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                  <text>&lt;em&gt;Histories, philosophy, biographies, directories, bibliographies, almanacs, catalogues, annuals, religious, educational, and travel literature&lt;/em&gt;</text>
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                  <text>These largely non-political works reflect a broad pallette of non-fiction reflections on the history of Italians in the U.S., travel literature, biographies (like that of the Peanut King, Obici), or the religious, like Sister, later Mother, and final Saint Cabrini.</text>
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                  <text>In these non-fiction works, Italians reflected upon themselves and their American experiences. Representing the non-&lt;em&gt;sovversivi&lt;/em&gt; type of immigrant, who were more interested in becoming American and “making it” in America than in stoking class warfare and remaking society, They began to place themselves in the context of contemporary American society and the history in America. &lt;br /&gt;&lt;br /&gt;The release in 1921 of Alfredo Bosi’s &lt;em&gt;Cinquant’anni di vita italiana in America&lt;/em&gt;, the first history of Italians in the United States, represented a watershed - the first 50 years of Italians in America - and allegedly arose from a conversation between journalist Bosi and King Vittorio Emanuele of Italy in 1901, in which the king expressed curiosity about the Italian colony in America. &lt;br /&gt;&lt;br /&gt;Luigi Roversi’s biography of Palma di Cesnola proudly places that Italian within the august homes of white Anglo-Saxon Protestant America, into which di Cesnola had married, and where he ruled as the first director of the Metropolitan Museum of Art. &lt;br /&gt;&lt;br /&gt;More than the first half of Flamma’s “biography” of the greatest mayor New York City had ever seen, Fiorello LaGuardia, has little to do with La Guardia, unfortunately, but the work did reflect his obvious pride that after electing mayors in 29 other cities, Italians “finally” elected (in 1933) a mayor of Italian heritage to the country’s most important city. &lt;br /&gt;&lt;br /&gt;The directories discussed here, from New York to San Francisco, provide a particularly rich source of information about the different businesses and professions Italians had in virtually every state of the union, from as early as the 1880s (in San Francisco) to the first few decades of the 20th Century (primarily in New York).</text>
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                <text>&lt;em&gt;&lt;strong&gt;Errico Malatesta: Bibliografia. &lt;/strong&gt;&lt;/em&gt;&lt;strong&gt;Napoli: &lt;span&gt;Edizioni RI, 1951. &lt;/span&gt;&lt;/strong&gt;</text>
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                <text>Ugo Fedeli</text>
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                <text>Edizione RI Napoli (title page); Edizioni C.R.I.A. Sezione B.A.E. Paris (cover).</text>
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                <text>Ugo Fedeli was one of Frank Brand's (Errico Arrigoni) comrades in a factory in Milan whom Arrigoni identifies as an anarchist-communist. He was a frequent contributor to Arrigoni's anarchist periodical, &lt;em&gt;Eresia.&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;Fedeli also wrote a biography of Giuseppe Ciancabilla, a copy of which is in the Collection.&lt;em&gt;&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;This work is one of the rare bibliographies of a major anarchist figure, given that the orderliness of a bibliography (almost by definition) is not something an anarchist might naturally be attracted to. For example, despite his equally if not greater output, I do not know of a bibliography of the great Luigi Galleani, or of Armando Borghi, although the Collection includes most of the major works of each of these greater than life-size figures of the anarchist movement.&lt;br /&gt;&lt;br /&gt;There is conflicting publication or printing information: while the cover notes Paris as the place of printing or publication, the title page indicates Naples - more likely as the place of publication - both in the year of 1951. This is virtually the same conflicting information as for another work in the Collection, &lt;em&gt;Casa Savoia&lt;/em&gt;, which was published in East Boston, Massachusetts, but printed in Paris, although in this case by "Imprimerie Commerciale de la Tribune Républicaine, Saint-Étienne," as reflected on the recto of the rear free endpaper is the colophon.</text>
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                  <text>&lt;em&gt;Political subversives II: Anarchists (all types), socialists, syndicalists, communists, anti-clericals&lt;/em&gt;</text>
