1
25
38
-
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/b04f1a052a4f774f0e30d2356a96782a.jpg?Expires=1712793600&Signature=L8s4oKvcLKOaSPuCvozoqAm8P9uhmFvbsbBY9uvZ4fMCojUHr3lMkOa%7EHEtQq%7EhjwkK7QSATxXYII-2%7EForV-uWjZYrvmBH%7ENReivz53OM98C1Bon3MM%7ErkVrW6xjl1ju6LhX1GzWxGil2i9DMlk2x6KDXpj0V4OQOWWdAbxmXtoT1tg6oNaFDXIqy18kC0DWf1ZlXbWS1lDTHNRZx-33BeGRqT9cQ1oJQ4cfVzvPDj7MQAP2aRAkrl9br-2O99CVnHybou9JdTRllmAJDLCNZFtbqDm4M885aXu1ew-tPk9KvQPINFBP8KGH2R-RjVwI6EzUc0MfbkIy4RUJLQs9Q__&Key-Pair-Id=K6UGZS9ZTDSZM
9943e56aeb9b187d9e9bf7e7c3b2372c
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/7011f6f98c029d161b106b29938e461d.jpg?Expires=1712793600&Signature=PPyKBnfed-2N0RJTrhoYV62fVuS-wMl5GZutWdZpvHe541sThpRsSHcWT6SNWFk%7EpIPhInjZ%7ElR4WaC0iKmha-9%7EViWhLaMG3gglJfRAmMcbKUbnph95tMDAEz7n5hecX47B3Bo3NxoN4VYqfS7LtLCr5XpMdHb9pqKfiSX9wfVinaggB8O2lQ5rer3U%7E4zmhOn7c5zs8GAUEiO2aX8wYvBUB0lEqyOHme0fZGW0W8kjFfxeElTPC9eP4WLu9e7LxJ5Ad85FplvFuH-KuLT3JogCA4M5cfEd-yqq3ykGrpdFH1M75LR5uzcQdaIQBIaqKmiCBEuN3xbJlAVoD4OkuQ__&Key-Pair-Id=K6UGZS9ZTDSZM
ff080ff61db744f00af6f2b842eef184
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/def82da267f8a64c88bd1ae43ceb1489.jpg?Expires=1712793600&Signature=SO03g9NvQYOcvi3296FGh9SmRy1jPgNTsGtTuAWJi8bdwKAJsXbEPgWm3EFsOkFeuggE9UL18S8affRUM4CpXMR0b7nE7RSXTtueT6nnwiDtTR%7EA22XU8y18s2bGWfLDpnyYe9snC6cpt5UVBCsCEKJPmsGR7BxAqnPGja83eCq3qVy0UPOP65nC%7EEh3DdGDFJHA7SokEmJn-Zg02T65CXmXhs91A2Owbdw-PBHMaYVTpoARYrwo-F2VSilfTfLOkYfUzBspgrJW%7EeFu0ZjAJqx8fskYgWVaGV931mPoJnIzraojbQ0SUvgV8Tu0gAnEyn51d4ANC9EomzLm53WhgA__&Key-Pair-Id=K6UGZS9ZTDSZM
be9794282bbdd590020413c0fb59a6d1
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<span><strong><em>Il Martello</em> </strong>[The Hammer]<strong>, Anno III & IV. New York: <span style="font-size:13px;color:#000000;text-decoration:none;font-family:Arial;font-style:normal;">Casa Ed. "Il Martello," 19 issues: Incomplete Anno III, IV- 1918, 1919: <br /><br /></span></strong></span>
Description
An account of the resource
See the general entry for <em>Il Martello</em> for the years 1918-1943 (repeated in a few descriptions of individual issues) for the history of the founding and running by Carlo Tresca of this, perhaps the most famous and almost surely the most long-lived of the radical newspapers in Italian in the Italian American community.<br /><br />This is a bound volume - the first of two - of 20 issues of the newspaper-magazine <em>Il Martello</em>, spanning the period from 1918-1919. This was bound by hand by a subscriber and great admirer of Tresca's - Augusto Lentricchia, and was a gift to me of Frank Lentricchia, novelist and Katherine Everett Gilbert Professor of Literature and Theater Studies at Duke University.<br /><br />It includes important works like a novella of Arturo Giovannitti, "Come era nel principio ..." and frequent contributions from Vincenzo Vacirca, who himself founded several important magazines that are in the collection, <em>La Strada</em> and <em>Il Solco</em>, and other important radical writers, such as Ludovico Caminita. A poem by Efrem Bartoletti celebrating the appearance of <em>Il Martello</em> in December of 1917 graces the verso of the cover page of the January 1, 1918 issue (erroneously dated January 1, <em>1917</em>).<br /><p>That a reader of a review like <em>Il Martello</em> would lovingly gather issues into a homemade binding, beginning only a year after the magazine's founding in 1917, is a measure of the affection that Tresca’s followers felt for him and everything he did. An immigrant from Morollo, south of Rome, Augusto Lentricchia settled in Utica in the first decade of the 20th century, where he worked for the New York Central Railroad, from which he was fired several times for trying to organize other railroad workers to radical causes. Lentricchia was also a poet who wrote about radical issues; one of his poems was published in <em>Il Martello</em>. His bound diaries containing his poetry were donated by Professor Lentricchia to the Italian American Collection at the State University of New York at Stony Brook.<br /><br />List of issues in this volume:<br /><br /><span style="font-size:13px;color:#000000;text-decoration:none;font-family:Arial;font-style:normal;">1 (1 Gennaio [January] 1917 [sic]), <br />2 (16 Gennaio), <br />3 (16 Febbraio [February]), <br />4 (1 Marzo [March], <br />5 (16 Marzo), <br />6 (1 Aprile [April], <br />7 (15 Aprile), <br />8 (16 Maggio [May]), <br />9 (1 Giugno [June]), <br />10 (16 Giugno),<br />11 (1 Luglio [July]),<br />13 (1 Agosto [August]), <br />14 (16 Agosto), <br />15 (1 Settembre [September], <br />16 (1 Ottobre [October]), <br />17 (16 Ottobre), <br />19 (16 Novembre [November]), - <br /><br />incomplete Anno IV - 1919, Nos.<br />1 (1 Gennaio), <br />2 (16 Gennaio), <br />3 (1 Febbraio). </span></p>
Creator
An entity primarily responsible for making the resource
Carlo Tresca
Publisher
An entity responsible for making the resource available
Casa Ed. "Il Martello"
Date
A point or period of time associated with an event in the lifecycle of the resource
16 Aprile [April] 1918 - ???
Relation
A related resource
<a href="https://italianamericanimprints.omeka.net/items/show/527"><em>Il Martello</em>, Vol. 7, No. 9 - 19 Marzo [March] 1921</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/528"><em>Il Martello</em>, Vol. 7, No. 24 - 19 Luglio [July] 1921</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/529"><em>Il Martello</em>, Vol. 7, No. 42 - 12 Dicembre [December] 1921</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/530"><em>Il Martello</em>, Vol. 8, No. 8 - 4 Marzo [March] 1922</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/531"><em>Il Martello</em>, Vol. 8, No. 14 - 27 Aprile [April] 1922</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/532"><em>Il Martello</em>, Vol. 28, No. 1 - 14 Gennaio [January] 1943</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/533"><em>Il Martello</em>, Vol. 28, No. 2 - 28 Febbraio [February] 1943</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/534"><em>Il Martello</em>, Vol. 28, No. 3 - 14 Marzo [March] 1943</a><br /><br /><a href="https://italianamericanimprints.omeka.net/items/show/526"><em>Il Martello </em>[main entry]</a>
Language
A language of the resource
Italian
1911-1920
anti-fascist
Carlo Tresca
Durante
Il Martello
New York
periodical
-
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/8b1e02e1716f9c7e7dc16113ed034537.jpg?Expires=1712793600&Signature=ZClf6Xc30Co23xZRYpfPweb5U-F3FeNkkN86Jz74O1UNAKB8xXDVKo4eK7GH-3GFVXUCikO0omKFV0tKjaAXvF1RFIAqhPOimomhGAeCjK4rFWPVzdFo4iuibN3lZuiJmg-oK-IE5zQerkEhocc68kSIQbMjpEb%7ELAatXjXQgKFvZc%7Ev-7xVOzCJuRhQi0uDPcUVhQVSqa2Kg-3KyIYzD2KvOlRHdnuC8USAWe00jsyc26GSaooCNCeJ%7EcJj5JMj3sW4d9xDXpisRcOGm6%7EhHNKHr5VBbN4RtSuL6wZEfHdJsYWy2m1YVgzbHluNOGRwHqQRNv3qgMTDmFpAt0gwtQ__&Key-Pair-Id=K6UGZS9ZTDSZM
04117b5dccf691228d304448b4c10dc6
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/84d681bdbdf4a5bbedc8f92eddfd2e07.jpg?Expires=1712793600&Signature=W9YybmfIuM52avJQu%7EuyYmy%7EosSlcx6CS8kI3K2fDdp%7E3mP0JXd38P3-dz76k9%7ER-ipJBoX0al7o7Cl3-G8QIGC%7E8ZzPX%7EG9Sb3Wbr48T9rl0kJJaNqDmeuJmi1Z3ZVj2BrxMOLcB5OY-x4pM1tkaKFtc3iySs8EwfXAzhuCQmicYptdrwPjV5RjoDZoEdoUYX8KXEVR7jIvpr47%7ECIsbj3ClPbQMhmj8F8RjXPxRr9J5EidkaMTywk-60Tke25S3gDKQ-T0CQq2V0ckoaJN9yFYxtuudHVgqqV8J6iVf7w9AUYdADxtTIr2ejjzCwAPEI5oIvZiki%7ERWMSBXm67Kg__&Key-Pair-Id=K6UGZS9ZTDSZM
65303188c259c6140956aaebc3317a8f
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/805c4b8463a4acd6fd38f837e170c3e9.jpg?Expires=1712793600&Signature=NLi9h%7EKYzTlXx2f89n5IbDQO9hcMJdSaI8VE%7EdIZSKn6F5C7ruqBeVRNB1af9aJp5sFHe1Dl0-hjLftqWcWBw1mGPZZLZncBScgmkwSvq2AGIAzsWbiMqwpICp-NzZOAvVh-n3jYvSJdSzPEsuIgy7EeWtgHFm1A6nxKojTaFaHmEX2bax1d6-eT3gYx60c3jRfm9BbHTWdLrt68otK%7EWcoBGAVLu9%7ENmVXu8RG%7Ehy0P8CLW2lWMGSaUZ7S7HQQwIz19dCp%7EUM69AjjXJu3O7Jn3eCvuRedv4b067JqsAXhKNOAIb35wcZV5vZrev95d0viXgEyZHM0fLscQwzEILA__&Key-Pair-Id=K6UGZS9ZTDSZM
4571ec3b512f8cdd87a886f5435e0599
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/089015066ddf04f91ad9ebf7e8ecd752.jpg?Expires=1712793600&Signature=UnuuD8jl89onNiryzJkgfbJvcUw7T5NW3yeo3CLAOgtM%7Ese1hEwuCLTa9SDedlFybFnp%7EK99BOHcZ3K7pVjzHsv5KsgXsVokPyPm3nR%7ERZ79kUjXxZUnxOPo8gQfI2-aNGV6hA43m6mMwz%7EdeT5EQX-aTKk8NZi8oX6REp-0pyksI4y3y0bjXeQHAYo-Bla3jlP7uTHIoyPndVSQIeUHPgpV4iZ7WqwnQnQqoGrpz7NygcgJphA2ZWWUp07mefrWExI65STZu1YxaAeUIL7QWwc2V7BgnEt9wStJpdz7n0qtKO%7E-HtdSoDvIYkeaHM2tnJmwkLyAp22wrBXRv5uCWw__&Key-Pair-Id=K6UGZS9ZTDSZM
385773a9af2fb92a9b787dfe02acf530
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/b9c0446ef5c4305063e1c24968f9e512.jpg?Expires=1712793600&Signature=baJm%7ESQYSpfIhNFWosckivvyKwvThNEWqtLeSrDcNHIkPLw0aSlIjeuPuFu%7EWzC0Da6KVF1iD5h131uFa861WDw53p7IjAqGpKjdPhVwCT-BBRmShGQTudp2N3iFbHui6d9r6xwkQLL32rfe3GDXeTGlhFJ%7EP69Atupgk3O40e07M6-XcDUbntTdjkX6jdVgzcEqrG-fokXyRKiqhYDNuregkC%7EB7%7EH51eYecsJgUTGDXWzKMeNUXMek5j1h%7EKtFD4Csa2k-QgHgnpmf8lGqbIx0eN29gcyO4cTQpDG3N2ZoEe2oKU69GsM88CP1o1XBnUPwcaMmbvdwg5NV2gu-1g__&Key-Pair-Id=K6UGZS9ZTDSZM
cf9b2256d0a247070f8160b6d1da7ba1
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/427ccc6755f5b9b62da3f19abfda9f3f.jpg?Expires=1712793600&Signature=ZpKvc4XPfoCOOvvLrU%7EkzLLljyYlJr%7EAAWh2Cj8Hv5EfsQF-ZKH-HyjBkNWujCrQ6R8oAnb2vD9Rb%7EUpb3PBO8Mv2Dew4JbuLqr8wWSuwCpf2Z7JxQkEwBDYq-YXvOVXWMuoT1k1gRMYD9fDDpIfqEn9Wzh2RauAbiH9SzQflvIVaO1YacYVKOC7rOsSvm3e1kBHz3zIQ3r2JJxLuWZLFBORcbaeQrf4I0ZisHK5LfHwXXe3qU3B0wMpZerQP1aeQiVqhzPPY2L%7EvD2tCyGXeqmPvUO2Vzuorusj8GPPQqgrSIuAeQUmKE0DTjzgMPywKwSPdWVfSuRIVZ7F18MyfA__&Key-Pair-Id=K6UGZS9ZTDSZM
03817fcae5907ace899cd1d2cd954e48
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/7a7bff3dfab9c07107f4b92225cc3e4d.jpg?Expires=1712793600&Signature=of8x2Tdfdpicf4eXALOeeUKjP9FDWyaE7jC%7EUFXe0S%7E1ay93lMq588xEY3I5D2M9rJZWgfIQket-fU3kASk1%7EhqMJXz1-UMMBUIJwrRo6yT%7EYM-KX1Td39zjQQvyK86ChVbUGNJQi6iEGusnb3Bw4DFHWj3neUpPXsQ2BgRueYQRoPmXHSts%7ElubAXSBdcg5vpAtlPyfdMmnH9kXHgBf7LLG-urYPvD232NdYhsqoTNRn4UG3A2dzKRBzWMzQRcD7IkwzhTVowS-CpZYRiZfjK4k9Iwm9Yf8gTnJGezNfsiiH%7EFsSHZQ8GENSaMtWJcXZmjQzqiuxGwRil9%7EuhW36g__&Key-Pair-Id=K6UGZS9ZTDSZM
8d7208f891b348914c33331562304a72
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<span><span><strong><em>Il Martello</em> </strong>[The Hammer]<strong>, <br />Anno II, IV - 1918-1919 (incomple)<br /><br /></strong></span></span><span><strong>New York: <span style="font-size:13px;color:#000000;text-decoration:none;font-family:Arial;font-style:normal;">Casa Ed. "Il Martello," 1 Gennaio [January] 1918 - 16 Febbraio [February] 1919.<br /></span></strong></span>
Description
An account of the resource
