3e7e425e6c9cff8aa2c4c5d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Learning the languages: For Americans and Italians Subject The topic of the resource Grammars and dictionaries - at first, imported from Italy, ones teaching English to native Italian speakers - were later supplemented by "home-grown" (that is, made in America) grammars especially designed for Italian immigrants, not like the grammars of decades before, designed for Italians in Italy wanting to learn English. Description An account of the resource The “languages” here are, of course, both English and Italian. In ways that I could not begin to perceive when I started collecting works in Italian, it was by no means a one-way street - that is, with Italian immigrants just wanting to learn English, with Italian as the vehicle to ease their way into learning English. Indeed, the two efforts are intimately related. First comes the “pre-history” to the world of the late 19th/early 20th century immigrants to New York and elsewhere in the U.S., namely, a period earlier in the 19th century, when Americans wanted to learn Italian, whether in colleges or with private lessons. This effort starts with Lorenzo Da Ponte, who came to the United States in 1805, and whose impact in those years cannot be overstated. Beginning with Da Ponte in the early 19th century, and continuing throughout the century, Italians delighted in teaching Americans how to read, speak and write in Italian. This collection of poetry was gathered mostly as teaching material – grammars, readers and dictionaries – that were in widespread use in the United States, primarily in the Northeast. Da Ponte wrote and published simple dramas for his private students and for those at Columbia College, where he became its first professor of Italian in 1825. Da Ponte and his brother Carlo maintained a bookstore as well. They shipped such publications throughout the United States wherever Italian was taught. Italian exiles in mid-century taught Italian to Americans eager to learn the language. Much later, in the late 19th century, Augusto Bassetti, Angelo De Gaudenzi and Francesco Zanolini, developed their own grammars, dictionaries and readers specifically designed to teach English to Italian immigrants. But the goal was also stated to be (particularly in Bassetti’s case) to help Italians simultaneously improve their knowledge of standard Italian, and thus enable them to read the Italian-language newspapers and even more the book-length publications that would soon come rolling out of print shops in New York and San Francisco. In the early 20th century, Alfonso Arbib-Costa published a series of “lezione” books designed to help Italian natives to learn English, as well as English-speakers to learn Italian. Perhaps even more significantly, Arbib-Costa’s lesson books, and those of Alberto Pecorino, helped Italian immigrants who brought to America largely an oral language, more typically dialect than standard Italian, learn how to read standard Italian. This development created and sustained a class of readers for the newspapers and magazines, and ultimately, the critical mass necessary for the development of a literary culture. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Grammatica-enciclopedia Italiana-Inglese per gli Italiani degli Stati Uniti [Italian-English grammar-encyclopedia for the Italians of the U.S.]. New York: Libreria Nuova Italia, ed., 1949. Creator An entity primarily responsible for making the resource Alberto Pecorini Format The file format, physical medium, or dimensions of the resource 19x14cm; 480 p. Date A point or period of time associated with an event in the lifecycle of the resource 1949 Description An account of the resource See entries for the 1911 [1912] editions of this work, when a copy cost $1.25. This 1949 edition cost $2.25, a fairly modest increase given the passage of 38 years. Note that the publisher was no longer Nicoletti Bros. My guess is that when Nicoletti ceased to exist, or ceased to find it profitable to publish this work, the copyright passed to Pecorini himself, who lived to 1957, and Libreria Nuova Italia (copyright on verso of title page reading "New Italy Book Co.") was his own imprint. 1941-1950 Alberto Pecorini Durante English grammar https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/5ff534eb5a9b245770a2bfe9fef61984.jpg?Expires=1779926400&Signature=Y5cxJKqTfTCC9WFCY-DSCbhSAWNdmUfStlWu65pXmxQnH4sGe7B%7EdF67dhM8M2HJq7X3wU89r5zXz4vjJ0kTcEOdSeDPriInmB1QDvgrFGwNHrOY2CUABQrKO3RecqZtmmirzUcXhgIeIDCq%7Elo97WmjSkpGHs64vA0CLA%7EnMp64bvkcUtOwL8ZCK4t4qgZJ2jCUGM94lWKwb2ewQW%7EgDSacPoVl-1ki6WBD7Da-4z8SFHOXhoT842i-gwYt3q5aegye9YLtLy0KDUpP6DO9Le8%7Eyg7G22Uwh2uPW1LPdP%7ET0%7E43llFJryn3p-Ioo7nO5Tbbxu1yZAlPTQVVq-6QmA__&Key-Pair-Id=K6UGZS9ZTDSZM 3f2d2438f3f2699e4beccd7f5dbbe562 https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/75d369dd8916ec20320e91178677d4c5.jpg?Expires=1779926400&Signature=VPjVtAVRnCQOV0a-XASwTWThmhOaBA9a8f43edwR5s7H3Xl7e7Gl8NqbgzA4F2-FghDP%7EOzDLZqD4iGqMhPeHnPkMzEhUmWdDfxkB6JV7q0XJd68ijjDOEZc2K6LQ0F3LNQI%7EVy3uEqmS6IhL0uDA%7Eg6Kcs6AoKLs8%7EhSfv31UMTn8EyWTjk3Ut0MhvTvGfMD3Erk3wg3RpeNE8qJFxvgOkswwAvD-0-FLFb5sSR83FOjQ7FlFVy%7EkuIZL6KW9kVxwASX%7E6ijy1f04bLQ29N17EnGcu6nCk4KtN9mwx6AH-GBUsWEqvFRGTWZ-KWiv54Kk7Drg4fYxBSgymLP4nAyQ__&Key-Pair-Id=K6UGZS9ZTDSZM 89d62e0675d8b395f9aea69e0cb6a618 https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/e97974fb7aea6b8ff72f9a0df7bc1f9c.jpg?Expires=1779926400&Signature=gn9%7EkIe-7VAIeY26SkezU6KFOjbc7Vr60BdlZNEQTsCj1mdiWTJ%7EQW39CMtxtX-rfrP6HZ%7EaXSSCrLVm5UBALZNI79F8By9TzseQV5urA1SNbGi6gtNDbJenO1osEj782%7EomI-fxsyMsaRzks1YGmkMuZBxGfIarm7H-vzrmK6%7EqNsFOupVj7RnBoNUwa6coa2pFlh2lJJ5M-SW8Ju5UKKiY98n4-Am1jz-ZkIOyambdIYSvXNx99je96gkHp7KxFQyLWNi-Rd6HJNt4O5ds0libf7TEqbiKYEO%7EbtLD1owv9TlBKG33wNFbQUKnBwsBNBTizxHWpqZ647x2o5oRfA__&Key-Pair-Id=K6UGZS9ZTDSZM 5e25ef6ac4078922b48949093824abb6 https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/4cb98ffbd96b778afd74b2f3fbd416d4.jpg?Expires=1779926400&Signature=TnfGl0B7sP0%7EvGOXdd95CHr53rElZeD0gI8CAkl%7E0EgDofwYWIRDjuO1URFlGDPmHvDm2k0fx4VHFPQEZNp46POlrlOaCc7KJS9r47vzlvZknAIIpQ20Ykj9UJXUCvb29Mp2AtHEj98YrSWELb-UG2BZctpjPqaxHThgyGbirE3NoDuOqonpfZAXYmkwzOuawRKngHwCVpbjguyMUegZ6w9fUo1cJIjNh%7EgsRb1ioxw9BVkvmhDELVYmRQfoCZ7hS3m55XJBx32d3pHpFwfpB1AwRCpW1nH73zL32XFm8KfpdFHUQKpfYIq6k8G%7E7qDh6kKH80DzkyVML1zVxNHg7w__&Key-Pair-Id=K6UGZS9ZTDSZM 81dcfeb0068b04a44b9ca4a0090117b2 https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/4ad225168a197287a7cceb782fc92ad0.jpg?Expires=1779926400&Signature=bABhNjjqsor9FRo5TEZr2pPIeqO9ZDIED0S9O0b3rfXa3rdRrcQ1uXbCcvKHBOK5hj62OtiL37D4fkRkn0VEp3lIHrkLS7zrmbEmMWLGXNmKpm7zKVBEqF8-wB0FMaiAqFxJJswpbUOptoZ0mOx4-htvluCW22ytacLgkhrsxcdF%7E9byrHv28GiTP4p1bdJQkhuTIpJ7hUYTn8L%7EIsdcR5kwRnC-u2o2GO77BAdHn8WLpwfmAUycp1aVYFPqwICNx43Eh7yzfbqFUkxrecy%7EgkQ9AoxS9dZSLFDoWkvm-Qw9lo9Oz1U5XWlyGJUXyTFh2q0e5Sss4isrni2d%7EZLh9Q__&Key-Pair-Id=K6UGZS9ZTDSZM 52ea7051d037e859519e92a89e93fa3f Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Il Carroccio (The Italian Review): rivista di coltura propaganda e difesa italiana in America, Anno 5 [Facsimile]. New York: Il Carroccio Publishing Co., 1919. Date A point or period of time associated with an event in the lifecycle of the resource 1919 Relation A related resource <a href="https://italianamericanimprints.omeka.net/items/show/326">Il Carroccio, Anno 1, Vol. 2, Nos. 7-12 - Agosoto [August] - Dicembre [December] 1915</a> <a href="https://italianamericanimprints.omeka.net/items/show/324">Il Carroccio, Anno 5, Vol. 9, No. 6 - Giugno [June] 1919</a> <a href="https://italianamericanimprints.omeka.net/items/show/325">Il Carroccio, Anno 6, Vol. 12, No. 3 - September 1920</a> <a href="https://italianamericanimprints.omeka.net/items/show/327">Il Carroccio, Anno 12, Vol. 23 - Gennaio [January] - Giugno [June] 1926</a> <a href="https://italianamericanimprints.omeka.net/items/show/328">Il Carroccio, Anno 12, Vol. 24 - Luglio [June] - Dicembre [December] 1926</a> <a href="https://italianamericanimprints.omeka.net/items/show/329">Il Carroccio, Anno 13, Vol. 25 - Gennaio [January] - Giugno [June] 1927</a> <a href="https://italianamericanimprints.omeka.net/items/show/330">Il Carroccio, Anno 13, Vol. 26 - Luglio [June] - Dicembre [December] 1927</a> <a href="https://italianamericanimprints.omeka.net/items/show/331">Il Carroccio, Anno 14, Vol. 27 - Gennaio [January] - Giugno [June] 1928</a> <a href="https://italianamericanimprints.omeka.net/items/show/332">Il Carroccio</a><a href="https://italianamericanimprints.omeka.net/items/show/332">, Anno 14, Vol. 28 - Luglio [June] - Dicembre [December] 1928</a> <a href="https://italianamericanimprints.omeka.net/items/show/333">Il Carroccio, Anno 15, Vol. 29 - Gennaio [January] - Maggio [May] 1929 </a> <a href="https://italianamericanimprints.omeka.net/items/show/334">Il Carroccio</a><a href="https://italianamericanimprints.omeka.net/items/show/334">, Anno 15, Vol. 30 - Luglio [June] - Dicembre [December] 1929</a> <a href="https://italianamericanimprints.omeka.net/items/show/336">Il Carroccio</a><a href="https://italianamericanimprints.omeka.net/items/show/336">, Anno 16, Vol. 32 - Luglio [June] - Dicembre [December] 1930</a> <a href="https://italianamericanimprints.omeka.net/items/show/337">Il Carroccio, Anno 17, Vol. 33 - Gennaio [January] - Giugno [June] 1931</a> <a href="https://italianamericanimprints.omeka.net/items/show/338">Il Carroccio</a><a href="https://italianamericanimprints.omeka.net/items/show/338">, Anno 17, Vol. 34 - Luglio [June] - Dicembre [December] 1931</a> <a href="https://italianamericanimprints.omeka.net/items/show/339">Il Carroccio, Anno 18, Vol. 35 - Gennaio [January] - Giugno [June] 1932</a> <a href="https://italianamericanimprints.omeka.net/items/show/340">Il Carroccio</a><a href="https://italianamericanimprints.omeka.net/items/show/340">, Anno 18, Vol. 36 - Luglio [June] - Dicembre [December] 1932</a> <a href="https://italianamericanimprints.omeka.net/items/show/323">Il Carroccio [main entry]</a> Language A language of the resource Italian Description An account of the resource See general entry for Il Carroccio for its history and place in Italian American publishing. 