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                <text>&lt;em&gt;&lt;strong&gt;A Talk Between Two Workers. &lt;/strong&gt;&lt;/em&gt;&lt;strong&gt;Oakland: Man!, 1933.&lt;/strong&gt;</text>
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                <text>This is the rare work in English in the collection (although I have a large number of works in English) because it is clearly a translation of a work of Malatesta's written in Italian, and following a well-worn formula of workers talking to each other, educating each other, as a pedagogical tool, rather than a speaker or writer more abstractly discussing political issues.&lt;br /&gt;&lt;br /&gt;Note the stamp of the bookseller who had this pamphlet available for sale: the Industrial Unionist Bookshop, at 96 East 10th Street in New York. No publication information.&lt;br /&gt;&lt;br /&gt;My information about publisher name, place of publication and date all derive from copies available for sale on the internet, which all bear the 1933 date, and have a drawing of Malatesta on the cover, and noting preface by Aurora Alleva, that is lacking in this copy.&lt;br /&gt;&lt;br /&gt;The New York Public Library, however, has a copy of this work published in London in a presumed publication in the early 1900s.</text>
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                <text>&lt;strong&gt;&lt;em&gt;Enrico&lt;/em&gt; &lt;em&gt;Malatesta. &lt;/em&gt;New York: Il Martello, 1922.&lt;/strong&gt;</text>
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                <text>At 352 pages, this edition of Nettlau's biography of Malatesta - published in the same year (1922) and by the same publisher (&lt;em&gt;Il Martello&lt;/em&gt;) -  is 48 pages longer than the other edition. See the other edition for a brief bio of Nettlau, who was&lt;span style="font-weight:400;"&gt; (according to Paul Avrich) the foremost historian of international anarchism.&lt;/span&gt; Note that the title page of this edition calls this a "unique authorized translation from the unpublished English" version, information lacking in the shorter edition.&lt;br /&gt;&lt;br /&gt;Here are the differences (in addition to the above): the title page of this edition notes it contains a "prefazione di Pietro [Pedro] Esteve e note sull'autore di Harry Kelly [preface of Pedro Esteve and note on the author by Harry Kelly]" not present in the other edition. &lt;br /&gt;&lt;br /&gt;Esteve was the charismatic Spanish leader of anarchists, including Italians, in the U.S. and in Mexico; married to an Italian woman, he was fluent in and wrote in Italian.&lt;br /&gt;&lt;br /&gt;Less associated with Italian anarchists than Esteve, Harry Kelly contributed a two-page note, or "due parole sull'autore [two words on the author]," in which he stresses that Nettlau was the very "antithesis" of Malatesta (and Bakunin) - a scholar, as opposed to the men of action that these latter two were. &lt;br /&gt;&lt;br /&gt;An American, Kelly (1871-1953) was himself a colorful character, friend of Emma Goldman, Alexander Berkman, and Peter Kropotkin (while Kelly lived in London) as well as of Nettlau, who called Kelly "one of the living anarchists who contribute real thought to the movement." Kelly is featured in a variety of connections to both the trade union and anarchist movements, to &lt;em&gt;Mother Earth&lt;/em&gt;, and to the Francisco Ferrer Association, in Paul Avrich's &lt;em&gt;Anarchist Voices&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;Other changes in this edition: following Chapter XX (which exists in both editions), this edition alone contains an "Appendice" of four pages, which is "La dichiarzione finale di Errico Malatesta avanti ai giurati in Milano [the final declaration of Errico Malatesta before the jurors in Milan]" with respect to the trial recounted in Chapter XX.&lt;br /&gt;&lt;br /&gt;Finally, the cover of this edition - in place of the almost abstract, geometric design of the other edition - includes a striking, almost granitic sculpted head of Malatesta seemingly growing out of the side of a hill. A close examination in the lower left corner suggests (but does not make it entirely clear) that the illustrator may have been Fort Velona, q.v., the brilliant caricaturist of the Italian American left.&lt;br /&gt;&lt;br /&gt;One can speculate that either the first of the two 1922 editions (the shorter one) was so popular that Tresca decided to republish it almost immediately, but with some attractive additions, like the portrait of Malatesta, the Esteve and Kelly prefaces, and Malatesta "declaration" - or the opposite, that the shorter edition did not sell well, so Tresca tried to juice it up, in order to increase sales, with this more robust edition.</text>