<p>See the general entry for <em>Il Martello</em> for the years 1918-1943 (repeated in a few descriptions of individual issues) for the history of the founding and running by Carlo Tresca of this, perhaps the most famous and almost surely the most long-lived of the radical newspapers in Italian in the Italian American community.<br /><br />Bound volume - the second of two - of 23 issues of the newspaper-magazine <em>Il Martello</em>, spanning the period from January 1918 (Volume 3, No. 1) to February 1919 (Volume 4, No. 3), with no post-February issues in the second, 1919 volume. This volume is largely duplicative -but in unfailing chronological order, unlike the other volume - of the first volume bound by Augusto Lentricchia and was a gift to me of Frank Lentricchia, novelist and Katherine Everett Gilbert Professor of Literature and Theater Studies at Duke University.<br /><br /></p>
<p>That a reader of a review like <em>Il Martello</em> would lovingly gather issues into a homemade binding, beginning only a year after the founding of <em>Il Martello</em> in 1917, is a measure of the affection that Tresca’s followers felt for him and everything he did. An immigrant from Morollo, south of Rome, Augusto Lentricchia settled in Utica in the first decade of the 20th century, where he worked for the New York Central Railroad, from which he was fired several times for trying to organize other railroad workers to radical causes. Lentricchia was also a poet who wrote about radical issues; one of his poems was published in <em>Il Martello</em>. His bound diaries containing his poetry were donated by Professor Frank Lentricchia to the Italian American Collection at the State University of New York at Stony Brook.<br /><br />This volume includes:<br /><br /><em>Il Martello</em>, Anno III, No. 1 - 1 Gennaio [January] 1917 [i.e. 1918]<br /><em>Il Martello</em>, Anno III, No. 2 - 16 Gennaio [January] 1918<br /><em>Il Martello</em>, Anno III, No. 3 - 16 Febbraio [February] 1918<br /><em>Il Martello</em>, Anno III, No. 4 - 1 Marzo [March] 1918<br /><em>Il Martello</em>, Anno III, No. 5 - 16 Marzo [March] 1918<br /><em>Il Martello</em>, Anno III, No. 6 - 1 Aprile [April] 1918<br /><em>Il Martello</em>, Anno III, Numero Special<br /><em>Il Martello</em>, Anno III, No. 8 - 16 Maggio [May] 1918<br /><em>Il Martello</em>, Anno III, No. 9 - 1 Giugno [June] 1918<br /><em>Il Martello</em>, Anno III, No. 10 - 16 Giugno [June] 1918<br /><em>Il Martello</em>, Anno III, No. 11 - 1 Luglio [July] 1918<br /><em>Il Martello</em>, Anno III, No. 12 - 16 Luglio [July] 1918<br /><em>Il Martello</em>, Anno III, No. 13 - 1 Agosto [August] 1918<br /><em>Il Martello</em>, Anno III, No. 14 - 16 Agosto [August] 1918<br /><em>Il Martello</em>, Anno III, No. 15 - 1 Settembre [September] 1918<br /><em>Il Martello</em>, Anno III, No. 16 - 1 Ottobre [October] 1918<br /><em>Il Martello</em>, Anno III, No. 17 - 16 Ottobre [October] 1918<br /><em>Il Martello</em>, Anno III, No. 18 - 1 Novembre [November] 1918<br /><em>Il Martello</em>, Anno III, No. 19 - 16 Novembre [November] 1918<br /><em>Il Martello</em>, Anno IV, No. 1 - 1 Gennaio [January] 1919<br /><em>Il Martello</em>, Anno IV, No. 2 - 16 Gennaio [January] 1919<br /><em>Il Martello</em>, Anno IV, No. 3 - 1 Febbraio [February] 1919<br /><em>Il Martello</em>, Anno IV, Supplemento al No. 3 - 16 Febbraio [February] 1919</p>
Creator
An entity primarily responsible for making the resource
Carlo Tresca
Publisher
An entity responsible for making the resource available
Casa Ed. "Il Martello"
Date
A point or period of time associated with an event in the lifecycle of the resource
1 Gennaio [January] 1918 - 16 Febbraio [February] 1919
Language
A language of the resource
Italian
Relation
A related resource
<a href="https://italianamericanimprints.omeka.net/items/show/527"><em>Il Martello</em>, Vol. 7, No. 9 - 19 Marzo [March] 1921</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/528"><em>Il Martello</em>, Vol. 7, No. 24 - 19 Luglio [July] 1921</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/529"><em>Il Martello</em>, Vol. 7, No. 42 - 12 Dicembre [December] 1921</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/530"><em>Il Martello</em>, Vol. 8, No. 8 - 4 Marzo [March] 1922</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/531"><em>Il Martello</em>, Vol. 8, No. 14 - 27 Aprile [April] 1922</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/532"><em>Il Martello</em>, Vol. 28, No. 1 - 14 Gennaio [January] 1943</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/533"><em>Il Martello</em>, Vol. 28, No. 2 - 28 Febbraio [February] 1943</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/534"><em>Il Martello</em>, Vol. 28, No. 3 - 14 Marzo [March] 1943</a><br /><br /><a href="https://italianamericanimprints.omeka.net/items/show/526"><em>Il Martello </em>[main entry]</a>
1911-1920
anti-fascist
Carlo Tresca
Durante
Il Martello
New York
periodical
-
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/81e2a4d2e3fddb99e4572e1d23c6bf3f.jpg?Expires=1712793600&Signature=nahR8xISdV-kmifAr76ohV7QJCdARUpyiNY%7E-EBkiRTrNiJiEjQGHnNLkkEcfxQPNLbcaORNgAovsSpKohyGADfbZzEuHaKJEluud3VeB2cGKYyYvY9zQN2IS%7E-3ugEfNvdVLXVF-fX5-BCfxNFBuh7EfDXtQRcU6lpAGuD-ey-lBV03hyrfzVGUlKSJ1Ze5gGyvGmkY9MLHSEpEzpE5mgc%7Er39-SYk110mhjIcyRllrRklwgMY09WxNvei4gJFURNUe%7EWVZxhyOfvSCElmK4Z%7E7m5g-164kEcstJowcLcojcv4AT35jibvCB0MgqOH8CjaVgoDi%7E9k7ZIYPE9TBFw__&Key-Pair-Id=K6UGZS9ZTDSZM
c32c621573376b83591e8256a5ca61c2
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<span><strong><em>Il Martello</em> </strong>[The Hammer]<strong>, Vol 28, No. 3. New York: <span style="font-size:13px;color:#000000;text-decoration:none;font-family:Arial;font-style:normal;">Casa Ed. "Il Martello," 14 Marzo [March] 1943.<br /></span></strong></span>
Date
A point or period of time associated with an event in the lifecycle of the resource
14 Marzo [March] 1943
Creator
An entity primarily responsible for making the resource
Carlo Tresca
Relation
A related resource
<a href="https://italianamericanimprints.omeka.net/items/show/535"><em>Il Martello</em>, Anno 3, No. 1 - Anno 4, No 3 - <span style="font-size:13px;color:#000000;text-decoration:none;font-family:Arial;font-style:normal;">1 Gennaio [January] 1918 - 16 Febbraio [February] 1919</span></a><br /><a href="https://italianamericanimprints.omeka.net/items/show/536"><em>Il Martello</em>, Anno 3-4, 1918-1919</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/527"><em>Il Martello</em>, Vol. 7, No. 9 - 19 Marzo [March] 1921</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/528"><em>Il Martello</em>, Vol. 7, No. 24 - 19 Luglio [July] 1921</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/529"><em>Il Martello</em>, Vol. 7, No. 42 - 12 Dicembre [December] 1921</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/530"><em>Il Martello</em>, Vol. 8, No. 8 - 4 Marzo [March] 1922</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/531"><em>Il Martello</em>, Vol. 8, No. 14 - 27 Aprile [April] 1922</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/532"><em>Il Martello</em>, Vol. 28, No. 1 - 14 Gennaio [January] 1943</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/533"><em>Il Martello</em>, Vol. 28, No. 2 - 28 Febbraio [February] 1943</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/534"></a><br /><a href="https://italianamericanimprints.omeka.net/items/show/526"><em>Il Martello </em>[main entry]</a>
Publisher
An entity responsible for making the resource available
Casa Ed. "Il Martello"
Language
A language of the resource
Italian
Description
An account of the resource
See the general entry for <em>Il Martello</em> for the years 1918-1943 for the history of the founding and running by Carlo Tresca of this, perhaps the most famous and almost surely the most long-lived of the radical newspapers in Italian in the Italian American community.
1941-1950
anti-fascist
Carlo Tresca
Durante
Il Martello
New York
periodical
-
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/73da7d53164231fa740b2881605758c8.jpg?Expires=1712793600&Signature=cG8GFLCOgS8TqnJud7M7VpxIT1xdYZxd78-iqtGzhPD6ua-P9cWl0H4Ym94FbB9nr5bP5tPqJmpp-Kp-Tmq1GGMWyZFPWSnzgAwRIJkG%7EX653PZN-9DgJQM-KPxxRo65l4oFMQsJrrFrLarTeMttwTtB1CBotMDqCOZ7Z85wkM2mot4wDTpyQb%7EvNrLDLK1g6I3PKdL1M97GzOmXPPl41RvO%7EfEmGojWpXdBNGgwRY4-GrlQhGTZoZJn1hd8arjfMBi51DOU85Tw35G%7EbZsk9AKM4oVn9gea%7El8V0IwkObfAUD8CXCUdtdNusH90veGYQfqYPQo3qSV-RUmrcAugFg__&Key-Pair-Id=K6UGZS9ZTDSZM
c70dca6269b0088d256c24bbc1dee014
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<span><strong><em>Il Martello</em> </strong>[The Hammer]<strong>, Vol 28, No. 2. New York: <span style="font-size:13px;color:#000000;text-decoration:none;font-family:Arial;font-style:normal;">Casa Ed. "Il Martello," 28 Febbraio [February] 1943.<br /></span></strong></span>
Date
A point or period of time associated with an event in the lifecycle of the resource
28 Febbraio [February] 1943
Relation
A related resource
<a href="https://italianamericanimprints.omeka.net/items/show/535"><em>Il Martello</em>, Anno 3, No. 1 - Anno 4, No 3 - <span style="font-size:13px;color:#000000;text-decoration:none;font-family:Arial;font-style:normal;">1 Gennaio [January] 1918 - 16 Febbraio [February] 1919</span></a><br /><a href="https://italianamericanimprints.omeka.net/items/show/536"><em>Il Martello</em>, Anno 3, No. 7 - ??? - <span style="font-size:13px;color:#000000;text-decoration:none;font-family:Arial;font-style:normal;">16 Aprile [April] 1918 - ???</span></a><br /><a href="https://italianamericanimprints.omeka.net/items/show/527"><em>Il Martello</em>, Vol. 7, No. 9 - 19 Marzo [March] 1921</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/528"><em>Il Martello</em>, Vol. 7, No. 24 - 19 Luglio [July] 1921</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/529"><em>Il Martello</em>, Vol. 7, No. 42 - 12 Dicembre [December] 1921</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/530"><em>Il Martello</em>, Vol. 8, No. 8 - 4 Marzo [March] 1922</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/531"><em>Il Martello</em>, Vol. 8, No. 14 - 27 Aprile [April] 1922</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/532"><em>Il Martello</em>, Vol. 28, No. 1 - 14 Gennaio [January] 1943</a><a href="https://italianamericanimprints.omeka.net/items/show/533"></a><br /><a href="https://italianamericanimprints.omeka.net/items/show/534"><em>Il Martello</em>, Vol. 28, No. 3 - 14 Marzo [March] 1943</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/526"><em>Il Martello </em>[main entry]</a>
Creator
An entity primarily responsible for making the resource
Carlo Tresca
Publisher
An entity responsible for making the resource available
Casa Ed. "Il Martello"
Language
A language of the resource
Italian
Description
An account of the resource
See the general entry for <em>Il Martello</em> for the years 1918-1943 for the history of the founding and running by Carlo Tresca of this, perhaps the most famous and almost surely the most long-lived of the radical newspapers in Italian in the Italian American community.