1911-1920 Durante facsimile fascist nationalist New York newspaper press https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/7bb72e753ec429d94568b8959d1752b7.jpg?Expires=1779926400&Signature=rB6f8YND-grKwwewkA1VF9nSVkJDNdZiSn69wMrLZR0UVQZb3jeVKhSIuLDC76iISc72%7EEIcyWFZ7aoi6kFKIRtg2YaEBGD85sBslVx-yR%7ERgk79J-pvq8BlLR4jqUBy3BYx6ZdINnoGn64QjpyzMYXeUJ-ccpOI%7EUUffTEfIo4iUfcKYq9U2Ljg%7E1V1shmwlV5VaTZVfZ-2bTi9FbVBpZmzLWEqvTu0IS065JUIjOiGzt%7E2nOgbY-0hWPyeU6JzJj6XgUTyvjVdpeljqJTnuoSfCINpFel2Bf5%7EWNtsh90dUUca9PCqdIuGfq3LaPaSgPhSbCnyTkyCxsnyHGbpnA__&Key-Pair-Id=K6UGZS9ZTDSZM 53c1bee8a5185c688bec03452b564856 https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/933bc4bfb47b47f8b24900da9a95d391.jpg?Expires=1779926400&Signature=XzF4ZBk-DAvr%7EA07ToTrdERAqTUXixs79i-o383JSqO%7EWhLoUnG1Ks682WMpD4lDaVxnIZmu5Cs2vyKRONf1mMDuhNF4EtXfGDQBEtU9-cNCDtiQhmSfhSJT8CO1Lb5ucDn2t4LN-UR4KOcQJhIJDCeX-bJObAI1xLfwUTdUSzX-7uoIPn5xdrKul%7ERKBYEQWA8CCVH8ooYsKHBcpgJjCpeRf72ryV-R6t81xcSyA4ZWlE3SP3U8p0H2%7E7i83%7EDm-%7EYDDZ8pE1cwRw9XyREbfLJoI6LJz34pkaKY6L0wkfPFcQA2%7Ec2kEBARMi4y%7EuBPQYdcbTr9KSih8EOnQkYz1g__&Key-Pair-Id=K6UGZS9ZTDSZM a1eab652b9bbdc44c6513ef717892221 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Histories, philosophy, biographies, directories, bibliographies, almanacs, catalogues, annuals, religious, educational, and travel literature Subject The topic of the resource These largely non-political works reflect a broad pallette of non-fiction reflections on the history of Italians in the U.S., travel literature, biographies (like that of the Peanut King, Obici), or the religious, like Sister, later Mother, and final Saint Cabrini. Description An account of the resource In these non-fiction works, Italians reflected upon themselves and their American experiences. Representing the non-sovversivi type of immigrant, who were more interested in becoming American and “making it” in America than in stoking class warfare and remaking society, They began to place themselves in the context of contemporary American society and the history in America. The release in 1921 of Alfredo Bosi’s Cinquant’anni di vita italiana in America, the first history of Italians in the United States, represented a watershed - the first 50 years of Italians in America - and allegedly arose from a conversation between journalist Bosi and King Vittorio Emanuele of Italy in 1901, in which the king expressed curiosity about the Italian colony in America. Luigi Roversi’s biography of Palma di Cesnola proudly places that Italian within the august homes of white Anglo-Saxon Protestant America, into which di Cesnola had married, and where he ruled as the first director of the Metropolitan Museum of Art. More than the first half of Flamma’s “biography” of the greatest mayor New York City had ever seen, Fiorello LaGuardia, has little to do with La Guardia, unfortunately, but the work did reflect his obvious pride that after electing mayors in 29 other cities, Italians “finally” elected (in 1933) a mayor of Italian heritage to the country’s most important city. The directories discussed here, from New York to San Francisco, provide a particularly rich source of information about the different businesses and professions Italians had in virtually every state of the union, from as early as the 1880s (in San Francisco) to the first few decades of the 20th Century (primarily in New York). Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Voglio disturbare l'America: Lettere a Benedetto Croce e Giovanni Papini ed altro| A cura di Gabriel Cacho Millet [I Want to Trouble America: Letters to Benedetto Croce and Giovanni Papini, ed. by Gabriel Cacho Millet]. Firenze: La Casa Usher, 1980. Description An account of the resource The path the life of Carnevali (1897-1942) took was unlike that of any other Italian American of his era. Emigrating to the US in 1914, after odd jobs, he taught Italian to Joel Spingarn, a Columbia University comparative literature professor. Carnevali's rapid acquisition of English was unusual; his poetry in English was quickly published in the U.S. After his debut published poem in 1918 in The Forum, Carnevali became a leading poetry figure in New York and then in Chicago, where he became an editor of Poetry magazine under the legendary Harriet Monroe, also in 1918. In 1920, he became associate editor of Poetry. His poetry appeared in 1934 in A History of American Poetry, along with that of Arturo Giovannitti, the other Italian American poet who had acquired English quickly and effortlessly. His admirers and friends included Robert McAlmon, William Carlos Williams, Ezra Pound, and Kay Boyle. Even after his final return to Italy in 1922 when ill, and his death not long after, his reviews were published in several venues. As is evident, these letters were published long after his death. Gabriel Cacho Millet (1939-2016) was an Argentine writer who went to Europe as a correspondent for Latin American literature. He is credited not only with the "rediscovery" of Carnevali, but also a deeper appreciation of Jorge Luis Borges and Luigi Pirandello. Besides an excerpt in Durante, see Kay Boyle, ed., The Autobiography of Emanuele Carnevali. Creator An entity primarily responsible for making the resource Emanuel Carnevali Gabriel Cacho Millet, ed. Publisher An entity responsible for making the resource available La Casa Usher Date A point or period of time associated with an event in the lifecycle of the resource 1980 Format The file format, physical medium, or dimensions of the resource 21 x 13cm; 207 p. Language A language of the resource Italian 1971-1980 Durante Firenze letters poetry https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/76d5cdb4fb62710ac810886f83b3bded.jpg?Expires=1779926400&Signature=btDkEYtY-l%7EowuKfdnGfmjs1VXK6LT7Kz5KhBKMwpJKY4xjHd8UmtJcs0tOIuFF-VlCmNOomEhetMZSACiDsG0LaN-1AmZlZkTF%7EdqZeFsqY1zU8pLH3Ye7K4LvgRFQdqIg1gKIRCbXt5-MbORUK1CWcLz6lLcBPopFHTIa7w1xvYl00Ybk0plsgic2apc7hLFkTb4HxGDLkoz8aHVj9la6u6ixn4YFVWZqQ8mVwmMpSvnihndSl1I6m6QXM5-qzezeLUNPACr1QeWi9%7E6DiOOoGGx2vdoE0uNbZN5yXhsrWqBxcOHoC1TziAJJOIiRoQbKJsBujFVEP%7Evv6QhAN4A__&Key-Pair-Id=K6UGZS9ZTDSZM 5cd69d6ce64610c52f86532493f384e7 https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/f1efa0ddda28c02848343062e592d0c7.jpg?Expires=1779926400&Signature=k%7E63CPm0iPJ0pqzIoa0pql9KIXVbJn8rRlRYYY6-Rl9l9nAwesEZjJEd0r-DotMOYt5EdGMEQgxI5wJ-Xf9YU4ke%7EE65EmpnX5aKZ1lhNHP5glk0FQ8-tZ6dEct3uK8l4kAP0IbkjUhMDupTRM%7E0Squku5%7Enxj3aGHkuslr57d6Wdyu4RCysMPho0aV9C31iJ62yzAqrwOf-1DVJhNJ23Ao2W-Jm%7EfdpU8Ax1uBBAcRs%7EjwHUzHTzuKlUN8GsCxtsJoVfpsSmu7yhC0oKQbVDL3f0fsBhS3H5IbNW6GMgQ7EDyr78j8NZTahj9k9WIujrBPwzfwtSppIzyzawWzLRw__&Key-Pair-Id=K6UGZS9ZTDSZM dc5f3faa30016fbec5315bbbf5bb3420 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Histories, philosophy, biographies, directories, bibliographies, almanacs, catalogues, annuals, religious, educational, and travel literature Subject The topic of the resource These largely non-political works reflect a broad pallette of non-fiction reflections on the history of Italians in the U.S., travel literature, biographies (like that of the Peanut King, Obici), or the religious, like Sister, later Mother, and final Saint Cabrini. Description An account of the resource In these non-fiction works, Italians reflected upon themselves and their American experiences. Representing the non-sovversivi type of immigrant, who were more interested in becoming American and “making it” in America than in stoking class warfare and remaking society, They began to place themselves in the context of contemporary American society and the history in America. The release in 1921 of Alfredo Bosi’s Cinquant’anni di vita italiana in America, the first history of Italians in the United States, represented a watershed - the first 50 years of Italians in America - and allegedly arose from a conversation between journalist Bosi and King Vittorio Emanuele of Italy in 1901, in which the king expressed curiosity about the Italian colony in America. Luigi Roversi’s biography of Palma di Cesnola proudly places that Italian within the august homes of white Anglo-Saxon Protestant America, into which di Cesnola had married, and where he ruled as the first director of the Metropolitan Museum of Art. More than the first half of Flamma’s “biography” of the greatest mayor New York City had ever seen, Fiorello LaGuardia, has little to do with La Guardia, unfortunately, but the work did reflect his obvious pride that after electing mayors in 29 other cities, Italians “finally” elected (in 1933) a mayor of Italian heritage to the country’s most important city. The directories discussed here, from New York to San Francisco, provide a particularly rich source of information about the different businesses and professions Italians had in virtually every state of the union, from as early as the 1880s (in San Francisco) to the first few decades of the 20th Century (primarily in New York). Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gli Italiani negli Stati Uniti d'America [Italians in the United States]. New York: Italian American Directory Co., 1906. Creator An entity primarily responsible for making the resource Ciambelli, et al. Publisher An entity responsible for making the resource available Italian American Directory Co. Date A point or period of time associated with an event in the lifecycle of the resource 1906 Format The file format, physical medium, or dimensions of the resource 39 x 30cm; 469 p. Language A language of the resource Italian Description An account of the resource Published as a result of the organizing committee of the 1906 Milan Exposition directing Italian Chambers of Commerce around the world to prepare a volume in a series about “gli Italiani all’estero” (Italians abroad), this Italian-language work was an ambitious one, a collaboration with, and actually published by, the same publisher in the year following the more conventional 1905 Italian American Directory (q.v.). Part I of this rare elephant folio work contains essays by what can be considered an all-star cast of Italian writers, all of whom are featured in the collection, from then inspector of immigration Adolfo Rossi on Italian manpower in the U.S., Alfonso Arbib-Costa on Italians in public schools, Alfredo Bosi, on the failure of the Italian colony in New York to establish a true Italian school, Bernardino Ciambelli on Columbus Day, and Amy Bernardy on the Italians of Boston. Part II comprises 290 of the 473-page total, and is a directory of advertisements and summaries of Italian American businesses. Included here is a description of Francesco Tocci and his Emporium Press, both of which publishers are represented in the Collection. There Tocci describes his goal of helping make Italian books available and popular among Americans as well as Italians. See the essay by Robert Viscusi, “Universal Exposition,” under "Essays" on the website, for a brilliant dissection of the multiple meanings and purposes of this volume. Adolfo Rossi advertisements Alfonso Arbib-Costa Alfredo Bosi Amy Bernardy Bernardino Ciambelli directory Durante Francesco Tocci Italian American Directory https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/ebf663514dcf72bf354ccacac483ccd4.jpg?Expires=1779926400&Signature=p6K2dxruH16wy4fP8sWVvrSClkmyilAoZwTQeO7wzFFupcZe-jBR8Ju3gTOyvoksUXPdeKQOtiNiAW-QLIVDbhIYo2ERlEq59AWbCpCpUcq7o%7EFNCw66ZuTI1%7EjYfnZScahUPN1aCutUgjm%7E02fkiXUomYW36DvQAWTpumDFn9JoSWyryNohUi1APhvkg4gYDi4zYTX59qo5Hqddn6hlrXzZHtrPzNt4cnucfhOYBRJpO8rQnLiQnWC1G0JopAA0KGNAUDdhlWDA-XNFgQlicvCCOPnPblWAQZlsDQp8t2Q6Q6gg9y8XE%7E4ul6hsek%7EoQPJ7rBz8koIQ6g6McA%7EJHw__&Key-Pair-Id=K6UGZS9ZTDSZM a20302416e9cc0f6128dd6a85cb4485b https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/9b159a1fded48d0ece9baa147e2a5e93.jpg?Expires=1779926400&Signature=MWfWn6rjKexX2u-f0bmK78jBxH2Pe98wPYEGeb61PZS7lJxfIw54ucGj6OOtF0aLwbI3hPkpJoA-Y5TGaX9YAe6bCYP2IyFfm83qj5CjMvcxPbdMI8vCRpBrnMUlkzFzpvFGYc5UIDyIHHdef73Dj9E4P7O2RCkX9rMLYCB1XxBLbNesPo%7ExvO8H7m03SwfTjsBbFgNweHrcJDtpiW3awVVQjZCivTgu7-EFenLjaSRZQEC3vgIQmMQJJyUzz00OGIGA46Yws9B0%7EY1okV2jf8ZltwoIjMKNGgWcUkrii5dSZwEXI1yzPMxG3V5%7EVkweSFVj6gNAN4rFH4JQDpGTzQ__&Key-Pair-Id=K6UGZS9ZTDSZM 83f172abdac3bd146bebf13c91f9c252 https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/ecb9883ef48266ffe878e93867bfa796.jpg?Expires=1779926400&Signature=GA9OQUdr3cVPBdrFp%7Ec-Ag4DLzdoZ3UuFW55spthRoGpAPproV3GYpFcmqdksgk5CvRhyZrafb%7EepBv1040qwXEHyhX5TrgNkXXxBSpa-w-gQ3YPUhPFo%7E%7EBO%7EZt68NE52CM-UujWft1DDLfw2QcVTcWPOb2sfGAyBGzea679BR1YMogovSCpvIxACHJ%7EOX7tkt4rrSs0m63oNnb5RWCMcln7z2TBblwO7e6nIWCf6XCQqZLoC3%7EA6aYaVUQZ0VXJxs3xzjBC6JaG1Vc-FuMYhEHRrRLi7As9xs5E2zgG3Stu1ZdJvmnMHwei0XESqVyXOhnaaY96MVwLfLFO3zkDA__&Key-Pair-Id=K6UGZS9ZTDSZM c7bf8a758775d4f2be0a2738c8004b15 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mischia sociale (da . . . alla Cooper Union) [Social Brawl (from . . . at Cooper Union)]. Brooklyn: Edizioni sociali, [1930]. Description An account of the resource An excerpt from this work is published in Durante. On April 6, 1930, in a public debate at Cooper Union in New York, Borghi participated in the debate on the theme "I problemi della rivoluzione italiana dopo l'abbattimento del fascismo" (the problems of the Italian revolution after the over throw of fascism). His antagonist was Vincenzo Vacirca, whose books and magazines are well represented in the Collection. Vacirca was, like Borghi, freed on bail. This copy is inscribed to Dr. Nicola Brunori, "amico e compagno [friend and companion]." Ezio Taddei had dedicated his 1943 work, Alberi e casolari, q.v., to Brunori, a beloved figure. This is the same Doctor Nicola Brunori who is the subject of Brunori's Fortune, excerpted in Durante in the entry on Valentini as part of that writer's Il ricatto, q.v. Zarathustra. After the debate, Borghi narrowly escaped arrest, an incident which he discusses in the final chapter of this book. The work ends with a statement from Immigrant Inspector John Kaba, reproduced in both Italian and English, discussing the warrant for Borghi's arrest and Kaba's opinion and wish that, without a passport, revoked because he was an anarchist, Borghi should be deported to Italy. Borghi is well represented in the Collection. Creator An entity primarily responsible for making the resource Armando Borghi Publisher An entity responsible for making the resource available Edizioni sociali Date A point or period of time associated with an event in the lifecycle of the resource [1930] Format The file format, physical medium, or dimensions of the resource 18.5 x 13cm; 246 p. Language A language of the resource Italian 1921-1930 anti-fascist Brooklyn debate Durante inscribed Signed copy Vincenzo Vacirca https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/38e5fb981e26269e296a9f5f46a90b46.jpg?Expires=1779926400&Signature=cjM0sKtrYjwtM2EvDzeAWaUeZgoVP33d-GhlwEbHtVdnB-JQhEkoq80efBE5ZhMISVamCAgSX6kT1dmhQjZ7HoR3cZ3S2RcXeaaxMkzAT5wj2Z9WJE7cjYPjkTVoGiNvnO8T0pijKFMH-gbCPQtJc6XT1I48Q8sEPH82eIeJKqM6CnP6PD-G8ZNm-qFcZowYBzGl77ZGYoX9D4lcq%7EPYmG1Barprgmc73JgBBm0n%7E9Yi8kf%7EBHaiAYpf1uJKcPrLSGNvg7yLe3o9jKP8QJ61nBNlx4-3O7mEH67xuSx%7EXdduydqvcMKUOZgj3N3Bp4bYYQ1psceWDHSEEDkUE7qanA__&Key-Pair-Id=K6UGZS9ZTDSZM cd98d110c53322e3e53b95c4d4fac6c2 https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/d371a5020e4bc8ddf817999826927a88.jpg?Expires=1779926400&Signature=jdGRXalf69ET01YkjQKnisl7Pt7atAO4opZ%7EKpBkp257KW4%7EuaGAwhqQQmpU0JEm8kb8mcWjE1nnNCAw-7c1njKAMUaYFyF9jWi18ZMNcOXUc3cTMZaSkLvypGS4GM33c-GEZXyyMWl4MK15zD6W6%7Eh5xl7FIHcdpRfugPycwlb3f206uhJlr5bgYmdyUtjiRDlZNPUoTo5Ap2x2CLHw4oMl1rvVjef8CTl%7EbabL9USMR6by3v-7fOtMfWCI96mZLBmEB-XNqSttYxNN8hvsbLQ-OYGe-KEF5WMu0oyh3p3%7EbnnInjRKcf3UYYYjhP93fzKmWIc-HVRkRC48m6VQPA__&Key-Pair-Id=K6UGZS9ZTDSZM b70ea080f8a787dcb2fe3c1e6967efa4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Political subversives III: Fascists and anti-fascists Description An account of the resource The Anti-Fascist movement embraced diverse leftists, including Carlo Tresca, as noted above. Opposition to Mussolini from the left was reflected by activities of the Anti-Fascist Alliance of North America, which formed common ground for anarchists, socialists/syndicalists and communists to temporarily set aside their differences and unite against fascist oppression. Gone, at least temporarily, were the debates about proper philosophy of the left: the goal was to unite in order to defeat fascism. As for fascism itself, its roots were in the nationalist fervor stoked by Italy’s late 19th and early 20th century imperialist ventures in Africa, which are reflected in several items in the collection. Fascism itself, with its <a href="http://en.wikipedia.org/wiki/Political_radicalism">radical</a> nationalist agenda, came to prominence in the first quarter of 20th-century Europe, originating in Italy during <a href="http://en.wikipedia.org/wiki/World_War_I">World War I</a>. Benito Mussolini founded the Fascist Party, a right-wing organization which launched a campaign of terrorism and intimidation against its leftist opponents, and forced the king in 1922 to name him the Prime Minister as a result of the fascists’ show of force in the March on Rome. In America, active fascist supporters started two magazines that vied for primacy with Mussolini as instruments of the Fascist Party in America. Agostino de Biasi’s Il Carroccio, (The Chariot) was published from 1915 until 1935 - most years of the magazine are in the collection - with a circulation of about 10,000–12,000, long-lived initially but ultimately with a circulation of only about one-third of Domenico Trombetta’s far more militant Il Grido della Stirpe (The Cry of the Race), which became the largest circulation pro-fascist periodical at about 30,000 at its height in the mid-late 1920s, dropping to about 5,000 in the late 1930s as Italian Americans soured on Mussolini. Mussolini also promoted teaching the Italian language to Italian American schoolchildren, reflected in several items in the collection. Both fascist and therefore anti-fascist activities were not confined to New York, Chicago and other big cities. By the early 1920s, Fascist Party cells in the United States were present in Buffalo, Albany, Rochester and Syracuse. Subject The topic of the resource This section of the collection reflects tensions between fascists and anti-fascists. But the anti-fascist movement in the U.S. among Italians and others had far less to fear from Mussolini than did such dissidents in Italy itself. Savage portrayals and caricatures of Mussolini and of fascism are fully reflected in the collection. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mussolini: storia d'un cadavere [Mussolini: history of a cadaver]. New York: La Strada Publishing Co., 1942. Description An account of the resource Vacirca’s anti-fascist biography of Mussolini covers the period from his growing up in poverty to his rise to “Il Duce” in 1925 and emperor in 1936. The bright pictorial cover (artist unknown) is illustrated with a graphic drawing of a red-eyed skull; the blood trailing from the skull’s base spells “Mussolini” for the cover title. There is a good discussion of the significance of the image of the "cadavere" of Mussolini in this work and more generally of Mussolini's body - even, as here, before his actual death - in historian Sergio Luzzatto's work, translated as The Body of Il Duce (New York: Owl, 2005). See discussion of the publisher, La Strada Publishing Co., in the description of La Strada magazine, q.v., started by Vacirca. Creator An entity primarily responsible for making the resource Vincenzo Vacirca Publisher An entity responsible for making the resource available La Strada Publishing Co. Date A point or period of time associated with an event in the lifecycle of the resource 1942 Format The file format, physical medium, or dimensions of the resource 19.5 x 13cm; 301 p. Language A language of the resource Italian 1941-1950 anti-fascist biography Durante Mussolini Vincenzo Vacirca https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/49ccbe8d7e7307046aacfb091524d6f9.jpg?Expires=1779926400&Signature=Mp9YUzj8sj86g4ccn21%7EBmRshZ8chMK87025zI8e9CwQwzpXj2FaAq4vMyCyDHdUau7DKPMy6ZjJmvq1n%7EV-BA-2EI8mN6NjFQW1FpWy4wjownFLWBc70wnqUDNF85iXDAdY0HHC76OQWzdCKwENY09k-F9VQZaVDHIs3EFI3Lpios-kOoWJ%7Ea9B0kT2cY420yO7mFOcAYZNTa4hvc935Bk7DUvMlPcMEqiZ3ivb%7Eg3msgTv93YHV7FWui9CpKUg6oJnPYvOpkC2qQilkmYcJebwRJrgyUcJEYBVcUh4XwAAyVZbYYUtna0-LUlj8SmManYChc%7E0dupGFyz1la8wHA__&Key-Pair-Id=K6UGZS9ZTDSZM bd529ead8fd1b311c750f67070d81d2a https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/d6d62347f8688014c6a8dbb18db07364.jpg?Expires=1779926400&Signature=jdw7zUURX7765xBdMRtRkzS0%7EfMVPR7c160ccdIJyNgJA3z%7EHavDZ84rVNfIzQZyNvoqgGk7VgSNA-xMv8cm0%7E8%7ENnmkgqpN8PJmLe%7EHE2xVxqmu2UESuLGRR8SVpXIBoypcGxcYfRX3IEN5NScr4s-3zrdSvHaU9UkYtRSaEp%7Et0NLuxR8X1KqDS84nIoSnaJDVu5OVb4Fsc0aXjeHJ8CaIXDXbN5RoudWMqyqKWaTAmRvgNHhATGWkZ9gk0oFzC7E7mPN3TOq3bLiMtFw6qAcq5tYDlPfDH0mCcxZfik4EdYk%7EIhB23A4jV9tdK9Jf2NWnuDGG6nW5tRDntc-VjQ__&Key-Pair-Id=K6UGZS9ZTDSZM bebdd57b702dfd571f267a5cc5790e87 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Imaginative literature of the great migration: Fiction, poetry, drama, music, and art in books, magazines, and other works on paper Description An account of the resource During this period fiction, poetry and drama ranged from the sensational urban “mysteries” of Bernardino Ciambelli (never translated into English) to the arguably more literary and certainly more political fiction of Ezio Taddei. Unlike most of the others, Taddei enjoyed a significant, however brief, success in American intellectual circles, with English translations of most of his American works. Illustrations, such as those by Costantino Nivola (the first non-American admitted to the American Academy of Arts and Letters) in Parole Colletive, matched the sophistication of Taddei’s writing. Poetry was written largely in dialect rather than the standard Italian used by the novelists, could be found in the poetry, of Calicchiu Pucciu, or Francesco Sisca. Drama, more than the other genres, was largely though not exclusively devoted to political education, and was often the central entertainment of May Day picnics of Italian leftists consisting of performances of the plays of Gigi Damiani or other dramatists, discussed in Section VII. Italian American theatre began in New York in the 1870s. Theatre filled important emotional needs -- entertainment, a support system and social intercourse, supported by a network of fraternal and benevolent associations. Italian and European writers were introduced to immigrant audiences, whether in Italian, Neapolitan, Sicilian or other dialects. The Italian American experience furnished the subject matter for original plays written by Italian immigrant playwrights. Among them, Eduardo Migliaccio, known as Farfariello, who appears in one of the playbills advertising his performance here, made the Italian American immigrant the hero of his dramatic creations. Riccardo Cordiferro, several of whose play scripts appear here, concerned himself in his plays, as in his philosophical writings, with the social conditions of the Italian immigrant, and was less action-oriented than, say, the hard-core work of the sovversivi. Women in the theatre, like Ria Rosa, whose playbills appear here, enjoyed freedom and an outlet for creativity not available to women who played out their lives in traditional domestic roles. Antonio Maiori introduced Shakespeare to his immigrant audiences in his southern Italian dialect productions. Guglielmo Ricciardi, whose later memoirs appear in the collection, originated Italian American theatre in Brooklyn, and went on to a successful career in American theatre and cinema. Magazines reflected the politics of the publishers to a greater or lesser extent, whether of the nationalist (and later Fascist) Il Carroccio, or Arturo Giovannitti’s literary but also politically leftist Vita, Vincenzo Vacirca’s Il Solco, Ernesto Vallentini’s socialist Zarathustra, or Enrico Arrigoni’s anarchist-individualist Eresia, all of which are reflected in the collection. The generically (and gently) leftist and anti-clerical La Follia di New York was was one of the earliest, in the 1890s, begun by the Sisca family (of whom Alessandro, pen name Riccardo Cordiferro, was the most celebrated), and was perhaps the single longest-lived magazine published in Italian in the U.S. Cordiferro’s brother, Marziale Sisca, packaged the caricatures of the charismatic Enrico Caruso that adorned the pages of La Follia into a book that went through many editions, beginning in 1908 and continuing with an edition as late as 1965, which suggests that it financially sustained La Follia. Evidence of widespread cultural influence may be found in publications which included letters from enthusiastic readers or reviewers preceding or following the work itself, much like today’s review blurbs, and also lists of subscribers from around the entire country. Subject The topic of the resource While the amount of political literature (anarchist, socialist, fascist) in the collection suggests its prevalence in the Italian American community, it might well be the great survival rate of those materials that's responsible. The non-political imaginative literature created in Italian by the Italian community in the U.S., richer in wildly varying qualities, philosophies and interests than the political literature perhaps, provide a three-dimensional view of the Italian community. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Madre: dramma in 4 atti [Mothers: drama in 4 acts]. Chicago: Italian Labor Publishig [sic] Co, 1931. Description An account of the resource First produced in New York on April 19, 1931, at the Civic Repertory Theatre, Madre remains one of the best-known anti-fascist plays written and produced in America by Italians. It is discussed at some length by historian Marcella Bencivenni in Italian Immigrant Radical Culture: the Idealism of the Sovversivi in the United States, 1890-1940 (New York: NYU Press, 2011), from which this description is largely drawn. Madre is the story of an Italian family torn apart by the advent of fascism, with older brother (an anti-fascist lawyer) battling with his younger, pro-fascist brother, and the mother bewildered that politics could be more important than family ties. Vacirca's point is that fascism's negative impacts extended beyond the political life of Italy to the personal, that is, the family. Ernesto Valentini (q.v.) wrote that Madre was a "pure revolutionary act of useful and effective propaganda." Vacirca was one of several radicals who understood theatre's social function, as both a source of entertainment and a political and educational tool, a means to invigorate Italian American cultural life and simultaneously help make the world better. Vacirca understood theatre's mission could and should be to cultivate a specifically revolutionary esthetic, to create an authentic "popular" theatre by the people and for the people, combining art and politics, education and entertainment, thought and action. For more on the life of the play's author, see entries here for La Russia in fiamme and the magazine Il Solco, this latter in the general entry for Jan.