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                <text>This work recites at the outset Ciancabilla's conversion from socialism to anarchism due to his interview of Errico Malatesta in 1897 for an article Ciancabilla was writing for &lt;em&gt;Avanti!&lt;/em&gt;. &lt;br /&gt;&lt;br /&gt;About half of the 78 pages is about his time in the U.S.&lt;br /&gt;&lt;br /&gt;Author Fedeli was one of Enrico Arrigoni's comrades in a factory in Milan; he was one of the contributors to Arrigoni's &lt;em&gt;Eresia&lt;/em&gt;, q.v. Arrigoni identified Fedeli to scholar Paul Avrich as an anarchist-communist, &lt;br /&gt;&lt;br /&gt;A list of anarchist periodicals in the rear to subscribe to includes &lt;em&gt;L'Adunata dei Refrattari&lt;/em&gt;, as well as European publications.</text>
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                  <text>These largely non-political works reflect a broad pallette of non-fiction reflections on the history of Italians in the U.S., travel literature, biographies (like that of the Peanut King, Obici), or the religious, like Sister, later Mother, and final Saint Cabrini.</text>
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                  <text>In these non-fiction works, Italians reflected upon themselves and their American experiences. Representing the non-&lt;em&gt;sovversivi&lt;/em&gt; type of immigrant, who were more interested in becoming American and “making it” in America than in stoking class warfare and remaking society, They began to place themselves in the context of contemporary American society and the history in America. &lt;br /&gt;&lt;br /&gt;The release in 1921 of Alfredo Bosi’s &lt;em&gt;Cinquant’anni di vita italiana in America&lt;/em&gt;, the first history of Italians in the United States, represented a watershed - the first 50 years of Italians in America - and allegedly arose from a conversation between journalist Bosi and King Vittorio Emanuele of Italy in 1901, in which the king expressed curiosity about the Italian colony in America. &lt;br /&gt;&lt;br /&gt;Luigi Roversi’s biography of Palma di Cesnola proudly places that Italian within the august homes of white Anglo-Saxon Protestant America, into which di Cesnola had married, and where he ruled as the first director of the Metropolitan Museum of Art. &lt;br /&gt;&lt;br /&gt;More than the first half of Flamma’s “biography” of the greatest mayor New York City had ever seen, Fiorello LaGuardia, has little to do with La Guardia, unfortunately, but the work did reflect his obvious pride that after electing mayors in 29 other cities, Italians “finally” elected (in 1933) a mayor of Italian heritage to the country’s most important city. &lt;br /&gt;&lt;br /&gt;The directories discussed here, from New York to San Francisco, provide a particularly rich source of information about the different businesses and professions Italians had in virtually every state of the union, from as early as the 1880s (in San Francisco) to the first few decades of the 20th Century (primarily in New York).</text>
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                <text>&lt;strong&gt;&lt;em&gt;Errico Malatesta.&lt;/em&gt; New York: Casa ed. "Il Martello", [1922].&lt;/strong&gt;</text>
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                <text>&lt;span style="font-weight:400;"&gt;Nettlau (b. Neuwaldegg [Vienna], 1865; d. Amsterdam, 1944) was a German anarchist - indeed, according to Paul Avrich, Nettlau was the foremost historian of anarchism - who met Malatesta in London, and remained friends for the rest of their lives. Realizing that the history of anarchists would be lost as the first generation began to pass away, he planned on interviewing them and writing their biographies. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;This 304-page biography of Malatesta, composed more than two decades after the earlier Nettlau work in the collection, is comprised of 20 chapters documenting the most important events in Malatesta’s life. The publication date of 1922 is a surmise arising from the fact that 1922 is the latest date of an event in Malatesta's life in the work, appearing at end of the chronological essay in Chapter XX.&lt;br /&gt;&lt;br /&gt;The cover of this work contains a kind of subtitle not found on the title page, "materialismo e libertà." &lt;br /&gt;&lt;br /&gt;The interesting bibliographical fact about this work is that there was issued, apparently in the same year, and clearly by the same publisher, a lengthier and in other respects slightly different edition, which is also in the collection, q.v.</text>
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                <text>&lt;strong&gt;&lt;em&gt;La responsabilità e la solidarietà nella lotta operaia: rapporto letto alla "Freedom Discussion Group" il 5 dicembre 1899&lt;/em&gt;&lt;/strong&gt; [Responsibility and Solidarity in the Workers' Struggle: report read at the "Freedom Discussion Group," December 5, 1899]. &lt;strong&gt;Barre: Casa ed. L'Azione, 1913.&lt;/strong&gt;</text>