1941-1950
anti-fascist
Carlo Tresca
Durante
Il Martello
New York
periodical
-
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/c61bd40859a2a3e2a46b03ae383b98d6.jpg?Expires=1712793600&Signature=QzuFGub9bDWlCR8LoGfn1dgFlwGt2l0CPR0HNBn5QCDFeO1FCwpPJg7p2zwNmoQZOv1FVUszJvrlomWHZvfOrGkdcF7Do7Fi0vjjut%7EnE59i6y3jSNm311xc404N6xoxRkxXJ7X1Pz4O5XkyKQfruMcZD%7EGkIzAS11hDyx1ZfLqhQhUo3UoQtcopKKIVwrHNPglHHDRPkGstc6JW2yj0L0MPyccarWBYcK%7Eg5uPKgqooKdeFfQfCPMY0qjUcLUyQnH1MGp4nQnHG7ivwBe5LQExAu%7E2G83HRWeB-U20kWuROZefrH7EziCGoV-as1xGS41CDw1-uMY70--%7El0cE4Fw__&Key-Pair-Id=K6UGZS9ZTDSZM
7520228ae0b821055770b90b07f97af6
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<span><strong><em>Il Martello</em> </strong>[The Hammer]<strong>, Vol 28, No. 1. New York: <span style="font-size:13px;color:#000000;text-decoration:none;font-family:Arial;font-style:normal;">Casa Ed. "Il Martello," 14 Gennaio [January] 1943.<br /></span></strong></span>
Date
A point or period of time associated with an event in the lifecycle of the resource
14 Gennaio [January] 1943
Creator
An entity primarily responsible for making the resource
Carlo Tresca
Publisher
An entity responsible for making the resource available
Casa Ed. "Il Martello"
Relation
A related resource
<a href="https://italianamericanimprints.omeka.net/items/show/535"><em>Il Martello</em>, Anno 3, No. 1 - Anno 4, No 3 - <span style="font-size:13px;color:#000000;text-decoration:none;font-family:Arial;font-style:normal;">1 Gennaio [January] 1918 - 16 Febbraio [February] 1919</span></a><br /><a href="https://italianamericanimprints.omeka.net/items/show/536"><em>Il Martello</em>, Anno 3, No. 7 - ??? - <span style="font-size:13px;color:#000000;text-decoration:none;font-family:Arial;font-style:normal;">16 Aprile [April] 1918 - ???</span></a><br /><a href="https://italianamericanimprints.omeka.net/items/show/527"><em>Il Martello</em>, Vol. 7, No. 9 - 19 Marzo [March] 1921</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/528"><em>Il Martello</em>, Vol. 7, No. 24 - 19 Luglio [July] 1921</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/529"><em>Il Martello</em>, Vol. 7, No. 42 - 12 Dicembre [December] 1921</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/530"><em>Il Martello</em>, Vol. 8, No. 8 - 4 Marzo [March] 1922</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/531"><em>Il Martello</em>, Vol. 8, No. 14 - 27 Aprile [April] 1922</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/533"><em>Il Martello</em>, Vol. 28, No. 2 - 28 Febbraio [February] 1943</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/534"><em>Il Martello</em>, Vol. 28, No. 3 - 14 Marzo [March] 1943</a><br /><br /><a href="https://italianamericanimprints.omeka.net/items/show/526"><em>Il Martello </em>[main entry</a>
Language
A language of the resource
Italian
Description
An account of the resource
See the general entry for <em>Il Martello</em> for the years 1918-1943 for the history of the founding and running by Carlo Tresca of this, perhaps the most famous and almost surely the most long-lived of the radical newspapers in Italian in the Italian American community.
1941-1950
anti-fascist
Carlo Tresca
Durante
Il Martello
New York
periodical
-
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/90dccbdebe3b94855ac0df29968af37d.jpg?Expires=1712793600&Signature=L06F%7EBSVnrNFzmATk6D%7E6y90iza9JBH69rfIFYfU-4dLb37lBAKHROFSmCSP8rLCHan8PRaMcIPs6J9JDH5OnEvkBOeD2gGhDtkXlr2mCzqazMYEv2GBVmQMm4mlIxVQ8DUblbjRMe%7EPu3wLqH64olNskwI1OjHKGmtL3prPVgJhRO3o52Bn3X4jCmN93z7ifVROP0pcv2W0VtxTsf-MGED2meLn0A0ceUqsGXEH9SfccOC252Hfx2j%7E6IKmER2eCB3Ph5%7ESVuBV6u3G9SjxOfkJw4Aqa2fwf8SQ7ESOFDRqlGkyfwciAmtKTl45g4Y2em8pC59gjUGabcReYnKrWg__&Key-Pair-Id=K6UGZS9ZTDSZM
cd1f4fd66fae04be39f2ed651dce01f4
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<span><strong><em>Il Martello</em> </strong>[The Hammer]<strong>, Vol. VIII, No. 14. New York: <span style="font-size:13px;color:#000000;text-decoration:none;font-family:Arial;font-style:normal;">Casa Ed. "Il Martello," 27 Aprile [April] 1922.<br /></span></strong></span>
Relation
A related resource
<a href="https://italianamericanimprints.omeka.net/items/show/535"><em>Il Martello</em>, Anno 3, No. 1 - Anno 4, No 3 - <span style="font-size:13px;color:#000000;text-decoration:none;font-family:Arial;font-style:normal;">1 Gennaio [January] 1918 - 16 Febbraio [February] 1919</span></a><a href="https://italianamericanimprints.omeka.net/items/show/534"><br /></a><a href="https://italianamericanimprints.omeka.net/items/show/536"><em>Il Martello</em>, Anno 3, No. 7 - ??? - <span style="font-size:13px;color:#000000;text-decoration:none;font-family:Arial;font-style:normal;">16 Aprile [April] 1918 - ???</span></a><a href="https://italianamericanimprints.omeka.net/items/show/534"><br /></a><a href="https://italianamericanimprints.omeka.net/items/show/527"><em>Il Martello</em>, Vol. 7, No. 9 - 19 Marzo [March] 1921</a><a href="https://italianamericanimprints.omeka.net/items/show/534"><br /></a><a href="https://italianamericanimprints.omeka.net/items/show/528"><em>Il Martello</em>, Vol. 7, No. 24 - 19 Luglio [July] 1921</a><a href="https://italianamericanimprints.omeka.net/items/show/534"><br /></a><a href="https://italianamericanimprints.omeka.net/items/show/529"><em>Il Martello</em>, Vol. 7, No. 42 - 12 Dicembre [December] 1921</a><a href="https://italianamericanimprints.omeka.net/items/show/534"><br /></a><a href="https://italianamericanimprints.omeka.net/items/show/530"><em>Il Martello</em>, Vol. 8, No. 8 - 4 Marzo [March] 1922</a><a href="https://italianamericanimprints.omeka.net/items/show/534"><br /></a><a href="https://italianamericanimprints.omeka.net/items/show/532"><em>Il Martello</em>, Vol. 28, No. 1 - 14 Gennaio [January] 1943</a><a href="https://italianamericanimprints.omeka.net/items/show/534"><br /></a><a href="https://italianamericanimprints.omeka.net/items/show/533"><em>Il Martello</em>, Vol. 28, No. 2 - 28 Febbraio [February] 1943</a><a href="https://italianamericanimprints.omeka.net/items/show/534"><br /></a><a href="https://italianamericanimprints.omeka.net/items/show/534"><em>Il Martello</em>, Vol. 28, No. 3 - 14 Marzo [March] 1943</a><a href="https://italianamericanimprints.omeka.net/items/show/534"></a><br /><br /><a href="https://italianamericanimprints.omeka.net/items/show/526"><em>Il Martello </em>[main entry]</a>
Creator
An entity primarily responsible for making the resource
Carlo Tresca
Publisher
An entity responsible for making the resource available
Casa Ed. "Il Martello"
Language
A language of the resource
Italian
Date
A point or period of time associated with an event in the lifecycle of the resource
27 Aprile [April] 1922
Description
An account of the resource
See the general entry for <em>Il Martello</em> for the years 1918-1943 for the history of the founding and running by Carlo Tresca of this, perhaps the most famous and almost surely the most long-lived of the radical newspapers in Italian in the Italian American community.
1921-1930
anti-fascist
Carlo Tresca
Durante
Il Martello
New York
periodical
-
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/0019d4fba2732748c8e0280ffa0c0aad.jpg?Expires=1712793600&Signature=Pd8ium-ywBYetPXnbtcFWfYaUetQkscUrm%7EuYxoq1%7EaKm4X%7EdAzpu9aWw%7EvGXtEAhdcimnpoFKSvdrHmIP2TqSQpIXdcxHgIEbzYmD98wCPr6GAYss2q5fIm-YCpa8KvxnAp2TrLXbm9YEvlPKhb8nnxR70tsLrKnwm0fMzDDRJeHBnoHEelBHPMYH-m1ODN1V3iltAz4mr2rDLit3bYf95u5LT7hxNjciAr6xxkOz1TQUmenlbZYSf4K6319RjFLOZ9czk9A1jLre3Q3GjTYlm2j2bS2V3Y3vAEs02CjJPKn4DJhXsQIBpnI4RRyX9YVWQOUotgmS9PUp62JIdPeg__&Key-Pair-Id=K6UGZS9ZTDSZM
5334b29fb55469343d39acb93f96f343
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<span><strong><em>Il Martello</em> </strong>[The Hammer]<strong>, Vol. VIII, No. 8. New York: <span style="font-size:13px;color:#000000;text-decoration:none;font-family:Arial;font-style:normal;">Casa Ed. "Il Martello," 4 Marzo [March] 1922.</span></strong></span>
Relation
A related resource
<a href="https://italianamericanimprints.omeka.net/items/show/535"><em>Il Martello</em>, Anno 3, No. 1 - Anno 4, No 3 - <span style="font-size:13px;color:#000000;text-decoration:none;font-family:Arial;font-style:normal;">1 Gennaio [January] 1918 - 16 Febbraio [February] 1919</span></a><a href="https://italianamericanimprints.omeka.net/items/show/534"><br /></a><a href="https://italianamericanimprints.omeka.net/items/show/536"><em>Il Martello</em>, Anno 3-4, 1918-1919</a><a href="https://italianamericanimprints.omeka.net/items/show/534"><br /></a><a href="https://italianamericanimprints.omeka.net/items/show/527"><em>Il Martello</em>, Vol. 7, No. 9 - 19 Marzo [March] 1921</a><a href="https://italianamericanimprints.omeka.net/items/show/534"><br /></a><a href="https://italianamericanimprints.omeka.net/items/show/528"><em>Il Martello</em>, Vol. 7, No. 24 - 19 Luglio [July] 1921</a><a href="https://italianamericanimprints.omeka.net/items/show/534"><br /></a><a href="https://italianamericanimprints.omeka.net/items/show/529"><em>Il Martello</em>, Vol. 7, No. 42 - 12 Dicembre [December] 1921</a><a href="https://italianamericanimprints.omeka.net/items/show/534"><br /></a><a href="https://italianamericanimprints.omeka.net/items/show/531"><em>Il Martello</em>, Vol. 8, No. 14 - 27 Aprile [April] 1922</a><a href="https://italianamericanimprints.omeka.net/items/show/534"><br /></a><a href="https://italianamericanimprints.omeka.net/items/show/532"><em>Il Martello</em>, Vol. 28, No. 1 - 14 Gennaio [January] 1943</a><a href="https://italianamericanimprints.omeka.net/items/show/534"><br /></a><a href="https://italianamericanimprints.omeka.net/items/show/533"><em>Il Martello</em>, Vol. 28, No. 2 - 28 Febbraio [February] 1943</a><a href="https://italianamericanimprints.omeka.net/items/show/534"><br /></a><a href="https://italianamericanimprints.omeka.net/items/show/534"><em>Il Martello</em>, Vol. 28, No. 3 - 14 Marzo [March] 1943</a><a href="https://italianamericanimprints.omeka.net/items/show/534"></a><br /><br /><a href="https://italianamericanimprints.omeka.net/items/show/526"><em>Il Martello </em>[main entry]</a>
Creator
An entity primarily responsible for making the resource
Carlo Tresca
Publisher
An entity responsible for making the resource available
Casa Ed. "Il Martello"
Language
A language of the resource
Italian
Date
A point or period of time associated with an event in the lifecycle of the resource
4 Marzo [March] 1922
Description
An account of the resource
Carlo Tresca was the editor-in-chief (or equivalent) at several radical newspapers over his career, but the one that he founded and ran for decades — <em>Il Martello</em> — is the one most closely identified with him, and he with it. <br /><br />Tresca founded <em>Il Martello</em> in 1917, and he directed it (with some interruptions due to poor finances) until his assassination in 1943. <br /><br />As is evident from the broad range of writing genres it encompassed, <em>Il Martello</em> was not a traditional Italian anarchist newspaper or a “movement” publication in the specific way that <em>La Questione Sociale</em> (edited by Ludovico Caminita and by Galleani briefly) was for anarcho-syndicalists, or the <em>Cronaca Sovversiva</em> and <em>L’Adunata dei Refrattari</em> were for anti-organizationist anarchist communists like Galleani and his followers. <br /><br />Rather, <em>Il Martello</em> was too eclectic and unorthodox, like Tresca himself, to be classified according to conventional typology —“You can’t label him. You can’t classify him,” said Max Eastman in a famous <em>The New Yorker</em> profile. <br /><br />The personal affection that Tresca’s friends and colleagues had for him infuriated the more cerebral Galleani and his ultraloyal founders, who unfairly attacked Tresca personally when they were unable to do so doctrinally.