-Sept. 1927. Creator An entity primarily responsible for making the resource Vincenzo Vacirca Publisher An entity responsible for making the resource available Italian Labor Publishing Co. Date A point or period of time associated with an event in the lifecycle of the resource 1931 Format The file format, physical medium, or dimensions of the resource 18 x 13cm; 103 p. Language A language of the resource Italian 1931-1940 anti-fascist Chicago drama Durante Italian Labor Publishing Co. New York Vincenzo Vacirca https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/b2f7ce6eceb1ca70ff8266c9963d8862.jpg?Expires=1779926400&Signature=XBbHmbycnH%7EKHPVb3JZn%7EjB0MneqDNClVJMUINeGziy7f39tEDVMu72P3qi9JQwB4BOjzh4gx0e3FmQrMsUJ3Ml37jo8I3lbeoSWQrI2sNnc%7Exd0JTbbCpfJhz5xW2r-dstVpA7erA%7EQY9hWlZW43wZnFf1PDMU5eJwkUdMr5dvoDu016UBCOA4NgI7G8Yo0rh113cDZ2nIiiQpfzGOVwGiXT%7EDjJubG2-j7qpdjxkszeDbWQY5HCxM%7Eq%7Epg3BNVkF-jEQsihnoSMYKriNRRg7ZnG5bcvTPP54arSalSAWBK4rg9V8bv9AclntiblvZ1f53K61wNSrMvsiuXsV5P%7Eg__&Key-Pair-Id=K6UGZS9ZTDSZM 652423c6e14690e52ceee8e02fd1a1c6 https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/a9878dd5d3753b752e0ff9025cc6a860.jpg?Expires=1779926400&Signature=epTtQ3NCB-Xz4fq5QXcWOB2Lx2y7ecGrwPQRGHyegxdEHB0zGkqFiIPK7ISpyWP2YLUuFrPhywE6pPp1rmJ5yvzmZsauiYuhXAj6K4Spd4fVsrv%7EYrpnScSnk7GrJ8a3%7EhtjoGVVmGvk-1ZiqiArcKpMiu6q6oRZPkEfuIAPooe2VH9lgux7hvBWdSG2pTJLhCgVIs2IKxK3f9RYslQAtz%7Ex5Nxtkkk3Em9hUbS9Zo9Ok-De3qLJ5%7ENVNHA-Q6pCXNg9unWdSnJPc81bGyLXjdZVY3F2P0PPXjJaYUGZSfesO02h0yGYKUmQ2EQyu1%7E9nHA-KXU4XjX6UyNEO0hx2g__&Key-Pair-Id=K6UGZS9ZTDSZM 28d44702d4ad2859f68ec6787563cf56 https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/195d44a9f181674c764622e65da8773f.jpg?Expires=1779926400&Signature=JwsvtombozrjXZVfP-rNZtDS3Tog6qPmHy82UjADiy4lEMpmy2sM7Jbv0O3qRuDRY-DQsJ02aCFqGKYeLwGjQkrtEUasPV-Xc%7EMvAtVQWUF-XdzMkDbr%7EhEbBOV-GxZILdoi8-sk6oDercFqLWR0S2Iu1JKhSgVNnt2k57w4fETG7rFg4Z0pO0%7EZwOIOt2eezhDCrgqxnLgK75LIUHXAl9aXLDfyp9i92Oz4IgCELCMqyOhj1A4PUdsYUO7R5oePqHNG8%7EuncjJRzZ%7EG2VKOUwCFe3vLB8HMY25jz2YiA-aftzAOlu9xhB313wL3yDaoyyraMxXGnxicqVKFvxgNYg__&Key-Pair-Id=K6UGZS9ZTDSZM d697d79ed0dba00763d1bcbaaada61d0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Histories, philosophy, biographies, directories, bibliographies, almanacs, catalogues, annuals, religious, educational, and travel literature Subject The topic of the resource These largely non-political works reflect a broad pallette of non-fiction reflections on the history of Italians in the U.S., travel literature, biographies (like that of the Peanut King, Obici), or the religious, like Sister, later Mother, and final Saint Cabrini. Description An account of the resource In these non-fiction works, Italians reflected upon themselves and their American experiences. Representing the non-sovversivi type of immigrant, who were more interested in becoming American and “making it” in America than in stoking class warfare and remaking society, They began to place themselves in the context of contemporary American society and the history in America. The release in 1921 of Alfredo Bosi’s Cinquant’anni di vita italiana in America, the first history of Italians in the United States, represented a watershed - the first 50 years of Italians in America - and allegedly arose from a conversation between journalist Bosi and King Vittorio Emanuele of Italy in 1901, in which the king expressed curiosity about the Italian colony in America. Luigi Roversi’s biography of Palma di Cesnola proudly places that Italian within the august homes of white Anglo-Saxon Protestant America, into which di Cesnola had married, and where he ruled as the first director of the Metropolitan Museum of Art. More than the first half of Flamma’s “biography” of the greatest mayor New York City had ever seen, Fiorello LaGuardia, has little to do with La Guardia, unfortunately, but the work did reflect his obvious pride that after electing mayors in 29 other cities, Italians “finally” elected (in 1933) a mayor of Italian heritage to the country’s most important city. The directories discussed here, from New York to San Francisco, provide a particularly rich source of information about the different businesses and professions Italians had in virtually every state of the union, from as early as the 1880s (in San Francisco) to the first few decades of the 20th Century (primarily in New York). Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La Russia in fiamme [Russia in Flames]. New York: Casa Editrice "I Giovani", 1919. Creator An entity primarily responsible for making the resource Vincenzo Vacirca Publisher An entity responsible for making the resource available Casa Editrice "I Giovani" Date A point or period of time associated with an event in the lifecycle of the resource 1919 Format The file format, physical medium, or dimensions of the resource 19.5 x 13cm; 221 p. Language A language of the resource Italian Description An account of the resource The subject of La Russia in fiamme is one Vacirca knew well from his interviews (while a senator in Italy) with Lenin and Trotsky: the Russian Revolution, from its inception in 1917. The first few pages feature quotations in French (Romain Rolland) and English (Longfellow), as well as from Maxim Gorky, who is quoted in Italian, calling for the complete overthrow of the Bolshevik regime whose censorship of Gorky’s newspaper strained their relations. Vacirca (b. Ragusa, 1886 - d. Roma 1956) was surely one of the most colorful characters among the Italian American left and a prominent socialist agitator (see discussion of his American activities, in the magazines La Strada (q.v.) and, in 1927, Il Solco (q.v.), for example). Condemned for subversive publishing, he emigrated to Brazil in 1908, where he directed the daily L'Avanti! Arrested and expelled from Brazil, he emigrated to Argentina. Imprisoned there, he was released by the intervention of a socialist deputy, and fled through Italy to Austria. Expelled from Austria, he went to the U.S. Like Gaetano Salvemini (q.v.) and others, he was also deprived of his citizenship by Mussolini. All along the way, he published several social novels. In 1919, after publication of this work, he returned to Italy, where he was quickly arrested. In America, among other writing and editing roles between 1913 and 1919, he led Il Nuovo Mondo. The editorship of La Parola (its name changed in 1920, with Vacirca still involved, to La Parola del Popolo) was handed over to Vacirca (and Alberico Molinari, q.v.) in 1920. Between 1921 and 1924, he was pursued relentlessly by the fascists, and as noted, he was deprived of Italian citizenship. Matteotti sent him on a mission to London in 1924. Condemned to five years imprisonment by a judge in Siracusa, Vacirca returned to the U.S., where the fascists did not cease to pursue him. He was also blessed with a talented wife, Clara, who published a number of her novels and stories in a variety of journals, including (surprisingly enough, given its right-wing politics) Il Carroccio, which is well represented in the Collection, and where at least one story of Clara's may be found. 1911-1920 Alberico Molinari Durante history New York newspaper press Vincenzo Vacirca https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/edcd4d264e7505887a2c3f975c2df802.jpg?Expires=1779926400&Signature=BzfshyPqAivj1BvOJUIAW-Xz96md6DQarVK1PpYcR7Vyp7Qr5gavKJrfBIvD9T95ZfjMUoJhq0v-S2kj%7EcSuK-oU6Wi5ncrNV%7EC99Nccyl8bIg8lH6qI3VECPF3qLqVNKVCDSyjJEyP32TZIgjBjM1XVEzhrLj%7EesrskEk0aZaOISBVeVSsmfq1krY6Lvs3NTwTkmvPWnW3baeq1E8A%7E8v6-HNLLwSycNvWs8dJC1En9dow99oo8Q-BGt%7ErLLDPV8CJPRcqaMTXPf2vRg5rmVI2TQhhLDUjcJnIYck4NYPnA67MKoAXUL3z0-Ozz4yHooHq%7Ekfpxk5CBuNlq8LuLOQ__&Key-Pair-Id=K6UGZS9ZTDSZM 5585a8690773b323593a4f2ca9513d56 https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/c78e88745c6a3b31e6b92828375be56d.jpg?Expires=1779926400&Signature=kBv1oRxdbmDjGtMmSrnY8m1RJ9Z48sMsWyW0%7EpCAQFk-dbCCWxOjaQ4IIa9VyRoiAC1hor14Wo88fblNh6suA6229VFc1zSSUXH7LoEvTIFTnb6LcROqGX-Mi02S6O3sCWRSVQ5Jsymi4AjAkS043isyo-K5bucHRi7csvZu7Qa4XIleHVp9oZnefeVKa8OqQ4wntcOhKVZHaHQRtjZk05qOjbGbYZW-U5qqumtDyFCRxdZMVcxpMVrFvoXIC5CERY1C56EbitvukvQdgvsUDMGVFPiblAjb%7EVGCkp0WgN%7E7%7ExTQKwEl7C1-Anqf5XZBVkCi-EU7gchxc4h57QJL4A__&Key-Pair-Id=K6UGZS9ZTDSZM 92425cc9516846005e5eff75683d120a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Political subversives IV: Arturo Giovannitti, Carlo Tresca, and their circles Description An account of the resource Arturo Giovannitti immigrated to Montreal at the age of 17, where he became a Protestant pastor. He then moved to Pennsylvania, preaching mostly to miners. He later left the church to join the labor movement after becoming interested in socialist ideas. Participating in the great Bread and Roses strike in Lawrence, Massachusetts in 1912, Giovannitti was accused falsely of the homicide of striker Anna Lo Pizzo, and arrested, along with Joseph Ettor and Joseph Caruso. Speaking in his defense while on trial in Salem, he delivered a legendary apologia in English that was subsequently published in both English and Italian under the title “The Walker,” further establishing his charismatic leadership. After 1920, Giovannitti was among the organizers of the committee for the defense of Sacco and Vanzetti, a major leader of the anti-fascist movement, thus of the Anti-Fascist Alliance of North America (AFANA), and a member of the committee formed to push for the investigation of the assassination of his friend Carlo Tresca. A complex intellectual figure, equally comfortable in both English and Italian, Giovannitti is the rare Italian American writer who, despite the extraordinary reception accorded him within American literary culture, never abandoned the Italian community. His English-language poems were often translated into Italian as well as into Sicilian. Only his Italian-language publications are included here, including especially Quando canta il gallo and several issues of a gorgeous literary-political magazine, Vita, published beginning in 1915, a few issues of which became part of the collection only recently (2021). Carlo Tresca was the radical