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                <text>This short (21 pp.) report was written by German anarchist Max Nettlau and published by the book arm of &lt;em&gt;L’Azione&lt;/em&gt;, a critical weekly of revolutionary propaganda based in Barre, VT, where anarchist Luigi Galleani had settled after postal authorities made it too "hot" for him to remain in Newark or East Boston. This work was issued as part of &lt;em&gt;L'Azione&lt;/em&gt;'s Biblioteca di Propaganda Rivoluzionaria, not to be confused with the similarly titled Biblioteca Rivoluzionaria series published by a very different group also part of the Left, namely, the Federazione Socialista Italiana del Nord America in New York in the same period of time, the second decade of the 20th century.&lt;br /&gt;&lt;br /&gt;The verso of the title page indicates that the printer (stampatore) was C.A. Bottinelli of Barre, Vermont; that the printer was in the same city as the publisher was almost surely by design to avoid some of the issues that Galleani had had with postal authorities, at least in the delivery of copies of the printed work by the printer to the publisher for distribution.&lt;br /&gt;&lt;p&gt;Max Heinrich Hermann Reinhardt Nettlau&lt;span&gt; (b.&lt;/span&gt; 1865 – d. 1944) was a German anarchist and historian. Raised in Vienna, he lived there until the &lt;em&gt;anschluss&lt;/em&gt; to Nazi Germany in 1938. Nettlau retained his Prussian (later German) nationality throughout his life. A student of the Welsh language, he spent time in London where he joined the Socialist League and met&lt;span&gt; William Morris, and&lt;/span&gt; anarchists such as&lt;span&gt; Errico Malatesta and Peter Kropotkin, with&lt;/span&gt;&lt;span&gt; &lt;/span&gt;whom he remained in contact for the rest of his life. &lt;/p&gt;
&lt;p&gt;In the 1890s, realizing that a generation of socialist and anarchist militants from the mid-19th century was passing away and their archives of writings and correspondence being destroyed, he concentrated his efforts and a recent modest inheritance from his father on acquiring and rescuing such collections from destruction. (Much of that collection made its way in the 1930s to the International Institute of Social History in Amsterdam, which still maintains a fine library of radical material, including many works in this Collection.) He also interviewed many veteran militants for posterity. &lt;br /&gt;&lt;br /&gt;Nettlau wrote biographies of many famous anarchists, including Mikhail Bakunin and Élisée Reclus, as well as one of Errico Malatesta, q.v., published by &lt;em&gt;Il Martello&lt;/em&gt; in New York in 1922. He also wrote a seven-volume history of anarchism.&lt;/p&gt;</text>
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                <text>&lt;strong&gt;&lt;em&gt;Al caffè: conversazioni dal vero&lt;/em&gt;&lt;/strong&gt; [At the Café: Honest Conversations]. &lt;strong&gt;Paterson: Libreria Sociologica, [n.d.]&lt;/strong&gt;</text>
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                <text>&lt;span&gt;The Libreria Sociologica (Sociological Bookstore) in Paterson was both a publisher and a bookstore that stocked one of the richest and most varied assortments of inexpensive books and pamphlets for anarchists and socialists in the U.S. These include social novels and dramas, as well as political tracts such as this one, in the form of a political conversation among five fictional characters. It was founded in 1903 by noted anarchist Ninfa Baronio and her companion, silkweaver Firmino Gallo. The Collection has a half dozen or more actual publications by the Libreria Sociologica, q.v.&lt;br /&gt;&lt;br /&gt;After emigrating from Piemonte to Paterson, Baronio helped found Paterson's anarchist &lt;i&gt;Gruppo Diritto all'Esistenza&lt;/i&gt; (Right to an Existence Group); co-founded a local feminist group and performed in feminist plays; and, with Gallo, with whom she had six children, ran the Libreria Sociologica, said by historian Kenyon Zimmer to be "America's richest storehouse of extreme radical literature."&lt;br /&gt;&lt;br /&gt;The Libreria Sociologica was also a place where local anarchists gathered and bought Italian, French, and American anarchist literature, as well as Communist publications such as &lt;em&gt;The New York Communist&lt;/em&gt;, &lt;em&gt;Soviet Russia&lt;/em&gt; and &lt;em&gt;The Revolutionary Age&lt;/em&gt;&lt;i&gt;&lt;/i&gt;. In the back room, the Slovenian anarchist Franz Widmar operated his &lt;em&gt;L'Era Nuova&lt;/em&gt;&lt;i&gt;&lt;/i&gt; (New Era) press. &lt;br /&gt;&lt;br /&gt;In 1912, Firmino Gallo was arrested for displaying an anti-imperialist cartoon by Ludovico Caminita, q.v., in the bookstore window; th two of them were charged with inciting hostility against a foreign government.&lt;br /&gt;&lt;br /&gt;See Guglielmo, &lt;em&gt;Living the Revolution&lt;/em&gt; in the Bibliography for the history of Baronio, Maria Roda and other important Italian women radicals in New York in that era.