1921-1930
anti-fascist
Carlo Tresca
Durante
Il Martello
New York
periodical
-
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/f406ad1208bd614d571c8292ca6891bd.jpg?Expires=1712793600&Signature=l2m2H2QEjoBT%7EZWvRI3EhO1fxTlM0JS7JlfknKXCvwrJCjEpAsX6Sob6SJKUrr07b%7E5FmcvTrQpWcKdRvx%7EOs-NpLeLeVwY1ZseAoNNp9PuOUA3RtTaH-QEFzhPPluxSBayNhYvYImHRups3DGq28TJCJS3Qe29sy5tocuL1u44g07X4oI6K1xsmBA-J7UW6PhEIsIVLGI7GhBZ6Q5J3Y3QQ8CbZrOhnEftFdf6h108LeEzb7gGrKAppkt5wUNMUq0WXVk2Yo7btJpvJDG4YOFX-2CqNez0dhkSyluhIikc2VCtryJVNf63twWYHtCoCK8Fw7Cdm60KLIEBI43DvJA__&Key-Pair-Id=K6UGZS9ZTDSZM
47fd0f89c8cecffd3e178b50d02b3b71
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<span><strong><em>Il Martello</em> </strong>[The Hammer]<strong>, Vol. VII, No. 42. New York: <span style="font-size:13px;color:#000000;text-decoration:none;font-family:Arial;font-style:normal;">Casa Ed. "Il Martello," 12 Dicembre [December] 1921.<br /></span></strong></span>
Relation
A related resource
<a href="https://italianamericanimprints.omeka.net/items/show/535"><em>Il Martello</em>, Anno 3, No. 1 - Anno 4, No 3 - <span style="font-size:13px;color:#000000;text-decoration:none;font-family:Arial;font-style:normal;">1 Gennaio [January] 1918 - 16 Febbraio [February] 1919</span></a><br /><a href="https://italianamericanimprints.omeka.net/items/show/536"><em>Il Martello</em>, Anno 3-4, 1918-1919</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/527"><em>Il Martello</em>, Vol. 7, No. 9 - 19 Marzo [March] 1921</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/528"><em>Il Martello</em>, Vol. 7, No. 24 - 19 Luglio [July] 1921</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/530"><em>Il Martello</em>, Vol. 8, No. 8 - 4 Marzo [March] 1922</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/531"><em>Il Martello</em>, Vol. 8, No. 14 - 27 Aprile [April] 1922</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/532"><em>Il Martello</em>, Vol. 28, No. 1 - 14 Gennaio [January] 1943</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/533"><em>Il Martello</em>, Vol. 28, No. 2 - 28 Febbraio [February] 1943</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/534"><em>Il Martello</em>, Vol. 28, No. 3 - 14 Marzo [March] 1943</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/526"><em>Il Martello </em>[main entry]</a>
Creator
An entity primarily responsible for making the resource
Carlo Tresca
Publisher
An entity responsible for making the resource available
Casa Ed. "Il Martello"
Language
A language of the resource
Italian
Date
A point or period of time associated with an event in the lifecycle of the resource
12 Dicembre [December] 1921
Description
An account of the resource
Carlo Tresca was the editor-in-chief (or equivalent) at several radical newspapers over his career, but the one that he founded and ran for decades — <em>Il Martello</em> — is the one most closely identified with him, and he with it. <br /><br />Tresca founded <em>Il Martello</em> in 1917, and he directed it (with some interruptions due to poor finances) until his assassination in 1943. <br /><br />As is evident from the broad range of writing genres it encompassed, <em>Il Martello</em> was not a traditional Italian anarchist newspaper or a “movement” publication in the specific way that <em>La Questione Sociale</em> (edited by Ludovico Caminita and by Galleani briefly) was for anarcho-syndicalists, or the <em>Cronaca Sovversiva</em> and <em>L’Adunata dei Refrattari</em> were for anti-organizationist anarchist communists like Galleani and his followers. <br /><br />Rather, <em>Il Martello</em> was too eclectic and unorthodox, like Tresca himself, to be classified according to conventional typology —“You can’t label him. You can’t classify him,” said Max Eastman in a famous <em>The New Yorker</em> profile. <br /><br />The personal affection that Tresca’s friends and colleagues had for him infuriated the more cerebral Galleani and his ultraloyal founders, who unfairly attacked Tresca personally when they were unable to do so doctrinally.
1921-1930
anti-fascist
Carlo Tresca
Durante
Il Martello
New York
periodical
-
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/c2e335064382c2390677a0f3d0e0e420.jpg?Expires=1712793600&Signature=I2Vdg3y2ZnV5bHOpS9sEFqtx11tHHCXp6KwhjeEnGSvBxVtiP9ABoxSpGLmqzseiSh9ukPbifB0xOoktUS0HrnQs8wffDXluD63G1HIfBkCCWOSIgAONfu4W5IOLaU2oy5iHEgEjbvAIvHKjlaxmqjPZrN7omg1SHSDLf795na9BJJmWkq9TwKV2pHGKz-%7E7149YzV16SuhL6cQjz3-TyOVxMdrR1fxg5f04GQYplhs071bsjZTuaqG6a%7EyaGfdpqFLLvmBlI0cyLPU7Crxngp78IexjDBS5Xg15OpdwX9HZFcfn%7E0sMVnv%7Ec8I90k6kW4mHHFMR3qJJm4XdBk6BZg__&Key-Pair-Id=K6UGZS9ZTDSZM
4e3465a439d27cb2ef8dde5e5e255366
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<span><strong><em>Il Martello</em> </strong>[The Hammer]<strong>, Vol. VII, No. 24. New York: <span style="font-size:13px;color:#000000;text-decoration:none;font-family:Arial;font-style:normal;">Casa Ed. "Il Martello," 19 Luglio [July] 1921.</span></strong></span>
Relation
A related resource
<a href="https://italianamericanimprints.omeka.net/items/show/535"><em>Il Martello</em>, Anno 3, No. 1 - Anno 4, No 3 - <span style="font-size:13px;color:#000000;text-decoration:none;font-family:Arial;font-style:normal;">1 Gennaio [January] 1918 - 16 Febbraio [February] 1919</span></a><a href="https://italianamericanimprints.omeka.net/items/show/534"><br /></a><a href="https://italianamericanimprints.omeka.net/items/show/536"><em>Il Martello</em>, Anno 3-4, 1918-1919<br /></a><a href="https://italianamericanimprints.omeka.net/items/show/527"><em>Il Martello</em>, Vol. 7, No. 9 - 19 Marzo [March] 1921</a><a href="https://italianamericanimprints.omeka.net/items/show/534"><br /></a><a href="https://italianamericanimprints.omeka.net/items/show/529"><em>Il Martello</em>, Vol. 7, No. 42 - 12 Dicembre [December] 1921</a><a href="https://italianamericanimprints.omeka.net/items/show/534"><br /></a><a href="https://italianamericanimprints.omeka.net/items/show/530"><em>Il Martello</em>, Vol. 8, No. 8 - 4 Marzo [March] 1922</a><a href="https://italianamericanimprints.omeka.net/items/show/534"><br /></a><a href="https://italianamericanimprints.omeka.net/items/show/531"><em>Il Martello</em>, Vol. 8, No. 14 - 27 Aprile [April] 1922</a><a href="https://italianamericanimprints.omeka.net/items/show/534"><br /></a><a href="https://italianamericanimprints.omeka.net/items/show/532"><em>Il Martello</em>, Vol. 28, No. 1 - 14 Gennaio [January] 1943</a><a href="https://italianamericanimprints.omeka.net/items/show/534"><br /></a><a href="https://italianamericanimprints.omeka.net/items/show/533"><em>Il Martello</em>, Vol. 28, No. 2 - 28 Febbraio [February] 1943</a><a href="https://italianamericanimprints.omeka.net/items/show/534"><br /></a><a href="https://italianamericanimprints.omeka.net/items/show/534"><em>Il Martello</em>, Vol. 28, No. 3 - 14 Marzo [March] 1943</a><a href="https://italianamericanimprints.omeka.net/items/show/534"></a><br /><br /><a href="https://italianamericanimprints.omeka.net/items/show/526"><em>Il Martello </em>[main entry]</a>
Creator
An entity primarily responsible for making the resource
Carlo Tresca
Publisher
An entity responsible for making the resource available
Casa Ed. "Il Martello"
Language
A language of the resource
Italian
Date
A point or period of time associated with an event in the lifecycle of the resource
19 Luglio [July] 1921
Description
An account of the resource
Carlo Tresca was the editor-in-chief (or equivalent) at several radical newspapers over his career, but the one that he founded and ran for decades — <em>Il Martello</em> — is the one most closely identified with him, and he with it. <br /><br />Tresca founded <em>Il Martello</em> in 1917, and he directed it (with some interruptions due to poor finances) until his assassination in 1943. <br /><br />As is evident from the broad range of writing genres it encompassed, <em>Il Martello</em> was not a traditional Italian anarchist newspaper or a “movement” publication in the specific way that <em>La Questione Sociale</em> (edited by Ludovico Caminita and by Galleani briefly) was for anarcho-syndicalists, or the <em>Cronaca Sovversiva</em> and <em>L’Adunata dei Refrattari</em> were for anti-organizationist anarchist communists like Galleani and his followers. <br /><br />Rather, <em>Il Martello</em> was too eclectic and unorthodox, like Tresca himself, to be classified according to conventional typology —“You can’t label him. You can’t classify him,” said Max Eastman in a famous <em>The New Yorker</em> profile. <br /><br />The personal affection that Tresca’s friends and colleagues had for him infuriated the more cerebral Galleani and his ultraloyal founders, who unfairly attacked Tresca personally when they were unable to do so doctrinally.
1921-1930
anti-fascist
Carlo Tresca
Durante
Il Martello
New York
periodical
-
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/5b6eaaae65feb437ff606001d18b44dc.jpg?Expires=1712793600&Signature=f-Uq8nQ9EXLdWkIzAB3ZR0gvlNCrOTbu%7Exay8REWMczK8XcpSCh1TlYlKq7PfBsOh7OmVYyA-CgabG9EQD1G8i5r5%7EW0w0AmYw6Q9L3Hz7CX5MrV%7EhvnWkxo-cn1qK3dKIPH48npKP4TnL1S2-Pe-uoIC5X7t62MqJM0vIt-gesPwTFhBOMmoZCcQbyWaSzW-DlJbb%7EFGDliBReaM9jZNSN9fjU2kFFaaCb4w65zOlfqvl2FXkbbLHQB2HlZAITuwEtGThM6P0ijwWlP0P8zQCR3XNlNvuyiWz2xbCR2es8Jp5WT96pw0R2vVJVkbw%7EpWO7lxkT2t0ceRjaSse1Eng__&Key-Pair-Id=K6UGZS9ZTDSZM
e95a659887f5a2536e8025f30b506b19
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<span><strong><em>Il Martello</em> </strong>[The Hammer]<strong>, Vol. VII, No. 9. New York: <span style="font-size:13px;color:#000000;text-decoration:none;font-family:Arial;font-style:normal;">Casa Ed. "Il Martello," 19 Marzo [March] 1921.</span></strong></span>
Relation
A related resource
<a href="https://italianamericanimprints.omeka.net/items/show/534"></a><a href="https://italianamericanimprints.omeka.net/items/show/535"><em>Il Martello</em>, Anno 3, No. 1 - Anno 4, No 3 - <span style="font-size:13px;color:#000000;text-decoration:none;font-family:Arial;font-style:normal;">1 Gennaio [January] 1918 - 16 Febbraio [February] 1919</span></a><a href="https://italianamericanimprints.omeka.net/items/show/534"><br /></a><a href="https://italianamericanimprints.omeka.net/items/show/536"><em>Il Martello</em>, Anno 3-4, 1918-1919</a><a href="https://italianamericanimprints.omeka.net/items/show/534"><br /></a><a href="https://italianamericanimprints.omeka.net/items/show/528"><em>Il Martello</em>, Vol. 7, No. 24 - 19 Luglio [July] 1921</a><a href="https://italianamericanimprints.omeka.net/items/show/534"><br /></a><a href="https://italianamericanimprints.omeka.net/items/show/529"><em>Il Martello</em>, Vol. 7, No. 42 - 12 Dicembre [December] 1921</a><a href="https://italianamericanimprints.omeka.net/items/show/534"><br /></a><a href="https://italianamericanimprints.omeka.net/items/show/530"><em>Il Martello</em>, Vol. 8, No. 8 - 4 Marzo [March] 1922</a><a href="https://italianamericanimprints.omeka.net/items/show/534"><br /></a><a href="https://italianamericanimprints.omeka.net/items/show/531"><em>Il Martello</em>, Vol. 8, No. 14 - 27 Aprile [April] 1922</a><a href="https://italianamericanimprints.omeka.net/items/show/534"><br /></a><a href="https://italianamericanimprints.omeka.net/items/show/532"><em>Il Martello</em>, Vol. 28, No. 1 - 14 Gennaio [January] 1943</a><a href="https://italianamericanimprints.omeka.net/items/show/534"><br /></a><a href="https://italianamericanimprints.omeka.net/items/show/533"><em>Il Martello</em>, Vol. 28, No. 2 - 28 Febbraio [February] 1943</a><a href="https://italianamericanimprints.omeka.net/items/show/534"><br /></a><a href="https://italianamericanimprints.omeka.net/items/show/534"><em>Il Martello</em>, Vol. 28, No. 3 - 14 Marzo [March] 1943</a><a href="https://italianamericanimprints.omeka.net/items/show/534"></a><br /><br /><a href="https://italianamericanimprints.omeka.net/items/show/526"><em>Il Martello </em>[main entry]</a>
Creator
An entity primarily responsible for making the resource
Carlo Tresca
Publisher
An entity responsible for making the resource available
Casa Ed. "Il Martello"
Language
A language of the resource
Italian
Date
A point or period of time associated with an event in the lifecycle of the resource
19 Marzo [March] 1921
Description
An account of the resource
Carlo Tresca was the editor-in-chief (or equivalent) at several radical newspapers over his career, but the one that he founded and ran for decades — <em>Il Martello</em> — is the one most closely identified with him, and he with it. <br /><br />Tresca founded <em>Il Martello</em> in 1917, and he directed it (with some interruptions due to poor finances) until his assassination in 1943. <br /><br />As is evident from the broad range of writing genres it encompassed, <em>Il Martello</em> was not a traditional Italian anarchist newspaper or a “movement” publication in the specific way that <em>La Questione Sociale</em> (edited by Galleani and Caminita) was for anarcho-syndicalists. <br /><br />Rather, <em>Il Martello</em> was too eclectic and unorthodox, like Tresca himself, to be classified according to conventional typology —“You can’t label him. You can’t classify him,” said Max Eastman in a famous profile in <em>The New Yorker</em>. <br /><br />The personal affection that Tresca’s friends and colleagues had for him infuriated the more cerebral Galleani and his ultraloyal founders, who unfairly attacked Tresca personally when they were unable to do so doctrinally.