left’s most complex, fascinating character, a powerful thinker, charismatic orator and rabble rouser, ladies’ man and a warm friend who never forgot the human dimension of people whatever their politics. By the time fascism began to take serious root in Italy, Italian American radicals for the most part put aside their factionalism to join in the fight against totalitarianism. Along with Giovannitti, Tresca was one of the founding members of AFANA. However, Tresca’s popularity earned him a lifetime of enmity from Luigi Galleani and his followers. Tresca’s political views evolved over time from a belief in the need for a revolution to destroy the private ownership of property basic to capitalism, to grass-roots union organizing in 1905, when he became its leading Italian proponent and practitioner, to being an anarchist who nevertheless believes in organized unions or syndicates (anarcho-syndicalism) by 1913. His longest-lived newspaper was Il Martello [The Hammer], constantly in financial and political difficulties – for many years of its publication, he had to submit advance translations into English for the Post Office and Justice Department of each issue – and a significant book-publishing venture of the same name – Casa editrice “Il Martello.” In addition to several years of issues of Il Martello, and a couple of works authored by Tresca himself, the collection includes numerous publications of works by others under the Casa editrice "Il Martello" imprint. Subject The topic of the resource Giovannitti and Tresca stand out as vibrant, charismatic individuals, not unlike Galleani and Borghi but with a broader political and non-political following and personal drama to match. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource L'attentato a Mussolini ovvero Il segreto di Pulcinella [The Attempt on Mussolini: or the Secret of Pulcinella]. New York: Casa Ed. "Il Martello", 1925. Description An account of the resource The premiere performance of this play opened at the Central Opera House, located at 205 East 67th Street in New York on Sunday, December 13, 1925. It was based on actual historical circumstances — namely, a staged attentato, or attempt (to assassinate Mussolini). When its opening was announced in advance, the Fascist Party ambassador to the U.S. asked the State Department, which considered anarchists like Tresca to be troublesome “Reds,” to prevent the performance from taking place. FBI agents and Bomb Squad officials invaded the theatre on that opening night, and stopped the opening curtain on the specious grounds that the performance would violate New York’s Sunday “Blue Laws.” Tresca took the stage, faulted the government’s prohibition for acting at the behest of Mussolini, whose fascist dictatorship, he exclaimed, was in the thrall of high-finance capitalism. The New York press, which normally disapproved of anarchists like Tresca, expressed sympathy in this case for the anti-fascists, raising questions as to why a foreign government was being placated by American authorities in this way. The claimed attempt on Mussolini’s life was the pretext for the repressive “emergency laws” in Italy of November 1926. Creator An entity primarily responsible for making the resource Carlo Tresca Publisher An entity responsible for making the resource available Casa Ed. "Il Martello" Date A point or period of time associated with an event in the lifecycle of the resource 1925 Format The file format, physical medium, or dimensions of the resource 22 x 14.5cm; 32 p. Language A language of the resource Italian English 1921-1930 anti-fascist Carlo Tresca drama Durante Il Martello New York newspaper press https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/03493d6b2ab77fa411a95f2c33928cd8.jpg?Expires=1779926400&Signature=fYbiN8lr29Mx5UtlpLJxgC9Lwc55OTGUXzvsZMDBPVCduchdgC0I4--2r7aY17-M3ZlMd7lZxFFijdY%7EQlrtnUbltSESVLtWYPZg7DrjHAeNTNvCmkWdhOC0u%7EIR4j1169Gpc2MVOT0S0tpJcr6JXw2yCvggu2gNFU4eqJI14fR0mlVscGsgMIWU9FxdqlLv61Y96xyTxKIdm8SDlwBtHHglq18XW-Z6mFTYBakqarRis%7EfeAkFyTYHvNfNuCdWJl0pq60mtMMh77sroYeRmqrDvjcZiaatXZ5yTobHq7NAss2xfVRBQc6w4zOJFv05Jp2De7djs-TNLKsdL0nP7yQ__&Key-Pair-Id=K6UGZS9ZTDSZM 0b7e93f6d5b9fcaa4ad0bfe60374afbf https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/b7456fc10500690d1793e4745c62930a.jpg?Expires=1779926400&Signature=p5z6MYQFUqNd9SilqFUljGfNdiuyNqfX24ZVS%7EF5Q9cW%7Er7Xb9KNPAWjuocry3JZVJ9F9qwoNCukp6fD3hcJtslk3Tt3ZJM-ZkRE32PuvwsCu3PSTU5-SZCm-bD2KavoW1ndpgwbypEJUnjRDHk2hHQ-6VYwc4yozEuXybFFl%7EDYM4M3WPtXS%7Ey30tFIn1UvK6B8G0GeVr76YK09fv%7EZQtrfsoA9RD7heI0GtnnQQ7qODc-rCx2D0En5ZUeBcMmsKpPg5L0wo1oX1khyZJ%7ECwPCdp96QHw-Mu7hFfJ0Ost8kNOYqgWymi%7EV-eYBt5bm2AC0NLU7gF5IJrAL25oORQg__&Key-Pair-Id=K6UGZS9ZTDSZM 07fda64bd9cabee705ee9b5781041d57 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Political subversives IV: Arturo Giovannitti, Carlo Tresca, and their circles Description An account of the resource Arturo Giovannitti immigrated to Montreal at the age of 17, where he became a Protestant pastor. He then moved to Pennsylvania, preaching mostly to miners. He later left the church to join the labor movement after becoming interested in socialist ideas. Participating in the great Bread and Roses strike in Lawrence, Massachusetts in 1912, Giovannitti was accused falsely of the homicide of striker Anna Lo Pizzo, and arrested, along with Joseph Ettor and Joseph Caruso. Speaking in his defense while on trial in Salem, he delivered a legendary apologia in English that was subsequently published in both English and Italian under the title “The Walker,” further establishing his charismatic leadership. After 1920, Giovannitti was among the organizers of the committee for the defense of Sacco and Vanzetti, a major leader of the anti-fascist movement, thus of the Anti-Fascist Alliance of North America (AFANA), and a member of the committee formed to push for the investigation of the assassination of his friend Carlo Tresca. A complex intellectual figure, equally comfortable in both English and Italian, Giovannitti is the rare Italian American writer who, despite the extraordinary reception accorded him within American literary culture, never abandoned the Italian community. His English-language poems were often translated into Italian as well as into Sicilian. Only his Italian-language publications are included here, including especially Quando canta il gallo and several issues of a gorgeous literary-political magazine, Vita, published beginning in 1915, a few issues of which became part of the collection only recently (2021). Carlo Tresca was the radical left’s most complex, fascinating character, a powerful thinker, charismatic orator and rabble rouser, ladies’ man and a warm friend who never forgot the human dimension of people whatever their politics. By the time fascism began to take serious root in Italy, Italian American radicals for the most part put aside their factionalism to join in the fight against totalitarianism. Along with Giovannitti, Tresca was one of the founding members of AFANA. However, Tresca’s popularity earned him a lifetime of enmity from Luigi Galleani and his followers. Tresca’s political views evolved over time from a belief in the need for a revolution to destroy the private ownership of property basic to capitalism, to grass-roots union organizing in 1905, when he became its leading Italian proponent and practitioner, to being an anarchist who nevertheless believes in organized unions or syndicates (anarcho-syndicalism) by 1913. His longest-lived newspaper was Il Martello [The Hammer], constantly in financial and political difficulties – for many years of its publication, he had to submit advance translations into English for the Post Office and Justice Department of each issue – and a significant book-publishing venture of the same name – Casa editrice “Il Martello.” In addition to several years of issues of Il Martello, and a couple of works authored by Tresca himself, the collection includes numerous publications of works by others under the Casa editrice "Il Martello" imprint. Subject The topic of the resource Giovannitti and Tresca stand out as vibrant, charismatic individuals, not unlike Galleani and Borghi but with a broader political and non-political following and personal drama to match. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Il cristianesimo e la questione sociale (contraddittorio Tresca-Griglio): conferenza tenuta il 14 luglio 1922 a New Jork, alla Manhattan Hall, ad iniziativa del Comitato pro vitime politiche [Christianity and the Social Question (Tresca-Griglio Debate): Lecture Held on July 14, 1922 at New York at Manhattan Hall at the initiation of the Committee for Political Victims]. Roma: Stab. Pol. Ed. Romana, 1922. Description An account of the resource This is a report of a debate between famously anti-clerical Carlo Tresca and the Rev. Griglio. It is one of a fair number of political events that took place in New York (in Manhattan Hall, in this case) or elsewhere in the U.S. that resonated enough in Italy for a publisher there to want to publish an account of it. Creator An entity primarily responsible for making the resource [Carlo Tresca] Rev. Griglio Publisher An entity responsible for making the resource available Stab. Pol. Ed. Romana Date A point or period of time associated with an event in the lifecycle of the resource 1922 Format The file format, physical medium, or dimensions of the resource 19.5 x 13.5cm; 48 p. Language A language of the resource Italian 1921-1930 anti-clerical Carlo Tresca debate Durante Roma https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/aff839f2428c57352f11b25919981116.jpg?Expires=1779926400&Signature=rKz4Ec%7EZB3sL5Tlibmpq1ZjEfLA5o2x0Eau2k0yOTMDY-x7v890eE3aMxdzhMwtMlfKO8SK2OWr05Uv5LRgvFBCA8GVpfbQuQZFOLJKPBVdo3NJEA1brhDFfTIQN5lElxryvkGUkDXtFHs5XrYz94mW5MTUULZR906PAZMAnd8cGWQCwFWozWtCDLad1Crk5IZZMJVB-6qdQuhGC3LtIlP%7EufVihjp8Hd2okZuxX24YCodUknu5vxGGr27X6ckSkD7z5us52Va96txl6rfG6icw0PAfe6fweSnSq8DjP2BRw3-Jv6VPjrRvmBelqIVtojW08jCBxmiv8nCF35ESPyw__&Key-Pair-Id=K6UGZS9ZTDSZM b4d081a2989cde3e05f2275e6c92c5e2 https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/a2c4960e17ab525bddaaa9067d041703.jpg?Expires=1779926400&Signature=g%7Ebmm3wQ00YTVmEDCTDIwwetTbcCfJMDlqTGFM-5W8lz1yLw5ODzXhXwpi4od0tKlaRqy21ft67jFEblM0tnrDxfQkVjsrZt9ZwApeXu0HIkMwmEM7oeXURIO1PNmB4rIOaN5mWSQZhrOfRrL0cdFILlM6uW9Q%7EmJIAQnHMuGorSW%7E6-%7EnYZCGMP1hQPhBCsf4GNMlELP5SJI1JfpPxjECaaG4vWcnmJVxE9vesJNW9StrwDHqMUbvw1owD5szBztBPsOhv2lbyTHSlVG3TsuxLhXg5o3SlrTuMAtQgQnznKo-DSNfJc560%7E2Lpyz9Cz6MLnahnzBRDgE-6PU7Deww__&Key-Pair-Id=K6UGZS9ZTDSZM 56b33413a3042ca4813e67e843ee03b7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Histories, philosophy, biographies, directories, bibliographies, almanacs, catalogues, annuals, religious, educational, and travel literature Subject The topic of the resource These largely non-political works reflect a broad pallette of non-fiction reflections on the history of Italians in the U.S., travel literature, biographies (like that of the Peanut King, Obici), or the religious, like Sister, later Mother, and final Saint Cabrini. Description An account of the resource In these non-fiction works, Italians reflected upon themselves and their American experiences. Representing the non-sovversivi type of immigrant, who were more interested in becoming American and “making it” in America than in stoking class warfare and remaking society, They began to place themselves in the context of contemporary American society and the history in America. The release in 1921 of Alfredo Bosi’s Cinquant’anni di vita italiana in America, the first history of Italians in the United States, represented a watershed - the first 50 years of Italians in America - and allegedly arose from a conversation between journalist Bosi and King Vittorio Emanuele of Italy in 1901, in which the king expressed curiosity about the Italian colony in America. Luigi Roversi’s biography of Palma di Cesnola proudly places that Italian within the august homes of white Anglo-Saxon Protestant America, into which di Cesnola had married, and where he ruled as the first director of the Metropolitan Museum of Art. More than the first half of Flamma’s “biography” of the greatest mayor New York City had ever seen, Fiorello LaGuardia, has little to do with La Guardia, unfortunately, but the work did reflect his obvious pride that after electing mayors in 29 other cities, Italians “finally” elected (in 1933) a mayor of Italian heritage to the country’s most important city. The directories discussed here, from New York to San Francisco, provide a particularly rich source of information about the different businesses and professions Italians had in virtually every state of the union, from as early as the 1880s (in San Francisco) to the first few decades of the 20th Century (primarily in New York). Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Con la patria nel cuore: la mia propaganda fra gli emigranti [With the Fatherland in my Heart: My Propagandizing among the Immigrants]. Palermo: Casa ed. D'Antoni, 1925. Description An account of the resource Francesco Durante refers to Teresi (b. Alia (Palermo), Italy 1875 - d. Rochester, NY 1971) as an Italian-American intellectual. He came to the U.S. in 1907, earned a law degree here, and became a bank teller in Rochester. He wrote the preface to Bellalma Forzato-Spezia's Il vate etneo, q.v. His biographer (Claudia Giurintano, in Socialismo romantico in Matteo Teresi) calls him a "socialist romantic." This work is a collection of articles on diverse topics, including for example, "in Defense of Prostitution: Contributed to the Campaign against Venereal Disease." Teresi's other Italian works include L'ultima menzogna religiosa-La Democrazia Cristiana [The Ultimate Religious Falsehood - the Christian Democracy] (Palermo and New York, 1910) and Il sogno di un emigrato [The Dream of an Immigrant] (Rochester, 1932). See Schiavo 1966-67. He also published work in English, including Love and Health: The Problem of Better Breeding for the Human Family (New York, 1914), a eugenics treatise arguing for "the necessity and the justice of laws forbidding matrimony among degenerates." Andrea Camillieri's 2011 novel, La setta degli angeli [The Sect of the Angels] is based on his life, describing a scandal in Sicily in 1901 in which the lawyer Matteo Teresi discovers that in his country there exists a very secret sect made up of priests and other notables. Creator An entity primarily responsible for making the resource Matteo Teresi Publisher An entity responsible for making the resource available Casa ed. D'Antoni Date A point or period of time associated with an event in the lifecycle of the resource 1925 Format The file format, physical medium, or dimensions of the resource 21.5 x 14.5cm; 326 p. Language A language of the resource Italian 1921-1930 Durante memoir socialism https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/f1b88252a1a7e55b69d9dc84f465e331.jpg?Expires=1779926400&Signature=hMx5PT13fuVqeuwm-NHUuenKFxgRw7O3-D7otpmOoNEwPkClp9t7XIg99jFwUZ8X7S%7EyMS0ohXrf27Q08GLrL9DMV7FSst-4z0D6cmaqrkyBovGb-6X%7ERNoJ-IYIjdtZ8Tf6Bj2u9zAh0ZmJjD8OKY-%7EeA-bpoI9RyK%7Ea7GE6DIla12iobAmY1ddKWmfi-7JU418hHIAAcjIcPH3z7CCNc1O1UfZsmDblO1FFAGjrDppv97aHEbIE1mvANyoqge3IzEHeJLxELcY03ZzIluH7GW5-Ta4ZYHbtDkgrjy7ndSs6EqyS30-Dy-jj7L8h3iNnVnTLDKfrADWNAUd68MhHA__&Key-Pair-Id=K6UGZS9ZTDSZM 82d965d38060050dbf3fe0a235bd02ac https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/b591c67e3372e5fdde2b378f50900cba.jpg?Expires=1779926400&Signature=QD2Ap58NXQrkXfuOzQJ-ucO4qsRrZ8XcnrkVpXyVGzo1O-PHvMmm1WTsr42qX%7EcrlulVR%7EDd9WSn980pwDt9Stsy7ow5xdQagIajn7MfDqPMPOQhgRf9mRpNWyWG-UN3ky2wfku7s265Vj7fwO-joWbDYyUYlR33uS-axs0-cdoGso0E1rG1BQDxRKYzYAh6dIXwLsn3W91kOGAdI5ubQhVzFyxp-zSQxqw-0OKHn91RYNu-%7EHBY5XVRj5vEQsshZ9kWr7UCwWraXBTN5ZTvNPNz7rax26f5uigYEtWs5gcvhuGehHe1gO62kpULch9K4CiyUAo5F7RHTbYrtrG2yg__&Key-Pair-Id=K6UGZS9ZTDSZM aef3d428804191ac503ced996a7fde60 https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/9cdb6f9782a14b7ae2c45cc1d9ec3488.jpg?Expires=1779926400&Signature=X%7Ez3TGsotkHCDJJqjndY7bK36ebYe66JhNTdAZqfl7K0Pxl0wcSSG-GdheKgE6IFUHXso4LKjGxeBGSSXSWRxYsNGcxnvG6-AW-dzq-orSYtT%7EJXshXzOFHynmuIDddtYDS93jpkk9sMbRG41u1yN6ASbGKn9TtNZtxh5PObS5UEac5SYLMoiBrkhwJELBu7FKoWbqTMeQ8nuhuLrylx8O3UD4d9964al38iTydZIHM6aTdXdrCakTgXALUo2i8PlW9m-x0EklN3Y5Gd9NRPOSGa%7EL-nimWJL0p4n95SV%7E52-ocFFLQ2jlWkxGRldlEufquqX4gAcKzNaheKv0YY-A__&Key-Pair-Id=K6UGZS9ZTDSZM f79e24b56fe341535c88fb80e1fc60f6 https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/a3340659ee538a76cba11c9d9f94359b.jpg?Expires=1779926400&Signature=TF0GP3BI5MGZRg0tDk2MHft1tVl9%7EEBTQMoucuk62YuPjMOyfq3FF7EExDL61zve-iAnI9cC2sk5OmI5jox9STJWjdY8ib1zf7nlfGFYCgMcRpunhPf79V2VTbx-X1FAtOu9jVRQEoOq0rQYC-vnS2Fffmf1MPtdbRR3IA3ds%7EQAnNB8wfvcnTwSzPxYTR84HRJeX4aFSkXSygo7KYsvGW6pjXc-P0zui8Nm5yZvb3w2Mc-IkbEVEeVvBdHXkOW7zVwoEr727u2PLVi9JyhRJFfuu-unov5IDnSa0hjcMDrN6nb%7E-gyPck6Eg-%7E66uUYGLaQJOBbwKkOoOMT04DRXw__&Key-Pair-Id=K6UGZS9ZTDSZM 238c94b113e3cdf3e99cdc6a0d51fae8 https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/8501ac8f66163e3576d9976d5612f8f8.jpg?Expires=1779926400&Signature=cGVr6KqxiEimc572OxE8p6pW4W4vHP-4qOkjP3QE126vvR1o-NnMg9DrrDoRDMX86ptTFjPEQLaT0X9GpVbIdcnmCo2knzj1fnQKXBjTiHondOU7On%7EtV7y7zkMOmHSkWADJ3cSRFEvBvLGuRy7wxsvx3XiT4vvXPxm5fvxcugBRmXnFJSfgj8ky%7EmoyvJSqg8HLUCBSlEqThIiQPgBKQj3vFj1gCIEOhpcDbsNTOzWmtPwrlY3puDayVQSJQh8MRnLecI28Lq7RW2EiSs2EZDTONTDnjlRWXZ1DSzMOfhM3AEBCbnLI12VxTpCgFNEGYQUzE5LVGZnfYHPJAVK8tA__&Key-Pair-Id=K6UGZS9ZTDSZM bd14b915f8ef68d029a39902e2a43a45 https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/c9e92b7c0a039506b5b0bbd20ba435df.jpg?Expires=1779926400&Signature=SquWWrX1tSjecirdB7Wzp77R1NcJaSp4rxgYdv%7ENAma7rspby%7EXnNlt%7EG90nf2P5hKCPHflDbJ9C7LQRmoSOoptN3jTgNWKgSjSyHFOr3IOR3AYsEwa5Ld4jSnx5etSqQX1PALMzdHPeyqEmGQpCpLbVr3P-v6i-0btnBNaPBWLFkueX-8Is8WjApkDzURUuYGvFrEYNGBoKyxH%7EX0XOPazF-jsipPeCLw-lcBLinQ6aP2078Z32xSWQZsKpXfOZZW66Uz3xkKpWi4kVHElr0N1lzhIG4L0XgVB1qPbIprw3QkEz6GrtsfAeeMFjIHB%7Eg4m6y6VcthbkkfEU5NYBfg__&Key-Pair-Id=K6UGZS9ZTDSZM 2d039f72cac38eae188cc497d466e54c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Il Carroccio (The Italian Review): rivista di coltura propaganda e difesa italiana in America, Anno 18, Vol. 36. New York: Il Carroccio Publishing Co., Luglio [July] - Dicembre [December] 1932. Creator An entity primarily responsible for making the resource Agostino De Biasi Publisher An entity responsible for making the resource available Il Carroccio Publishing Co. Date A point or period of time associated with an event in the lifecycle of the resource Luglio [July] - Dicembre [December] 1932 Language A language of the resource Italian Relation A related resource <a href="https://italianamericanimprints.omeka.net/items/show/326">Il Carroccio, Anno 1, Vol. 2, Nos. 7-12 - Agosto [August] - Dicembre [December] 1915</a> <a href="https://italianamericanimprints.omeka.net/items/show/423">Il Carroccio, Anno 5 [Facsimile] - 1919</a> <a href="https://italianamericanimprints.omeka.net/items/show/324">Il