&lt;br /&gt;&lt;br /&gt;Probably the greatest of anarchists both in Italy and in the U.S., Enrico Malatesta believed that while anarchists could not be syndicalists, they could use syndicalist tactics to achieve their goals, and thus could have a role in the development of the Industrial Workers of the World (see works of Faggi, De Ciampis (&lt;em&gt;Il Proletario&lt;/em&gt;), Ebert, Vincent St. John, Giuseppe Cannata, Meledandri, Buttis and others in the Collection).&lt;br /&gt;&lt;br /&gt;The literary form of this work, as the title suggests, presents a series of conversations between a bourgeois and a student filled with anarchist ideas, and others with varied political opinions. Such conversations in narrative or occasionally dramatic form were a common way of educating and influencing the working men and women whom these writers sought to reach. This kind of presentation contrasted with the more theoretical and philosophical tracts of writers like Renzo Novatore (q.v.).&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;</text>
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                  <text>&lt;em&gt;Political subversives II: Anarchists (all types), socialists, syndicalists, communists, anti-clericals&lt;/em&gt;</text>
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                <text>&lt;em&gt;&lt;strong&gt;Organizzazione e anarchia&lt;/strong&gt;&lt;/em&gt; [Organization and Anarchy]. &lt;strong&gt;Paris: L. Chauvet, [1927?]&lt;/strong&gt;</text>
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                <text>That the story of the transnational work of a figure like Malatesta was written in Italian, published in New York, and printed in Paris by an Italian printer, Tipografia Sociali, is testimony to the international nature of the anarchist movement. &lt;br /&gt;&lt;br /&gt;Malatesta (see also &lt;em&gt;Al caff&lt;span style="font-family:'nunito sans';font-size:18px;"&gt;è&lt;/span&gt;&lt;/em&gt;) (b. Caserta 1853-1932) was the most important Italian anarchist of this era. Borghi and Galleani were his proteges. A spellbinding orator, Malatesta traveled to and was respected throughout the Italian anarchist world, in Europe, and in North and South America. &lt;br /&gt;&lt;br /&gt;He differed from Galleani in at least one important respect: unlike the latter, &lt;span&gt;Malatesta believed that while anarchists could not be syndicalists, they could use syndicalist tactics to achieve their goals, and thus could have a role in the development of the Industrial Workers of the World (see works of Faggi, De Ciampis (&lt;/span&gt;&lt;i&gt;&lt;span&gt;Il Proletario&lt;/span&gt;&lt;/i&gt;&lt;span&gt;&lt;span&gt;), Ebert, Vincent St. John, Giuseppe Cannata, Meledandri, Buttis and others in the Collection). &lt;br /&gt;&lt;br /&gt;N&lt;/span&gt;&lt;/span&gt;evertheless, Malatesta was a committed revolutionary. He believed that the anarchist revolution was inevitable and that violence would be a necessary part of it since the state rested ultimately on violent coercion. As he wrote in his article "The Revolutionary 'Haste'" (&lt;em&gt;Umanita Nova&lt;/em&gt;, number 125, 6 September 1921): "to achieve this end [of everyone being socially conscious], it is necessary to provide all with the means of life and for development, and it is therefore necessary to destroy with violence, since one cannot do otherwise, the violence which denies these means to the workers." However, Malatesta himself denounced the use of terrorism and violent physical force.&lt;br /&gt;&lt;br /&gt;&lt;p&gt;The preface is by Amilcare Cipriani (b. Anzio 1844- d. Paris 1918), who fought with Garibaldi (and later with Garibaldi's son) in many venues. &lt;span&gt;He was elected deputy of the new Italian Chamber of Deputies&lt;/span&gt;&lt;span&gt; (and subsequently re-elected eight times) &lt;/span&gt;&lt;sup id="cite_ref-nyt290518_4-1" class="reference"&gt;&lt;/sup&gt;&lt;span&gt;but was unable to claim his seat because he refused to swear an oath of allegiance to the King&lt;/span&gt;&lt;span&gt;. In 1891, he was among the delegates to the conference which established the short-lived Socialist Revolutionary Anarchist Party.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;strong&gt;&lt;em&gt;Le dittature: contro la libertà dei popoli &lt;/em&gt;&lt;/strong&gt;[Dictatorships: against the Freedom of the People]. &lt;strong&gt;New York: "ll Martello" Pub. Co., Inc., [192-?].&lt;/strong&gt;</text>