1921-1930
anti-fascist
Carlo Tresca
Durante
Il Martello
New York
periodical
-
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/2ddbbefbdfd0ad9f8d73c2375b4abc44.jpg?Expires=1712793600&Signature=kNpVBWWcLOaVRj860PtgD-TCSpXhQoKQOL9C3GLJ2zrD4CGdekidMJG8Y1lbyU50XM7oFMOCaGEoFa70KdZ31fsL3nn6FtgeuZVdUitm2ATyh7xdhptZYRX-lLax28KEuo3jDNk5fPP0TfiDVk3Bt3z00RbVFMm6fnjlvH4nrtY-kyuWqkGdKEk9zAptW0Z9xC1QWUFJuMiv1ddksW4l519K8QfydB6U%7EOPn5iq8jJrnSWTIVuKsqq0nsCA9H94TQvKhwLeFrCuNsyJPa8LV5ScQHCBqf4F33hB8S%7ErgOsoKZmU4M6wPh0p8jqZmHezjJHhhDNf2F2zOUu8teKG71A__&Key-Pair-Id=K6UGZS9ZTDSZM
c6df1d20c814b5242bd989899e8dd266
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Periodicals: newspapers and magazines
Description
An account of the resource
The collection is rich in hard to find magazines and/or newspapers like Ernesto Valentini's <em>Zarathustra</em>, Vincenzo Vacirca's <em>Il Solco </em>and <em>La Strada</em>, Aldino Felicani's <em>La Controcorrente</em>, <em>Il Proletario</em>, Enrico Arrigoni's <em>Eresia</em>, Carlo Tresca's <em>Il Martello</em> and <em>Guardia Rossa</em>, Antonino Capraro's <em>Alba Nuova</em>, Arturo Giovannitti's <em>Vita</em>, Agostino De Biasi's <em>Il Carroccio, </em>T. Lucidi's <em>Il Messaggero della Salute</em>, Guido Podrecca's and Gabriele Galantara's <em>L'Asino</em> (this last mostly published in Rome) and others.<br /><br />As Francesco Durante rightly observed in <em>Italoamericana</em>, understanding the contribution of journalism among Italian Americans - almost solely in Italian at the outset - to the community life, as well as to the culture of the immigrant community, is central to understanding that community. <br /><br />Virtually all of the writers whose book-length works we see and celebrate in the collection, whether political or not, began their writing careers with newspaper or magazine writing. Some even immigrated to the U.S. precisely to do just that, but those were exceptional.<br /><br />The politics of the magazines and newspapers ran the gamut from left to right, and some - e.g., <em>Il Messaggero della Salute</em> - were not really political in that sense at all. The separation often observed between the political and the literary sections of the magazines is surprising and deserves examination all by itself: one can find the stories of Clara Vacirca, married to and sharing the political leanings of the socialist Vincenzo Vacirca, published in the right-wing <em>Il Carroccio</em>, and less overtly political writers like Salvatore Benanti and Federico Mennella often contributed literary pieces to leftist periodicals like <em>La Follia di New York. </em>For example, Mennella wrote the dialect column for <em>La Follia </em>for some time. The catholic nature of the magazines in the literary culture of the Italians reflected one of its strengths.<br /><br />Whatever the mixture of news from Italy and from America, whether "news events," or political or cultural commentary, short stories or poems, whether from Italians still in Italy or immigrants in the U.S. or translated from German, French. English or Russian - all of which were quite prevalent - or elaborations of philosophies of living, sometimes imported but sometimes "home-grown" in the U.S., the magazines and newspapers provide a rich insight into this world. <br /><br />Beyond the articles themselves were, in many cases, letters to the editors and lists of new subscribers (and the cities and towns they lived in), both of which enlarge our understanding of what parts of the immigrant community were reached and affected by the printed word. <br /><br />This, too, is a subject that deserves close examination, and has been discussed recently, for example, in a fine essay by historian Adam Quinn discussing whether the <em>Cronaca Sovversiva</em> of the anti-organizational anarchist Luigi Galleani was a "seditious rag" or a community newspaper - or both. Quinn clearly concludes that it was both. The same can be said for <em>Il Martello</em>, <em>La Follia di New York</em>, <em>Il Carroccio</em> and many of the other political magazines - they were part of the "glue" that held together the Italian community quite beyond their immediate political messages.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<span><strong><em>Il Martello</em> </strong>[The Hammer]<strong>. New York: <span style="font-size:13px;color:#000000;text-decoration:none;font-family:Arial;font-style:normal;">Casa Ed. "Il Martello," 1918-1943.</span></strong><br /></span>
Description
An account of the resource
Carlo Tresca was the editor-in-chief (or equivalent) at several radical newspapers over his career, but the one that he founded and ran for decades — <em>Il Martello</em> — is the one most closely identified with him, and he with it. <br /><br />Tresca founded <em>Il Martello</em> in 1916, and he directed it (with some interruptions due to poor finances) until his assassination in 1943; the paper continued for a few more years, until 1946. <br /><br />As is evident from the broad range of writing genres it encompassed, <em>Il Martello</em> was not a traditional Italian anarchist newspaper or a “movement” publication in the specific way that <em>La Questione Sociale</em> (edited by Galleani and Caminita) was for anarcho-syndicalists. <br /><br />Rather, <em>Il Martello</em> was too eclectic and unorthodox, like Tresca himself, to be classified according to conventional typology —“You can’t label him. You can’t classify him,” said Max Eastman in a famous profile in <em>The New Yorker</em>.<br /><br /><span>In 1923, </span><i>Il Martello</i><span> reached international distribution, being mailed throughout Italy. Tresca mailed his paper to subscribers in Italy without charging any money, according to Nunzio Pernicone in <em>Carlo Tresca: Portrait of a Rebel</em>. The Italian government responded by banning the importation of </span><i>Il Martello. </i>This was probably a "first" for an Italian-language American periodical's foray into the Italian market. (It's the converse of the banning of export of L'Asino from Rome to the United States that led to the "publication" in New York of the same magazine, with the same cartoons and stories but with advertisements from New York Italian businesses, not Roman ones.)<br /><br />The personal affection that Tresca’s friends and colleagues had for him infuriated the more cerebral Galleani and his ultraloyal founders, who unfairly attacked Tresca personally when they were unable to do so doctrinally. Still, there was plenty in Tresca's life - e.g., his affair with a 16-year old tutoring him in English - that merited personal disapproval and even condemnation with Galleanisti looking very hard.<br /><br />The collection includes:<br /><br /><div id="dublin-core-title" class="element">
<div class="field two columns alpha">Title</div>
<div class="element-text five columns omega">
<p><a href="https://italianamericanimprints.omeka.net/items/show/535"><em>Il Martello</em>, Anno III - IV, 1918-1919 - 20 issues</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/536"><em>Il Martello</em>, Anno III - IV, 1918-1919 </a>- 23 issues<br /><a href="https://italianamericanimprints.omeka.net/items/show/527"><em>Il Martello</em>, Anno (Vol.) 7, No. 9 - 19 Marzo [March] 1921</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/528"><em>Il Martello</em>, Anno (Vol.) 7, No. 24 - 19 Luglio [July] 1921</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/529"><em>Il Martello</em>, Anno (Vol. 7), No. 42 - 12 Dicembre [December] 1921</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/530"><em>Il Martello</em>, Vol. 8, No. 8 - 4 Marzo [March] 1922</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/531"><em>Il Martello</em>, Vol. 8, No. 14 - 27 Aprile [April] 1922</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/532"><em>Il Martello</em>, Vol. 28, No. 1 - 14 Gennaio [January] 1943</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/533"><em>Il Martello</em>, Vol. 28, No. 2 - 28 Febbraio [February] 1943</a><br /><a href="https://italianamericanimprints.omeka.net/items/show/534"><em>Il Martello</em>, Vol. 28, No. 3 - 14 Marzo [March] 1943</a></p>
</div>
</div>
Creator
An entity primarily responsible for making the resource
Carlo Tresca
Language
A language of the resource
Italian
Publisher
An entity responsible for making the resource available
Casa Ed. "Il Martello"
1911-1920
anti-fascist
Carlo Tresca
Durante
Il Martello
New York
periodical
-
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/a4f5b4fbb9bacd368ef32e0ae148f2b2.jpg?Expires=1712793600&Signature=lUafZASE0tIWd7M39-NynQO-A9WcxFN4SctQHZQZIhqk4XI37%7Euc8qL0cmEWwbv5favczxebpPVgcRZJILIcBLmbVHoVK8JbtpyE0Oft7-IOqsqpHjAxFgSu4JUxnOIWsZxJaF04JVzyuPvSKIu2e0jKA3j1sNbKciPTT7zdygSDNnNleR8FbQccjEG2ISwwlag9UY1pNTdFLCZQknmc9vPtH6Z8JiGVllY%7EaBpWpWHq6mc4nnWt5jWPz0kXpRNbltHw4CdV5-0p6ejcil-ZhbWS2x6jgpGHTWGXyIKA3AcBN0TEhQtmvLoV9rcdUFUge1FNHZBV6D77oIMyJzruRA__&Key-Pair-Id=K6UGZS9ZTDSZM
ea4d780b4e8ad9b7ff27146ba72548d2
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/6cebdf2f117fe5a31e34fd1bbf301403.jpg?Expires=1712793600&Signature=pCCW63S1KMvKIyTZb0VuxkN5Te%7E9DZt2T9qY%7E2euh7xLNBVmmjPW2yaYwxKjPNtUp1ZS5ro68eib%7E7BGnunXZHZRdHDZnZ4PpsbBIeG1UrMKiE2wdJPMwOTrcjK9OhEw3icQqT8znQHBteFDAla%7Ecdjo0XKEWDOhfH7RKLqrfOArZVnFia43FeJpAfWqEY-Uye8XfLwP41BmwSlbRtFya%7EYzhl7s8BBg2kdzgBEh9hFB0QyELZezlghHSCIYnwcEKu1lyWLmxBSEJYTYMKCE8wzfD3ISs0WE5dEyIVnNmv1YY-p%7ECNE3sWtJiQs%7ENC%7EYirxp7MeJL2It1aFWwbp21w__&Key-Pair-Id=K6UGZS9ZTDSZM
265b027323fb2673a6c0e3f19760f00a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong><em>Enrico</em> <em>Malatesta. </em>New York: Il Martello, 1922.</strong>
Creator
An entity primarily responsible for making the resource
Max Nettlau
Format
The file format, physical medium, or dimensions of the resource
19.5x13cm; 352 p.
Description
An account of the resource
At 352 pages, this edition of Nettlau's biography of Malatesta - published in the same year (1922) and by the same publisher (<em>Il Martello</em>) - is 48 pages longer than the other edition. See the other edition for a brief bio of Nettlau, who was<span style="font-weight:400;"> (according to Paul Avrich) the foremost historian of international anarchism.</span> Note that the title page of this edition calls this a "unique authorized translation from the unpublished English" version, information lacking in the shorter edition.<br /><br />Here are the differences (in addition to the above): the title page of this edition notes it contains a "prefazione di Pietro [Pedro] Esteve e note sull'autore di Harry Kelly [preface of Pedro Esteve and note on the author by Harry Kelly]" not present in the other edition. <br /><br />Esteve was the charismatic Spanish leader of anarchists, including Italians, in the U.S. and in Mexico; married to an Italian woman, he was fluent in and wrote in Italian.<br /><br />Less associated with Italian anarchists than Esteve, Harry Kelly contributed a two-page note, or "due parole sull'autore [two words on the author]," in which he stresses that Nettlau was the very "antithesis" of Malatesta (and Bakunin) - a scholar, as opposed to the men of action that these latter two were. <br /><br />An American, Kelly (1871-1953) was himself a colorful character, friend of Emma Goldman, Alexander Berkman, and Peter Kropotkin (while Kelly lived in London) as well as of Nettlau, who called Kelly "one of the living anarchists who contribute real thought to the movement." Kelly is featured in a variety of connections to both the trade union and anarchist movements, to <em>Mother Earth</em>, and to the Francisco Ferrer Association, in Paul Avrich's <em>Anarchist Voices</em>.<br /><br />Other changes in this edition: following Chapter XX (which exists in both editions), this edition alone contains an "Appendice" of four pages, which is "La dichiarzione finale di Errico Malatesta avanti ai giurati in Milano [the final declaration of Errico Malatesta before the jurors in Milan]" with respect to the trial recounted in Chapter XX.<br /><br />Finally, the cover of this edition - in place of the almost abstract, geometric design of the other edition - includes a striking, almost granitic sculpted head of Malatesta seemingly growing out of the side of a hill. A close examination in the lower left corner suggests (but does not make it entirely clear) that the illustrator may have been Fort Velona, q.v., the brilliant caricaturist of the Italian American left.<br /><br />One can speculate that either the first of the two 1922 editions (the shorter one) was so popular that Tresca decided to republish it almost immediately, but with some attractive additions, like the portrait of Malatesta, the Esteve and Kelly prefaces, and Malatesta "declaration" - or the opposite, that the shorter edition did not sell well, so Tresca tried to juice it up, in order to increase sales, with this more robust edition.