Carroccio, Anno 5, Vol. 9, No. 6 - Giugno [June] 1919</a> <a href="https://italianamericanimprints.omeka.net/items/show/325">Il Carroccio, Anno 6, Vol. 12, No. 3 - September 1920</a> <a href="https://italianamericanimprints.omeka.net/items/show/327">Il Carroccio, Anno 12, Vol. 23 - Gennaio [January] - Giugno [June] 1926</a> <a href="https://italianamericanimprints.omeka.net/items/show/328">Il Carroccio, Anno 12, Vol. 24 - Luglio [June] - Dicembre [December] 1926</a> <a href="https://italianamericanimprints.omeka.net/items/show/329">Il Carroccio, Anno 13, Vol. 25 - Gennaio [January] - Giugno [June] 1927</a> <a href="https://italianamericanimprints.omeka.net/items/show/330">Il Carroccio, Anno 13, Vol. 26 - Luglio [June] - Dicembre [December] 1927</a> <a href="https://italianamericanimprints.omeka.net/items/show/331">Il Carroccio, Anno 14, Vol. 27 - Gennaio [January] - Giugno [June] 1928</a> <a href="https://italianamericanimprints.omeka.net/items/show/332">Il Carroccio</a><a href="https://italianamericanimprints.omeka.net/items/show/332">, Anno 14, Vol. 28 - Luglio [June] - Dicembre [December] 1928</a> <a href="https://italianamericanimprints.omeka.net/items/show/333">Il Carroccio, Anno 15, Vol. 29 - Gennaio [January] - Maggio [May] 1929 </a> <a href="https://italianamericanimprints.omeka.net/items/show/334">Il Carroccio</a><a href="https://italianamericanimprints.omeka.net/items/show/334">, Anno 15, Vol. 30 - Luglio [June] - Dicembre [December] 1929</a> <a href="https://italianamericanimprints.omeka.net/items/show/335">Il Carroccio, Anno 16, Vol. 31 - Gennaio [January] - Giugno [June] 1930</a> <a href="https://italianamericanimprints.omeka.net/items/show/336">Il Carroccio</a><a href="https://italianamericanimprints.omeka.net/items/show/336">, Anno 16, Vol. 32 - Luglio [June] - Dicembre [December] 1930</a> <a href="https://italianamericanimprints.omeka.net/items/show/337">Il Carroccio, Anno 17, Vol. 33 - Gennaio [January] - Giugno [June] 1931</a> <a href="https://italianamericanimprints.omeka.net/items/show/338">Il Carroccio</a><a href="https://italianamericanimprints.omeka.net/items/show/338">, Anno 17, Vol. 34 - Luglio [June] - Dicembre [December] 1931</a> <a href="https://italianamericanimprints.omeka.net/items/show/339">Il Carroccio, Anno 18, Vol. 35 - Gennaio [January] - Giugno [June] 1932</a> <a href="https://italianamericanimprints.omeka.net/items/show/323">Il Carroccio [main entry]</a> Description An account of the resource This six-month period of Il Carroccio in 1932 contains essays by Mussolini in nearly every monthly issue, as well as pro-fascist poetry in several issues by Rosa Zagnoni Marinoni, the poet laureate of Arkansas, and essays by Edward Corsi, Giuseppe Marconi, and other well-known Italians or Italian Americans who were not known as pro-fascist. See both the description in the 1915 volume (<a href="https://italianamericanimprints.omeka.net/items/show/326">Il Carroccio, Anno 1, Vol. 2, Nos. 7-12 - Agosto [August] - Dicembre [December] 1915</a>) and in the "main entry," the last on the list below, with a hyperlink, for its history and place in Italian American publishing. That a title page from a June 1934 issue appears in this volume that actually begins in 1932 is confusing, and perhaps due to a binding error. 1931-1940 Durante fascist Il Carroccio magazine nationalist New York newspaper press periodical https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/2a843275a328b8e60d315314fbefe52d.jpg?Expires=1779926400&Signature=hlnvi8ymekt-xyl3K8EO-xX95unXSxyNeadSuvP2sr5a66mB2HjuSlra5mVCvUY-gCrdtkusO3nlzH1tWxWP9UQrfeFdJtNS50HBNXOlWvlAYkpLUpZ7TVxZx84Q0Q7bbpB6D5id3jKAlfImpZ3BCGILlk07KZ-f3ozjm8TyLGrIiIzheIxpwtC0iJiVLD-oYWiRpA6egUcT8Nkpn-yYzY1qv6w6P73hYLM-PKVFd9ZYQ176TvLbWM-%7ECnRCYoltyX%7ExXSJHo6eRMlnbzoWun8dslDRp-t77KQliiLvtOvYzX7pyIgptq%7EH2Oz-jdBdNMc1b-LvUfBcJ9sMEi5bWcg__&Key-Pair-Id=K6UGZS9ZTDSZM 0774bcfc5ef29c79e0cf6cb7a08d8e91 https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/ae1989ac557ebe6f992d1e8b0de9da47.jpg?Expires=1779926400&Signature=oGoBVE%7EjgDFpORgt7VqaGe-sx65McMdmNNiXrzabXrGgBfRI5IlXVoPeilWJaRKyI2x%7E9utcCa9UfA5GsC6xezo4Cl7IK961sLStvuqAmtlAd0aaY6NfwRW%7ESdtrmvWTCHXk8tIOOIyhCRGVFMdkIbj7OSn6hZ1x5bI9MuWXgxy9LFQCTxdi57JBjw2boyeuLw0U3Iq1GT8gGIYWGU2Q0ssE4J75Mk%7Exbg3yIG1hRCq0T3EV4knjdca6tSkV7sWR2x%7EU1NLBabVz2IcIWyTLdfq1v%7EH8YhKOPP5bh0c%7ElcBz15quE%7ErurEs0Ju5QDjLI7%7EWrEgBNsEufwx3Ieos79A__&Key-Pair-Id=K6UGZS9ZTDSZM 4704bf76b8ccf41cc3a60ef1a1f60335 https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/da8e942c3120b635771c7da221bdc716.jpg?Expires=1779926400&Signature=RZng04bsvud0pbVgfMXoL3Cre2vwcCo9uZGWiUHbYytm31u4QGdwy8K9B3pWDSF0z3EQBslTmcGXzLRGHvOBXM06mDIQwSa2W7PPe3tZPHJR-LsGT806JG4ElBM6cP24fTlN-B3zl1zsfgeccQNk0MzIKvIvRVuFhEYNs4qGtbGfnF%7EDLz01jIWOHimw8lxDPeWifGrd8JsoNQlxUTw3AQJGN7zMiAZ0o53UqDVztSBpU-0MtZtmDa9Z%7E0hcO3E3qmpFRICPszXJOIU01ebKdHxZ8PNiyJ4EV2TDtu1Q%7E1inBjDrXXEtCJzqvse%7E6l-%7EaM9QF3hvwDtKEOwIJT8uGA__&Key-Pair-Id=K6UGZS9ZTDSZM 659263284e9f3f6bbac4c031573b9af2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Il Carroccio (The Italian Review): rivista di coltura propaganda e difesa italiana in America, Anno 18, Vol. 35. New York: Il Carroccio Publishing Co., Gennaio [January] - Giugno [June] 1932. Creator An entity primarily responsible for making the resource Agostino De Biasi Publisher An entity responsible for making the resource available Il Carroccio Publishing Co. Date A point or period of time associated with an event in the lifecycle of the resource Gennaio [January] - Giugno [June] 1932 Language A language of the resource Italian Relation A related resource <a href="https://italianamericanimprints.omeka.net/items/show/326">Il Carroccio, Anno 1, Vol. 2, Nos. 7-12 - Agosto [August] - Dicembre [December] 1915</a> <a href="https://italianamericanimprints.omeka.net/items/show/423">Il Carroccio, Anno 5 [Facsimile] - 1919</a> <a href="https://italianamericanimprints.omeka.net/items/show/324">Il Carroccio, Anno 5, Vol. 9, No. 6 - Giugno [June] 1919</a> <a href="https://italianamericanimprints.omeka.net/items/show/325">Il Carroccio, Anno 6, Vol. 12, No. 3 - September 1920</a> <a href="https://italianamericanimprints.omeka.net/items/show/327">Il Carroccio, Anno 12, Vol. 23 - Gennaio [January] - Giugno [June] 1926</a> <a href="https://italianamericanimprints.omeka.net/items/show/328">Il Carroccio, Anno 12, Vol. 24 - Luglio [June] - Dicembre [December] 1926</a> <a href="https://italianamericanimprints.omeka.net/items/show/329">Il Carroccio, Anno 13, Vol. 25 - Gennaio [January] - Giugno [June] 1927</a> <a href="https://italianamericanimprints.omeka.net/items/show/330">Il Carroccio, Anno 13, Vol. 26 - Luglio [June] - Dicembre [December] 1927</a> <a href="https://italianamericanimprints.omeka.net/items/show/331">Il Carroccio, Anno 14, Vol. 27 - Gennaio [January] - Giugno [June] 1928</a> <a href="https://italianamericanimprints.omeka.net/items/show/332">Il Carroccio</a><a href="https://italianamericanimprints.omeka.net/items/show/332">, Anno 14, Vol. 28 - Luglio [June] - Dicembre [December] 1928</a> <a href="https://italianamericanimprints.omeka.net/items/show/333">Il Carroccio, Anno 15, Vol. 29 - Gennaio [January] - Maggio [May] 1929 </a> <a href="https://italianamericanimprints.omeka.net/items/show/334">Il Carroccio</a><a href="https://italianamericanimprints.omeka.net/items/show/334">, Anno 15, Vol. 30 - Luglio [June] - Dicembre [December] 1929</a> <a href="https://italianamericanimprints.omeka.net/items/show/335">Il Carroccio, Anno 16, Vol. 31 - Gennaio [January] - Giugno [June] 1930</a> <a href="https://italianamericanimprints.omeka.net/items/show/336">Il Carroccio</a><a href="https://italianamericanimprints.omeka.net/items/show/336">, Anno 16, Vol. 32 - Luglio [June] - Dicembre [December] 1930</a> <a href="https://italianamericanimprints.omeka.net/items/show/337">Il Carroccio, Anno 17, Vol. 33 - Gennaio [January] - Giugno [June] 1931</a> <a href="https://italianamericanimprints.omeka.net/items/show/338">Il Carroccio</a><a href="https://italianamericanimprints.omeka.net/items/show/338">, Anno 17, Vol. 34 - Luglio [June] - Dicembre [December] 1931</a> <a href="https://italianamericanimprints.omeka.net/items/show/340">Il Carroccio</a><a href="https://italianamericanimprints.omeka.net/items/show/340">, Anno 18, Vol. 36 - Luglio [June] - Dicembre [December] 1932</a> <a href="https://italianamericanimprints.omeka.net/items/show/323">Il Carroccio [main entry]</a> Description An account of the resource The title of one essay by a non-Italian (P.W. Wilson) - "Two Men Who Stand As Symbols - Pius XI and Mussolini," stands out. Some poems by one Anna Lannutti in the December issue stand out for the frequent phenomenon we have seen, of the politics of writers not necessarily being consistent with that of the magazine: Lannutti was the dedicatee of inscriptions by Riccardo Cordiferro of copies of several of his works (Il prisco cavaliere and La vendetta, q.v.), also in the 1930s. Of course, that fact does not tell us per se that Lannutti's politics were those of the left-leaning Cordiferro and La Follia. See both the description in the first entry below (<a href="https://italianamericanimprints.omeka.net/items/show/326">Anno 1, Vol. 2, Nos. 7-12 - Agosto [August] - Dicembre [December] 1915</a>) and in the "main entry" (1915-1932) at the end for Il Carroccio for its history and place in Italian American publishing. 1931-1940 Durante fascist Il Carroccio magazine nationalist New York newspaper press periodical