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                <text>The verso of the cover of this pamphlet states “(Tradotto dal supplemento de &lt;em&gt;La Protesta&lt;/em&gt; di Buenos Aires)” (translated from the supplement of &lt;em&gt;La Protesta&lt;/em&gt; of Buenos Aires).&lt;em&gt; La Protesta&lt;/em&gt; is an Argentine anarchist newspaper still in publication. &lt;br /&gt;&lt;br /&gt;The final paragraph of Fabbri’s essay ends with the statement, “Enough of dictatorship and tyranny; the revolution has finally come!” &lt;br /&gt;&lt;br /&gt;Fabbri (b. Ancona, 1877; d. Montevideo, 1935) was a close comrade of Errico Malatesta, the godfather of Italian anarchism, in Ancona in Italy, and later became Malatesta's biographer. In fact, many of Carlo Tresca’s articles were reprints of anarchist writings and doctrines of Malatesta, Fabbri, and Pietro Gori. &lt;br /&gt;&lt;br /&gt;Fabbri was briefly considered as a possible replacement for Tresca as editor of &lt;em&gt;Il Martello&lt;/em&gt;: however, Fabbri lived in Montevideo, in Uruguay, at that time, and nothing came of the effort. &lt;br /&gt;&lt;br /&gt;After suspensions of the newspaper due to poor finances, it resumed publication in 1934 with a new office and new infusion of cash, probably from the newest woman in Tresca's life, Margaret DeSilver. It was also starting at this time, whether coincidentally or not, that issues of &lt;em&gt;Il Martello&lt;/em&gt; opened more in English than in Italian, as did the entire last page; that this change occurred at the same time that Tresca began drafting his autobiography in English (and that &lt;em&gt;Il Progresso Italo Americano&lt;/em&gt; began a similar practice) is noteworthy, as Martino Marazzi points out, in the gradual “Americanization” of a man who remained resolutely Italian.</text>
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                  <text>&lt;em&gt;Political subversives II: Anarchists (all types), socialists, syndicalists, communists, anti-clericals&lt;/em&gt;</text>
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                <text>&lt;em&gt;&lt;strong&gt;Tormento &lt;/strong&gt;&lt;/em&gt;[Torment]. &lt;strong&gt;Paris: La Fraternelle, 1929.&lt;/strong&gt;</text>
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                <text>In 1929 &lt;em&gt;La Fraternelle&lt;/em&gt; in Paris published this, D'Andrea's first book of poetry, about her own personal anguish and social struggles, shortly after D'Andrea had entered the U.S. See &lt;em&gt;Richiamo all'anarchia&lt;/em&gt; for her bio.&lt;br /&gt;&lt;br /&gt;Note, on the title page, that this is the "II Edizione: Dal V all'VIII migliaio," that is, the second edition, from 5,000 to 8,000 copies. Here's why a first book of poetry would have sold so well: the collection of poems had actually been published by her in 1922 in Italy, where she was then living, under the same title, where the Italian state immediately seized and banned all copies, charging her prose with the ability to disrupt public order and incite class hatred. &lt;br /&gt;&lt;br /&gt;Errico Malatesta had written the original Preface, dated April 1922, Rome, and that preface is reproduced in this later publication outside of Italy. Malatesta generously calls her "poetess of anarchy," worthy of filling the place left empty by Pietro Gori, who had died in 1911 - given Gori's enormous reputation and popularity, high praise indeed!&lt;br /&gt;&lt;br /&gt;On the rear cover, the price to purchase the work was given both in French francs and American dollars. By 1929, as noted, she had moved to the U.S. to be with her lover, Armando Borghi, and had  immediately hit the major venues of the anarchist lecture circuit all throughout America, see &lt;em&gt;Richiamo all'anarchia&lt;/em&gt;.</text>
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                <text>Virgilia D'Andrea</text>
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                <text>La Fraternelle</text>
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                  <text>&lt;em&gt;Political subversives I: The bibliographic travels of Luigi Galleani and Armando Borghi&lt;/em&gt;</text>
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                  <text>Consistent with their travels to speak with their "disciples" and the international nature of anarchism, these two leaders, Galleani and Borghi, also published in a wide variety of places in the U.S., Italy and elsewhere. Doing so was often a function of evading crackdowns on subversives by U.S. postal authorities, or in Borghi's case, avoiding being imprisoned and possibly killed in Italy during the Mussolini years, when publishers, printers and authors all lived in fear.</text>