1921-1930
biography
Errico Malatesta
Il Martello
newspaper press
-
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/a906dbc4a57db54eadc388f956e60f3d.jpg?Expires=1712793600&Signature=GJlaZzZOvjdsVINbJE0zqgdkHyUclL9HmlLRYn9FHO-ZkzOFa8FW4ZOin2rxcrODnT0GENGl75Oc00sbwGe6jhP2uEXe8AeKk2KwVFSWI39l051sF-63w42qkZ6ejDCJKC9mPBEEY-Opn8VQ5vO2vHejRwTtGvMzrkle6DWbEg4XOc8yJ4pmR8x-n5Ek-ogdZz654Xn4-6c-DtETFnNR-k4gqCNyoWOgOprMe6SUuwjh9LvAmTAlO9IO0673vGgo0Y7z2gGIjPOnp6jI2VDlPzay5wJYUqXI69cod6AuMU0EFmn4tUjhdizWpTeXVgz44kBFVfP-68wCwoKMa3Ngsg__&Key-Pair-Id=K6UGZS9ZTDSZM
2caa7d860120a00acb5d73f8f8512329
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/69bec12a270e5068e111117d895728be.jpg?Expires=1712793600&Signature=lJU4m2HP2B6xGsofMK7-jNa-XsQQalijGXvGe-n5QJ1FzC-F-lV4cx6e2NpgiEqmJQirSiCALFgjdUK3YVLKxglqCHBAeXOaTTyjQEXHag6O5PyASrDycfAaGXp0EoShYFZ9nhmjZXpVFZENBZ7MOf4hEJs0lU4D1l2yS8o86SkPp74TMECevhPQLW3UIfLK2pAQh6CNyZOs%7EoRQ8UN0y1ROeRrUoZSmJ0NArjdOnXVsdcFkYLyOaE%7ExCtuisbRrZfS8ZDGM9SczAE2Nn9GhhYCjuYmxdfLglo2gtgR1%7EfHy-Hc7taYP%7EGM0lyNHIvPisgnMNQ8IZbBkxzJ94gXjIg__&Key-Pair-Id=K6UGZS9ZTDSZM
4e4acaa83e27954e89a9238c5821b2de
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Political subversives II: Anarchists (all types), socialists, syndicalists, communists, anti-clericals</em>
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em><strong>Insurrezione e rivoluzione</strong> </em>[Insurrection and Revolution]. <strong>Detroit: Libreria Autonoma, 1932.</strong>
Description
An account of the resource
<span>This work was issued in the series "Problemi Attuali [Current Problems]," unnumbered, which series also includes as no. 2 the same author's <em>Il Bolscevismo: Che cosa è?</em>; also, see Damiani's <em>La bottega</em> for same publisher, a bookstore, Libreria Autonoma.<br /><br />"Lolmo" was the pseudonym author Domenico Zavattero used most in collaborating with Carlo Tresca, writing for <em>Il Martello</em>. <br /><br />Zavattero was an Italian anarchist editor, activist, and polemicist, known for his disputes with anarchic-individualists. He also contributed to other anarchist periodicals<em>. </em>Most of his lengthier works were published in Italy.<br /><br />This work begins by clearing up the difference between a "revolution" and an "insurrection." The first embraces a period in the life of a people and involves vast movements thanks to which human society acclerates the process of its development, while "insurrezione" is a restrained or local movement of the moment, with a political and determined object, or simply an episode of a revolutionary action. <br /><br />Zavattero then discusses the revolution in Russia and the events in Spain, though he notes it's too early to tell how that will turn out - that is, whether it's an insurrection or a real revolution - and finally what awaits Italy.</span>
Creator
An entity primarily responsible for making the resource
[Domenico] Lolmo [Zavattero]
Publisher
An entity responsible for making the resource available
Libreria Autonoma
Date
A point or period of time associated with an event in the lifecycle of the resource
1932
Format
The file format, physical medium, or dimensions of the resource
<span>21 x 13.5cm; 61 p.</span>
Language
A language of the resource
Italian
1931-1940
anarchist
Detroit
Domenico Zavattero
Il Martello
Libreria Autonoma
-
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/24747e2ce6fa1ea9df8548c7efe9a0d5.jpg?Expires=1712793600&Signature=FRgps5TyJ8nzn3PcDrYTbd5UhUok0B2HU%7EpXGhVjmDC9tTfDhddU34CtbWfOg9xHaP1dA7Y%7EThE5NN873crWF9ibNweS-m4Bpy4QLKeikNEJRExqtXOhWcORrhNYhD6A5-dWISsfwrYExo%7ESs8J2TewXtfnzedu51Joe9dvFIHkno1FEl1-MTk3FvNAUHAitQferqWjNFR%7Enapu2y7bWJMXVkE6LkSv9dQyho%7E%7ENUsTT0cuoyr3Vo7GTvVXLFrHbMZ808pbND4kIzQeeUmU0P3A%7Eo68aDE8uTtpGZ9iI8IRhtW82bx%7Ee4F7GBZ6CFCoWFPv36A5tVYmeqHPVh5rvvw__&Key-Pair-Id=K6UGZS9ZTDSZM
3e0da46124093704850eb3124eab7929
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/8ba52cf7c5bc1fb6a196a7ca017f7be4.jpg?Expires=1712793600&Signature=G5Rc%7Ex-zi1IFPbwUcbqbgaSFZjRy1fnVGhL146m-NZicU16VtxY-IRf3K-y0P89ykDOSUT6Jo5Iv%7EDPIS2Q2DmbtASSobEo3QcUXN758z3N4CS7ofJkvDX71-dnqFKEKr9DJ8Qtj3TxXzbtfjIDNmQoIICzfHeb5Pv1xYlFSFxHes8SQAtCsXFtg0NrWK3eUkpRTIUMD%7ENUF0sATAMcqF9gAObCqMFdSMIRWdc4Zl-r4FdDCzkcMli4Dr%7EcHZk2%7EkxQsH0X1ns02KtDeYOez-AzNB3kM6YZ1acfEe4WWOuVDyIgHziSUrsp99Pro0nv9qZNKzuEU72b0qicGSGjyyg__&Key-Pair-Id=K6UGZS9ZTDSZM
3de8625f3d310aa7b62291c913fbb34c
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/083ad89781dc6307e23929c99b6f0674.jpg?Expires=1712793600&Signature=s18vCtiWbFB-tJjqNe6X4M6KKC7kFyktimtASbwLNguu8MQ1YaAkOoPMyQCxN3BXHGWvWYdpz1W7eZOcdfB5CQ8-ZxszOONSC89jLsfp66PJD5oAauL3b5ve60o5mdQRoXCMYdqZccPrJ1GXgx75bYBRh2hFUF053YcKCb9SlOprnYrcF8GBy-sdLtE-HqX9nlvzpSezEHMCL1zvtX6HTwVn7ZoOrXwZZdpTZ0JYH30F1qk6lUbQFsCX5bVrhAxIe01AG1CE0LxIOT0OPIkCElt6jzh9Yohwg-nQfePj2ZA3EEyw2DXyO24yf5TvQO2xXwQZf2cGN7vR5fT6JwhgyQ__&Key-Pair-Id=K6UGZS9ZTDSZM
bef777ed45bf5c832269693a1c55f29a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Imaginative literature of the great migration: Fiction, poetry, drama, music, and art in books, magazines, and other works on paper</em>
Description
An account of the resource
During this period fiction, poetry and drama ranged from the sensational urban “mysteries” of Bernardino Ciambelli (never translated into English) to the arguably more literary and certainly more political fiction of Ezio Taddei. Unlike most of the others, Taddei enjoyed a significant, however brief, success in American intellectual circles, with English translations of most of his American works. Illustrations, such as those by Costantino Nivola (the first non-American admitted to the American Academy of Arts and Letters) in <em>Parole Colletive</em>, matched the sophistication of Taddei’s writing. Poetry was written largely in dialect rather than the standard Italian used by the novelists, could be found in the poetry, of Calicchiu Pucciu, or Francesco Sisca. Drama, more than the other genres, was largely though not exclusively devoted to political education, and was often the central entertainment of May Day picnics of Italian leftists consisting of performances of the plays of Gigi Damiani or other dramatists, discussed in Section VII. <br /><br />Italian American theatre began in New York in the 1870s. Theatre filled important emotional needs -- entertainment, a support system and social intercourse, supported by a network of fraternal and benevolent associations. Italian and European writers were introduced to immigrant audiences, whether in Italian, Neapolitan, Sicilian or other dialects. The Italian American experience furnished the subject matter for original plays written by Italian immigrant playwrights. <br /><br />Among them, Eduardo Migliaccio, known as Farfariello, who appears in one of the playbills advertising his performance here, made the Italian American immigrant the hero of his dramatic creations. Riccardo Cordiferro, several of whose play scripts appear here, concerned himself in his plays, as in his philosophical writings, with the social conditions of the Italian immigrant, and was less action-oriented than, say, the hard-core work of the <em>sovversivi</em>. Women in the theatre, like Ria Rosa, whose playbills appear here, enjoyed freedom and an outlet for creativity not available to women who played out their lives in traditional domestic roles. Antonio Maiori introduced Shakespeare to his immigrant audiences in his southern Italian dialect productions. <br /><br />Guglielmo Ricciardi, whose later memoirs appear in the collection, originated Italian American theatre in Brooklyn, and went on to a successful career in American theatre and cinema. Magazines reflected the politics of the publishers to a greater or lesser extent, whether of the nationalist (and later Fascist) <em>Il Carroccio</em>, or Arturo Giovannitti’s literary but also politically leftist <em>Vita</em>, Vincenzo Vacirca’s <em>Il Solco</em>, Ernesto Vallentini’s socialist <em>Zarathustra</em>, or Enrico Arrigoni’s anarchist-individualist <em>Eresia</em>, all of which are reflected in the collection. <br /><br />The generically (and gently) leftist and anti-clerical <em>La Follia di New York</em> was was one of the earliest, in the 1890s, begun by the Sisca family (of whom Alessandro, pen name Riccardo Cordiferro, was the most celebrated), and was perhaps the single longest-lived magazine published in Italian in the U.S. <br /><br />Cordiferro’s brother, Marziale Sisca, packaged the caricatures of the charismatic Enrico Caruso that adorned the pages of <em>La Follia</em> into a book that went through many editions, beginning in 1908 and continuing with an edition as late as 1965, which suggests that it financially sustained <em>La Follia</em>. <br /><br />Evidence of widespread cultural influence may be found in publications which included letters from enthusiastic readers or reviewers preceding or following the work itself, much like today’s review blurbs, and also lists of subscribers from around the entire country.
Subject
The topic of the resource
While the amount of political literature (anarchist, socialist, fascist) in the collection suggests its prevalence in the Italian American community, it might well be the great survival rate of those materials that's responsible. <br /><br />The non-political imaginative literature created in Italian by the Italian community in the U.S., richer in wildly varying qualities, philosophies and interests than the political literature perhaps, provide a three-dimensional view of the Italian community.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em><strong>Spose di guerra: dramma in un atto</strong> </em>[War Brides: drama in one act]. <strong>New York: Casa ed. "Il Martello", [1915].</strong>
Description
An account of the resource
This feminist, anti-war play is the best known work of socialist and suffragette Wentworth (b. 1872 - d. 1942); it's a topic that would have appealed to Carlo Tresca, proprietor of <em>Il Martello</em> and its book publishing arm. Tresca also used the "Libreria Rossa" imprint (see below), e.g., in other publishing, including his magazine <em>Guardia Rossa</em>. q.v. <br /><br />The story of the play is of a war bride widow who commits suicide rather than bear more children for a nation that allows her no say in its decision-making about war. It was one of the most successful plays in its original English of 1915. Its translation into Italian seems to have been done in the same year. It is the sort of play that Italians would have loved to perform in Primo Maggio celebrations.<br /><br />For Italian performances, the reader was direced to "our representative Paolo Valera" in Milan. Seven years later, <em>Il Martello</em> would publish <em>Il fascismo</em> of Valera (b. Como 1850 - d. Milano 1926), who was a prolific journalist and novelist. The translation of Wentworth's play was authorized by Zino Fioretti.<br /><br />It is one of two works that <em>Il Martello</em> translated from English into Italian that we have found. The other is Eugene Lyons' <em>Vita e morte di Sacco e Vanzetti</em> (Il Martello, 1928), q.v., based on the English original published in 1927 by International Publishers, q.v. <br /><br />A particularly interesting feature of the current work is that it includes four photographs drawn from the production with Madam Alla Nazimova in the leading role.<br /><br />This imprint is somewhat more lavishly produced, especially on better quality paper, than many <em>Il Martello</em> publications. It was printed by the De Pamphilis Press of 51 Greenwich Avenue in New York City. <br /><br />De Pamphilis had also printed a 1909 work of the other Tresca imprint, the Libreria Rossa, entitled <em>Il mondo e le sue trasformazioni: dialoghi fra il nonno e la sua nepote </em>by Paraf-Javal, translated from the French original, q.v. <br /><br />The name "Libreria Rossa" name adorned Carlo Tresca letterhead, at least in 1919, see holographic letter of Tresca's in the collection. So De Pamphilis may have done work for Tresca under whichever of his imprints he happened to be using.<br /><br />Besides this work, and the Paraf-Javal translation, Libreria Rossa also published, in 1921, <em>Se si farà la rivoluzione in Italia, si morrà di fame? </em>There is also an association of the name "Libreria Rossa" with that of Elvira Catello, a New York bookseller and book publisher. See description of another work in the Collection, <em>Il mondo e le sue trasformazioni: dialoghi fra il nonno e la sua nepote,</em> which was also published by De Pamphilis Press.<br /><br />Finally, "Librerie Rosse" - the plural, Red Bookstores - was a term used generally to described leftist bookstores in the Italian communities of the U.S.
Creator
An entity primarily responsible for making the resource
Marion Craig Wentworth
Publisher
An entity responsible for making the resource available
Casa ed. "Il Martello"
Date
A point or period of time associated with an event in the lifecycle of the resource
[1915]
Format
The file format, physical medium, or dimensions of the resource
20 x 13.5cm; 70 p.
Language
A language of the resource
Italian
Source
A related resource from which the described resource is derived
Copyright The Century Co., 1915; translation "authorized" by Zino Fioretti.