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                  <text>&lt;em&gt;Luigi Galleani&lt;/em&gt; &lt;br /&gt;&lt;br /&gt;Galleani was one of the anarchist movement’s most eloquent writers and spellbinding orators, heir to the great Errico Malatesta in Italy and elsewhere, a political agitator and charismatic anarchist leader, and a prolific political publisher. &lt;br /&gt;&lt;br /&gt;Mentor to Sacco and Vanzetti, the peripatetic Galleani was born in Italy, and lived in various venues in the U.S. from 1901 until he was deported back to Italy in 1919. He first settled in Paterson, New Jersey in 1901 to be the editor of the then-most important anarchist journal, &lt;em&gt;La Questione Sociale&lt;/em&gt;. &lt;span style="font-weight:400;"&gt;Then, after starting the newspaper &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight:400;"&gt;Cronaca Sovversiva &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight:400;"&gt;[Subversive Chronicle] &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight:400;"&gt; &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight:400;"&gt;in 1903, he moved to Lynn, Mass. (see his &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight:400;"&gt;Madri d’Italia&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight:400;"&gt;, under the pseudonym Mentana), until the postmaster in Lynn refused to mail &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight:400;"&gt;Cronaca Sovversiva&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight:400;"&gt; and his books, at which time he repaired to Barre, Vermont (see his &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight:400;"&gt;Verso il comunismo&lt;/span&gt;&lt;/i&gt;, among other examples of publications from that venue). &lt;br /&gt;&lt;br /&gt;He was prosecuted for violating anti-leftist laws, especially the 1918 Anarchist Exclusion Act. This act, which permitted the government to shut down publication of the Cronaca Sovversiva in that year (and deport Galleani and other editors of the newspaper subsequently), had been passed by Congress largely in response to the bombings that Galleani incited his followers to undertake (see his &lt;em&gt;Faccia a faccia col nemico&lt;/em&gt;) through his publications as well as his personal direction: he even published a manual on how to make bombs (“La salute è in voi!” [Your salvation is up to you!]). &lt;br /&gt;&lt;br /&gt;Galleani’s deportation in 1919 arose as much from his newspaper and pamphlet publications that were themselves regarded by the authorities as incitements to violence, as it did from his actual and attempted bombings. He and his followers of the individualist school of anarchism were wary of not only electoral politics but also of syndicalism, i.e., the use of trade unions to bring industry and government under the control by direct action, such as strikes and sabotage, the preferred methods of Carlo Tresca, among others. Because of these doctrinal differences, as well as Tresca’s immense personal charm and popularity, Galleani’s followers were even more determined to destroy the reputation and thus the effectiveness of Tresca, despite the anti-fascist views they shared in the 1920s and 1930s. &lt;br /&gt;&lt;br /&gt;Like his unlikely ally Armando Borghi, Galleani was internationally well known, so that even his deportation from the U.S. hardly put a stop to his influence. &lt;em&gt;L’Adunata dei Refrattari&lt;/em&gt; (The Gathering of the Recalcitrants) became the successor newspaper to &lt;em&gt;La Cronaca Sovversiva&lt;/em&gt; after Galleani’s deportation in 1919, begun and run by his followers in the U.S. after Galleani’s deportation in 1919, and edited by Raffaele Schiavina. Its publishing arm released many full-length works (typically, collections of shorter pieces) like those exhibited here, as well as pamphlets, sometimes without Galleani’s authorization, due to his being unreachable in exile on the island of Lipari. &lt;br /&gt;&lt;br /&gt;&lt;em&gt;L’Adunata&lt;/em&gt; also published Galleani in Europe, e.g., in Rome as late as 1947, often using the same printer’s mark (a mermaid-like torchbearer) he used in the earliest of his works. The international character of the movement had long been clear: in one work, readers of an Italian-language edition of &lt;em&gt;Organizzazione e anarchia&lt;/em&gt;, published in Paris (by L. Chauvet) sometime after 1925, are urged in a message in the inside rear cover to buy a copy of Galleani’s &lt;em&gt;La fine dell’anarchismo?&lt;/em&gt;, published in the United States (Newark) in 1925. &lt;br /&gt;&lt;br /&gt;&lt;em&gt;Armando Borghi&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;Armando Borghi’s unflattering biography of Mussolini (&lt;em&gt;Mussolini in camicia&lt;/em&gt;) was too dangerous to be released in Italy: after Mussolini’s rise to power in 1922, publishing a work criticizing Mussolini soon became impossible. Simply for speaking in the Italian Parliament in June 1924 against fraud (and violence) employed by Mussolini in the recent election, United Socialist Party chief Giacomo Matteotti was within days thereafter murdered by the fascists, a politically explosive development that became a rallying cry of anti-fascists for many years. &lt;br /&gt;&lt;br /&gt;In 1925, measures that gave the government powers to gag the press were passed. Emergency laws in 1926 suppressed every political party and every newspaper other than those of the fascists. It was in that context that anarcho-syndicalist Borghi arrived in the U.S. in or about November 1926, where he was joined by his lover, Virgilia D’Andrea (see her works in the collection). Shortly thereafter, in 1927 he published &lt;em&gt;Mussolini in camicia&lt;/em&gt; in Italian in the only safe place to do so at the time, New York. This work became internationally popular, was translated into French and published in Paris (1932), in Amsterdam in Dutch (1933) - the collection has recently (in 2021) acquired a Dutch copy - , and then translated into English from the French edition, not the Italian original, and published in London (1935). &lt;br /&gt;&lt;br /&gt;&lt;em&gt;Mussolini in camicia&lt;/em&gt; was again published to America, but in English, in 1938 using the same British translation, and was not published in Italy until 1947, not long after the war’s end and Mussolini’s execution. In Italy, Borghi ranked second only to the legendary Errico Malatesta as its most important anarchist, so that when he arrived in the U.S., Borghi expected to be the foremost Italian anarchist there (Galleani having been deported some years before). &lt;br /&gt;&lt;br /&gt;However, Carlo Tresca, director of &lt;em&gt;Il Martello&lt;/em&gt;, who as a fellow “organization” anarchist might otherwise have been his natural ally, was in the way, and Borghi surprisingly thus aligned himself with the anti-organizational anarchist Galleanisti and their &lt;em&gt;L’Adunata dei Refrattari&lt;/em&gt;, a move that he eventually came to regret. Like the Galleanisti, Borghi attacked Tresca not only on ideological grounds but also on personal ones.</text>
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                <text>&lt;strong&gt;&lt;em&gt;Errico Malatesta in 60 anni di lotte anarchiche: storia*critica*ricordi &lt;/em&gt;&lt;/strong&gt;[Errico Malatesta in 60 Years of Anarchist Struggles: History, Criticism, Memories].&lt;strong&gt; New York: Edizioni Sociali, 1933.&lt;/strong&gt;</text>
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                <text>Preface by Sébastien Faure. &lt;br /&gt;&lt;br /&gt;That the story of the transnational work of a figure like Malatesta was written in Italian, published in New York, and printed in Paris by an Italian printer, Tipografia Sociali, is testimony to the international nature of the anarchist movement. &lt;br /&gt;&lt;br /&gt;Borghi, the second ranking anarchist in Italy, after Malatesta, before he left for the U.S. in the mid-1920s, reviews 60 years of Malatesta’s life in this work, only a year or so of which was spent in the U.S. In addition to the book’s printing in Paris, the introduction by Faure, the French anarchist, is dated Paris, 1933. &lt;br /&gt;&lt;br /&gt;Originally a socialist, Faure (1858–1942) turned to anarchism in 1888, and developed his theory of synthesis anarchism, the notion that the physical, mental and moral development of man were all equally important.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="105">
                <text>Armando Borghi</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="106">
                <text>Edizioni Sociali</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="107">
                <text>1933</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="108">
                <text>18.5 x 13cm; 289 p.</text>
              </elementText>
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          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="109">
                <text>Italian</text>
              </elementText>
            </elementTextContainer>
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      <tag tagId="4">
        <name>1931-1940</name>
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      <tag tagId="14">
        <name>anarchist</name>
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      <tag tagId="22">
        <name>anti-fascist</name>
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      <tag tagId="13">
        <name>Armando Borghi</name>
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      <tag tagId="25">
        <name>Edizioni Sociali</name>
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      <tag tagId="23">
        <name>Errico Malatesta</name>
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      <tag tagId="27">
        <name>Luigi Galleani</name>
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      <tag tagId="2">
        <name>New York</name>
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      <tag tagId="24">
        <name>Paris</name>
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      <tag tagId="355">
        <name>printed in France</name>
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      <tag tagId="26">
        <name>Sebastien Faure</name>
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