1911-1920
De Pamphilis
drama
Il Martello
New York
newspaper press
translated from English
-
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/f049dd41178c7802bbfad2e0d95a76aa.jpg?Expires=1712793600&Signature=FXuxGkYEHFJxV86-3j36P%7E0%7ExiwhBk6l7q-1pxO873OO2mdmD8ut0WPD9Y7KFGkhUQRBwTL6%7EfXlrpnyoYkfSoD6b2-2F-JMg4oiAI5socGUn1PY65q6kITHhpeSQ3MNdNHO4mhVLOVzCzU4SY8wH50uwww9FTmRz0oz%7EaRqiPEtIXgqPfuEzL61XHwkIP5BAQ4I0uWETuVgLLG-5a8D5HBli3Tj9T3J6kAsljIgjmbPC8ydpiTkX1NP-XITiblPrmKT5EGTiifuC7OeJM7nFPBGBcf6vsvWm%7Elu17wDeVugJ1Wpeyr9S01LgsQVI4dZGYi%7EI-h1LsSdyXnETrWY-Q__&Key-Pair-Id=K6UGZS9ZTDSZM
70ceebc67106a62b8b277a170fef5a6f
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/f8fd97ea8c6e5675fc966216d7e1f9d6.jpg?Expires=1712793600&Signature=ld3oPfuuyncwSg-MGKy6byLm%7ESRUCk5FTO9SKUiSCPm5OQGc-%7EvbN9qw5itNw8VknqsoBU5k4mg-0PMncWq-FGMHS2ggk5cFJlbFTjVg2QIw8rpSfv7ysuiZTdeGOtJEgJE2ifGmeyCtv8Z07abUaBaG2sokotEIi%7E47njv40Y5FUQxokk8zRV-G5nzBAk3F9Khy55Oh%7EJpEcCAKSncu5s4wxOQ8XMp2oteZ2JcBzjfZvC4vqAZIX2qOy9j6k0NEupFpAhSTAFZ8G70%7EThJviyNSJQIpub0aay8%7EVvkZBSNOAfwBOMVn%7EhGlOsKX5wiKjOJfX-VAnJgRpbZcKy3lKA__&Key-Pair-Id=K6UGZS9ZTDSZM
48ac82027363e7f603769a94e4d8d21b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Political subversives III: Fascists and anti-fascists</em>
Description
An account of the resource
<p>The Anti-Fascist movement embraced diverse leftists, including Carlo Tresca, as noted above. Opposition to Mussolini from the left was reflected by activities of the Anti-Fascist Alliance of North America, which formed common ground for anarchists, socialists/syndicalists and communists to temporarily set aside their differences and unite against fascist oppression. Gone, at least temporarily, were the debates about proper philosophy of the left: the goal was to unite in order to defeat fascism.<br /><br />As for fascism itself, its roots were in the nationalist fervor stoked by Italy’s late 19<sup>th</sup> and early 20<sup>th</sup> century imperialist ventures in Africa, which are reflected in several items in the collection. Fascism itself<span>, with its </span><a href="http://en.wikipedia.org/wiki/Political_radicalism">radical</a><span> nationalist agenda, </span>came to prominence in the first quarter of 20th-century Europe, originating in Italy during<span> </span><a href="http://en.wikipedia.org/wiki/World_War_I">World War I</a>. Benito Mussolini founded the Fascist Party, a right-wing organization which launched a campaign of terrorism and intimidation against its leftist opponents, and forced the king in 1922 to name him the Prime Minister as a result of the fascists’ show of force in the March on Rome. </p>
<p>In America, active fascist supporters started two magazines that vied for primacy with Mussolini as instruments of the Fascist Party in America. Agostino de Biasi’s <em>Il Carroccio</em>, (The Chariot) was published from 1915 until 1935 - most years of the magazine are in the collection - with a circulation of about 10,000–12,000, long-lived initially but ultimately with a circulation of only about one-third of Domenico Trombetta’s far more militant <em>Il Grido della Stirpe</em> (The Cry of the Race), which became the largest circulation pro-fascist periodical at about 30,000 at its height in the mid-late 1920s, dropping to about 5,000 in the late 1930s as Italian Americans soured on Mussolini.</p>
<p>Mussolini also promoted teaching the Italian language to Italian American schoolchildren, reflected in several items in the collection.</p>
<p>Both fascist and therefore anti-fascist activities were not confined to New York, Chicago and other big cities. By the early 1920s, Fascist Party cells in the United States were present in Buffalo, Albany, Rochester and Syracuse.</p>
<p> </p>
Subject
The topic of the resource
This section of the collection reflects tensions between fascists and anti-fascists. But the anti-fascist movement in the U.S. among Italians and others had far less to fear from Mussolini than did such dissidents in Italy itself. Savage portrayals and caricatures of Mussolini and of fascism are fully reflected in the collection.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong><em>Dio e patria: nel pensiero dei rinnegati.</em> New York: [n.p.], [c. 1924-1925].</strong>
Description
An account of the resource
<p><span style="font-weight:400;">This work reproduces, first, the record of a debate on March 25, 1904 (and Mussolini’s preface thereto, dated July 1904), in Lausanne (Lossana), Switzerland between the then virulently anti-clerical young socialist Mussolini, already known for his violent oratory and animal vitality, and the evangelist Taglialatella over the existence of God, in which Mussolini affirmed his belief in the absurdity of the concept of God. <br /><br />The editors here note that they are republishing the record of this debate twenty years later — after Mussolini became Italy’s prime minister, but probably before he became “Il Duce” in 1925 — to reflect a favorite radical theme about the once anti-clerical Mussolini: that in consolidating his power and distancing himself from his early socialist and anti-clerical roots, he embraced the Church and capitalism, and in so doing became a “</span><i><span style="font-weight:400;">voltagabbana”</span></i><span style="font-weight:400;"> (turncoat) to his origins. See also reference to Paolo Valera's <em>Mussolini</em>, to the same effect, in description of his <em>Il fascismo</em>.<br /><br />The second essay recounts a religious debate between Tancredi and a priest in Providence, R.I., on December 11, 1910, subsequent to the first edition. See Antinatale (New York, 1910]for another work in the Collection by Tancredi. The third is a translation of a French political philosopher’s argument about the “lies” of patriotism.</span></p>
<p><span style="font-weight:400;">It was at the time and place of the 1904 debate that Carlo Tresca met Mussolini, who chided the older Tresca for “not being revolutionary” enough, according to Tresca in his autobiography. It is difficult to imagine anything more ironic, given their later histories, than that Mussolini could have said at any time that Tresca “was not sufficiently imbued with the spirit of revolt.” </span></p>
<p><span style="font-weight:400;">This undated work calls itself a “second edition” at “the distance of twenty years” from its first appearance in print. Indeed, it would have been virtually impossible to print or publish it in Italy, if it was in fact 1924, for by that time, Mussolini had managed to pass legislation to gag the press.</span></p>
This work was heavily advertised in <em>Il Martello</em> in 1924-1925.
Creator
An entity primarily responsible for making the resource
Benito Mussolini
[Libero] Tancredi
[Gustavo] Herve
Publisher
An entity responsible for making the resource available
[n.p.]
Date
A point or period of time associated with an event in the lifecycle of the resource
[c. 1924-1925]
Format
The file format, physical medium, or dimensions of the resource
18.5 x 12cm; 133 p.
Language
A language of the resource
Italian
1921-1930
Carlo Tresca
debate
Il Martello
Mussolini
New York
-
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/588e0e8f5a2049645872d1cdb68133ce.jpg?Expires=1712793600&Signature=FUJgJ1P2liYItM--WvWk0tcsqgSriDKT3cjelc6SAwbtO7YuUR5uak0kVOednWaagX3e7WWJSicOtDRKf8xN-94P0ovn3qY20swQSKnkFTPko8Rrshk6SFBYZ%7E7Phh5SStFoPcA6ya4SqM6Be2XniavpBrpjiEtlLKXgxYok%7EP7C2zmqM2Abqn1qvw9OcARwV7hRQFaoH2jOsYsuPeqiZF9UrMXU2PAjdgqiIgIL-l3YJgFKYHJ5nZBUTP1CPtL3vuIB6pZ7GnsvGZGxkfMmgfvBTKE0T9nncwCnyrJndjaVikp6nAGHcSTEO%7EwXFlddqQMpY9Wv%7ET4FScOFBCwjBg__&Key-Pair-Id=K6UGZS9ZTDSZM
61b120994acd8ccd4b5cc75724b73ad3
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/edf5c4f21224d0c05834c65e8e74e3e3.jpg?Expires=1712793600&Signature=h0hyPyzRrXo67IIDwgwChwuH96LMcwUFD15pquJ%7Ef4glLIUhMSKSapOJMASvSu7AsMA-f63G%7EUb7bnGCG2XCvXjsYFttQWWwwQATQQdTNcNSjDgotBhmKuUCjwueLChSzBHrAtawKRp3xNpS0s17kJtjlDNIojJeAeHg3taeWBMaxbbiNoe1SsHcsOW017EyXg0qimIEID35eLlKRj9Nfjc75E1P-%7E5X6H2v9AFTrSxj%7EZ7AmUDDnyF0RwCg8FqgypHOaWURk16sD-fD4pVm5vSeA-7TAEHsVu%7EabiAmJGQSKTDv8F6JsEEfjWw9RK1Qfky4VN4W50OtHCTL3Q%7EvJg__&Key-Pair-Id=K6UGZS9ZTDSZM
bfe34d064aca291bae5089130a5799a4
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/977e83e0db45f930d68ca846b4182be8.jpg?Expires=1712793600&Signature=RMb6rnoBihGYnTw9YhwRAb%7EIU71T-olmi1yUY2DB475WK87rzkfJ4C6nICB2a%7E%7ExONiOjjA7FgrBTz6KJHCz1k4xLHp9%7EjTOzHnuhxV4c7UuAdusQ6LpptzdHYrcPVlb7b9TJgwI796KMRz40dBdRmjDY8J4oJw0m7dOG95vIsuYrxB7mZ4wBBJjqGHj9qk969qQiwmPxUH3wR1CSyVpG4pqhZsT9qHU9i7yajZQPt7JVc9ZodW9WmxVtjpT2qY8w6FRCtvxZWs6xyzd-nJBUZ7IxVCTlxDDYohMngNPr4hrGa6VO3928bLrCjaCIuO4IsXMP6-E5Yawwm74Z3%7EhjQ__&Key-Pair-Id=K6UGZS9ZTDSZM
53d5a28e310dc177d18f85c4b036fadd
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Political subversives II: Anarchists (all types), socialists, syndicalists, communists, anti-clericals</em>
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong><em>L'anima; Il diavolo e L'inferno</em> </strong>[The Soul, the Devil and Hell]. <strong>New York: Casa ed. del <em>Martello</em>, 1924.</strong>
Description
An account of the resource
The preface by Carlo Tresca sets up the themes of the work: that believers think the soul is immortal, that there is an "eternal world" that he deems "horrible" in which believers are supposed to - according to his usual enemies, the priests - both suffer pain and experience happiness from a "gruff but good God." <br /><br />Professor Villa, in Part I of this wide-ranging philosophical tract, looks at the soul and the doctrine of immortality, which, he says, allows believers to ignore the injustices of this world because of their focus on the next. <br /><br />TTS (whose real name I do not know), in Part II, traces the meaning and history of the devil. The author asked himself as a child, "Why did God create the Devil?" <br /><br />In the longest section of this work, Part III, Alete Dal Canto (b. Roma 1883 - d. Roma 1968) traces the idea of Hell, which he says, is as old as the mountains, in Greek, Roman, Egyptian, Chinese and other cultures.
Creator
An entity primarily responsible for making the resource
A. Villa
Carlo Tresca
TTS
Alete Dal Canto
Publisher
An entity responsible for making the resource available
Casa ed. del Martello
Date
A point or period of time associated with an event in the lifecycle of the resource
1924
Format
The file format, physical medium, or dimensions of the resource
18.5 x 12.25cm; 133 p.
Language
A language of the resource
Italian
1921-1930
anti-clerical
Carlo Tresca
Il Martello
New York
newspaper press
-
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/4dd9ea5427b4c84d128470224adbdcea.jpg?Expires=1712793600&Signature=ksDGVw8zGE09KAXC0EJjHAC-GUdEsQDLjZor9xGvkVV-hXVdA2agdoi2kOvIjrO69ONmMAp1IVFyAnCgCFtMqFv18a5NBY0j4cfwpWDSLfSgvpfE2V2laNi6xcZB25t3ctZnx5YZJ8MGH%7EM5I-VwmvNKEJmHakjfDiRn6TNwwXOgM6zmv2hUGdUoSC0YnHBj0-gRMyUmSTrVgU2k8w2b5K3mj6Z8XjQbaldXno6EvpwWDC1x4dq8agch04gQGRF1Ebp2pmY1OfVIgU4vF0nVqKLgS9qHeFR1H4Gs%7E5e1kM-8odEgsJpl50wmHwHQhl-XRnPeC2I8yKYUWMToFoTxGQ__&Key-Pair-Id=K6UGZS9ZTDSZM
18d50e609a0536a4a7156df469436fdf
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/15b9f3735caaf04ecf081ed7f15b8f4e.jpg?Expires=1712793600&Signature=SDTP9w8eL94Ww2tufsRPCeDF9ZFKbkj3ih4jXFEq5NGRFZ%7E4oRb6M3TS-wGU9sIQTKqzjbUvaaoHjQ9SeYjLThntjM2b%7EIsmM8SfqaFWDkIFiYzshS69DUQHZhlKsSRtK0sWNAerlw0ey9oNRJg-cwXaUDH-Dk00754fNudQyjG-arhvRuPosLss19HNWTsRiScL6gJVfZxR9pcNrCfe%7E4LJsN7i55zlzyTU2xkFxsJcdlEt%7EbEFGKelitg5Jj3dkv%7EzaZ5PZNAgWZ-JkhkLG-qgigphqMLPnjfUHfTp1o-j4OFWq4r8EWxVOFqP38TFtIr9TMjRFIJ0mKVsOkOzAA__&Key-Pair-Id=K6UGZS9ZTDSZM
43298ab915a2fd3945d77b9c260bd6ab
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Political subversives II: Anarchists (all types), socialists, syndicalists, communists, anti-clericals</em>
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em><strong>Ultra! - teoria dei geni e dei gagliardi</strong></em> [Ultra! theory of the Geniuses and the Strong]. <strong>New York: Casa ed. "L'Innovazione", [n.d.]</strong>
Description
An account of the resource
Vella, an anarchist and Spanish Civil War veteran, briefly visited the US in 1923, where he was a contributor to <em>Il Martello</em>, and witness for the defense in Carlo Tresca's trial for sending obscene material through the mails. <br /><br />Arrested at a rally in Paterson in 1924, Vella was then among the relatively few Italians who were, like Luigi Galleani, deported back to Italy. <br /><br />Here he explains his theory of how to create a "new man" who will "go beyond limits of thinking and action." Ironically, part of the ideology of the ascendant Fascist Party was that the state could create a "new man," ready to populate the new Italy.<br /><br />The title of the publisher is suggestive that "L'Innovazione" was a newspaper. But I find no record of "L'Innovazione" among radical newspapers. (Perhaps it was short-lived.)
Creator
An entity primarily responsible for making the resource
Randolfo Vella
Publisher
An entity responsible for making the resource available
Casa ed. "L'Innovazione"
Date
A point or period of time associated with an event in the lifecycle of the resource
[n.d.]
Format
The file format, physical medium, or dimensions of the resource
18.5 x 12cm; 122 p.
Language
A language of the resource
Italian
1921-1930
anarchist
Il Martello
L'Innovazione
New York
newspaper press
-
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/a5d77fa6fa1bf91b9526bc076332f344.jpg?Expires=1712793600&Signature=NyGzcurcq2m6priL99FxLUhlREIPtfrkkbnSOF4c%7EtcqrmoiEDHFZTtOWKCJXkw3qyvNlJOW2djM8TIvCoCITOxKqvF3uTecGTu2Qoexgl8OgP1TXmEJZd4DUS9JKMVGBvS45isJmgfQDKEy%7EuyG9eOwDCBnyHLydjIgfhcJTanyTlj07901yCgkgnfZMs1G59I3GwPWjicXRcSdbz0oWkQfnylamIaW3a12ELDAUAjxyCB4IOFzvvzb88EkkQQQC8os9muucz3KGEaIvm2A5Bl-0EuVOvDqMiYRt7CghJScxD8yGwzxy%7Ek9QAx8bDMyYjyf7Co2H3ETa9cTmSMEtA__&Key-Pair-Id=K6UGZS9ZTDSZM
84a99dba550fbeec4a55e96ae67246d8
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/8a10046765bc4b3ac07204a801dcbd5c.jpg?Expires=1712793600&Signature=bskc5oIMTRr2T9Ub-YJXLvDwhgQ7pY9t4LizJCKXxC59cbSMwtzfhQ%7Ezgnl1NK-eAEJwkaqNGQT3rPZNs5SSKBqoUJBJYF74erVmJXBKY6WoUQ7R-14eYyfsJtcP2hstgb0f9M787ur0rjD84MPhQKFZZr370Od7OfAyfdyqUWCa6BxBV9-RaCYHozOkcGNT3e4f8QFQx0yrLJaoiPoVY3hv98qDslfwfNNiVLPZrZaYSgUCtn%7EI%7Eo1Y-m2jcpUw24xWyRKQxgPQ63Il-fxmmsFRZ2v5I4FWsGU9yt6pOyUMZGdxu2Yk5juckGqc8EAa5-pWnHd6FAMiyACNETyw7Q__&Key-Pair-Id=K6UGZS9ZTDSZM
13dc543bdcd705e87cd5ba3eb7c1d7e4
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Political subversives III: Fascists and anti-fascists</em>
Description
An account of the resource
<p>The Anti-Fascist movement embraced diverse leftists, including Carlo Tresca, as noted above. Opposition to Mussolini from the left was reflected by activities of the Anti-Fascist Alliance of North America, which formed common ground for anarchists, socialists/syndicalists and communists to temporarily set aside their differences and unite against fascist oppression. Gone, at least temporarily, were the debates about proper philosophy of the left: the goal was to unite in order to defeat fascism.<br /><br />As for fascism itself, its roots were in the nationalist fervor stoked by Italy’s late 19<sup>th</sup> and early 20<sup>th</sup> century imperialist ventures in Africa, which are reflected in several items in the collection. Fascism itself<span>, with its </span><a href="http://en.wikipedia.org/wiki/Political_radicalism">radical</a><span> nationalist agenda, </span>came to prominence in the first quarter of 20th-century Europe, originating in Italy during<span> </span><a href="http://en.wikipedia.org/wiki/World_War_I">World War I</a>. Benito Mussolini founded the Fascist Party, a right-wing organization which launched a campaign of terrorism and intimidation against its leftist opponents, and forced the king in 1922 to name him the Prime Minister as a result of the fascists’ show of force in the March on Rome. </p>
<p>In America, active fascist supporters started two magazines that vied for primacy with Mussolini as instruments of the Fascist Party in America. Agostino de Biasi’s <em>Il Carroccio</em>, (The Chariot) was published from 1915 until 1935 - most years of the magazine are in the collection - with a circulation of about 10,000–12,000, long-lived initially but ultimately with a circulation of only about one-third of Domenico Trombetta’s far more militant <em>Il Grido della Stirpe</em> (The Cry of the Race), which became the largest circulation pro-fascist periodical at about 30,000 at its height in the mid-late 1920s, dropping to about 5,000 in the late 1930s as Italian Americans soured on Mussolini.</p>
<p>Mussolini also promoted teaching the Italian language to Italian American schoolchildren, reflected in several items in the collection.</p>
<p>Both fascist and therefore anti-fascist activities were not confined to New York, Chicago and other big cities. By the early 1920s, Fascist Party cells in the United States were present in Buffalo, Albany, Rochester and Syracuse.</p>
<p> </p>
Subject
The topic of the resource
This section of the collection reflects tensions between fascists and anti-fascists. But the anti-fascist movement in the U.S. among Italians and others had far less to fear from Mussolini than did such dissidents in Italy itself. Savage portrayals and caricatures of Mussolini and of fascism are fully reflected in the collection.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em><strong>Il fascismo</strong></em> [Fascism]. <strong>New York: Libreria del "Martello", [1922?].</strong>
Description
An account of the resource
Valera (b. Como 1850 - d. Milano 1926) was a prolific journalist and novelist - referred to as the "Zola of Italy" - who led an even more colorful life than his confreres among anti-fascists. He spent three years in prison in the late 1880s for his involvement in a scandal with Emma Allis, ex-lover of Vittorio Emmanuele II. <br /><br />His best known work perhaps is the 1924 <em>Mussolini: da socialista a fascista</em>, which remains in print; it depicts Mussolini as a "voltagabbana" or turncoat, and was suppressed by the fascist government. <br /><br />The 16-page <em>Il fascismo</em> is unsurprisingly not listed among Valera's book-length works; it is probably a reprint of one or more articles he wrote for <em>Il Martello</em> during his long association with that newspaper - he is listed in advertisements for <em>Il Martello</em> as a regular contributor - or another publication a year or two before his booklength <em>Mussolini</em>. <br /><br />There is an extensive list of books available for sale at <em>Il Martello</em> on the inside and outside rear covers.
Creator
An entity primarily responsible for making the resource
Paolo Valera
Publisher
An entity responsible for making the resource available
Libreria del "Martello"
Date
A point or period of time associated with an event in the lifecycle of the resource
[1922?]
Format
The file format, physical medium, or dimensions of the resource
13.5 x 16.5cm; 16 p.
Language
A language of the resource
Italian
1921-1930
anti-fascist
book ads
Il Martello
New York
newspaper press
-
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/6ececdfa5676013f79114b512b8de464.jpg?Expires=1712793600&Signature=Ml8siQ-8my4x-lwBvr3g52AaoLee4jAuJ52DWo80hGxIqbm0IMlp1gQGghqS-WEIjIpa7QKxSMRm422ELtnQ9pZRv3EoAgANsj09iuIUp9QcduDYC12IPZTl%7EG5tDlyFpcwLQWGRsS5k74vMOUfFPSlFeaZcdfyylZaRYo83Tr7w5DAeHrBJve7kSCZXVRPlKIv5uKXRzseloknkIxxvO5kBRPchNkIC7fG-JCZQElxeqgIrxN9SAZ9MdYLipuNTwPrV9LxiZxlPVBsODgQWCvBwoXNzLcf-Y8no9151rvK9hyN00tzQqw10gwsKfa-xSokOP3l7XdTPS%7EKyfuN9Ow__&Key-Pair-Id=K6UGZS9ZTDSZM
3deda04d698be40b56a791fed8589a3e
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/fb680a5ad489e27a593fe4a45eb96110.jpg?Expires=1712793600&Signature=aFUO5Ojw0-Vn6VJtQF0JIHy2y7hy6SE6DZPoRsYqDxOpo9dxWzjbsQUUMNdtgIM-mPCQ%7ET--g58xEeJ56ayus8xHU%7Et9c4zr1MkbZnNP5-tvMg2VQrJHPkV4S9I%7EwN2RecklXRewjzJ4DUMPPiCNLxuQ5O511cel%7E%7Edu1VwyMPInMv-i8Ir4VxElZvWX0lwBBJ8-CBulK2jqbWb9sFi9A-E7TxkEpMqTsZXscijIuKhc6BGmhafoBcq9lNUbFI7hgMKmEYZagHwRON0dIp558jnWyRyaJUGgWIBCEN1z-r-RirqSNdCtcjDecRG5x2Va79EWZTjq0kW4HLyjDspnaQ__&Key-Pair-Id=K6UGZS9ZTDSZM
a8a9bd3b857a0f9cbea26e16533b5273
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Political subversives IV: Arturo Giovannitti, Carlo Tresca, and their circles</em>
Description
An account of the resource
Arturo Giovannitti immigrated to Montreal at the age of 17, where he became a Protestant pastor. He then moved to Pennsylvania, preaching mostly to miners. He later left the church to join the labor movement after becoming interested in socialist ideas. Participating in the great Bread and Roses strike in Lawrence, Massachusetts in 1912, Giovannitti was accused falsely of the homicide of striker Anna Lo Pizzo, and arrested, along with Joseph Ettor and Joseph Caruso. Speaking in his defense while on trial in Salem, he delivered a legendary apologia in English that was subsequently published in both English and Italian under the title “The Walker,” further establishing his charismatic leadership. <br /><br />After 1920, Giovannitti was among the organizers of the committee for the defense of Sacco and Vanzetti, a major leader of the anti-fascist movement, thus of the Anti-Fascist Alliance of North America (AFANA), and a member of the committee formed to push for the investigation of the assassination of his friend Carlo Tresca. A complex intellectual figure, equally comfortable in both English and Italian, Giovannitti is the rare Italian American writer who, despite the extraordinary reception accorded him within American literary culture, never abandoned the Italian community. His English-language poems were often translated into Italian as well as into Sicilian. Only his Italian-language publications are included here, including especially <em>Quando canta il gallo</em> and several issues of a gorgeous literary-political magazine, <em>Vita</em>, published beginning in 1915, a few issues of which became part of the collection only recently (2021). <br /><br />Carlo Tresca was the radical left’s most complex, fascinating character, a powerful thinker, charismatic orator and rabble rouser, ladies’ man and a warm friend who never forgot the human dimension of people whatever their politics. By the time fascism began to take serious root in Italy, Italian American radicals for the most part put aside their factionalism to join in the fight against totalitarianism. Along with Giovannitti, Tresca was one of the founding members of AFANA. <br /><br />However, Tresca’s popularity earned him a lifetime of enmity from Luigi Galleani and his followers. Tresca’s political views evolved over time from a belief in the need for a revolution to destroy the private ownership of property basic to capitalism, to grass-roots union organizing in 1905, when he became its leading Italian proponent and practitioner, to being an anarchist who nevertheless believes in organized unions or syndicates (anarcho-syndicalism) by 1913. His longest-lived newspaper was <em>Il Martello</em> [The Hammer], constantly in financial and political difficulties – for many years of its publication, he had to submit advance translations into English for the Post Office and Justice Department of each issue – and a significant book-publishing venture of the same name – Casa editrice “Il Martello.” In addition to several years of issues of <em>Il Martello</em>, and a couple of works authored by Tresca himself, the collection includes numerous publications of works by others under the Casa editrice "Il Martello" imprint.
Subject
The topic of the resource
Giovannitti and Tresca stand out as vibrant, charismatic individuals, not unlike Galleani and Borghi but with a broader political and non-political following and personal drama to match.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong><em>Chi uccise Carlo Tresca?</em></strong> [Who Killed Carlo Tresca?] <strong>New York: Tresca Memorial Committee, [1947].</strong>
Description
An account of the resource
The cover of this pamphlet (as well as the English language version, in English) notes “Con prefazioni di Arturo Giovannitti e John Dos Passos.” In the earlier (1945) English language version, also in the collection, the goal is stated: to incite readers to “stir the authorities out of their lethargy in the Tresca situation,” urging them to contact Manhattan District Aattorney Frank S. Hogan and the newly appointed police commissioner to undertake a new and independent investigation. This Italian version, issued two years after the English version, also in the Collection, lacks this exhortation at the end, probably because it was no longer timely. <br /><br />As Giovannitti asks in his preface, “Who had any reason to have Carlo murdered? . . . For this man was everybody’s friend, tutor, and counselor; he really loved everybody from the derelict and the destitute up to the teacher, the healer, even the man of affairs. . . . He was a friend of the policeman who arrested him scores of times, of the District Attorney who denounced him as an enemy of society but ate and drank at his table, the jailer who locked him up for interminable days. . . .” <br /><br />Tresca’s attacks on Mussolini were almost surely responsible for his assassination. One evening in 1943 — the same year in which Mussolini was deposed — upon leaving the office of his newspaper, <em>Il Martello</em>, in Union Square, Tresca was gunned down. The circumstances remain mysterious to this day. Some say it was on direct orders from Mussolini because of Tresca’s unrelenting polemics against him. Others, such as union leader (and leading anti-communist) Luigi Antonini, blamed the Communists, and in particular, a former Tresca colleague with whom Tresca had become disenchanted, Vittorio Vidali (known in America as Enea Sormente). The more likely culprit was the then young hitman, Carmine Galante, possibly on orders from Generoso Pope, the pro-Mussolini publisher of <em>Il Progresso Italo-Americano</em>, the largest circulation and longest-lived Italian-language daily. <br /><br />The Tresca Memorial Committee included A. Philip Randolph, Edmund Wilson and John Dewey, as well as its chair, Norman Thomas, the perennial Socialist Party candidate for president.<br /><br />This pamphlet, far more common in its English version (issued in 1945) than in this Italian one (1947), was circulated with the exhortation that “those who believe with us that political murder in the United States must not go unpunished . . . help circulate this pamphlet widely . . . we have no thought of placing the guilt in the Tresca assassination at the door of any specific organization or individual.” <br /><br />While it's not clear who assassinated Tresca, it is certainly clear that Tresca’s assassination obsessed many who loved him.
Creator
An entity primarily responsible for making the resource
Tresca Memorial Committee
Publisher
An entity responsible for making the resource available
Tresca Memorial Committee
Date
A point or period of time associated with an event in the lifecycle of the resource
[1947]
Format
The file format, physical medium, or dimensions of the resource
22 x 15.25cm; 31 p.
Language
A language of the resource
Italian
1941-1950
Arturo Giovannitti
assassination
Carlo Tresca
Il Martello
John Dos Passos
New York
-
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/edcd4d264e7505887a2c3f975c2df802.jpg?Expires=1712793600&Signature=Dl%7EoKdCMe9T71fRxr5tOtChKinqh2X%7EZ-0aTzzK0tYMbLciybK-4TrZhbiA0MIAQCY%7EnGg5r8PoOoNSfkFuM9Kq5Z3g6y0XRPhncOe778JfDUn1%7ErDPGOKNlRdX40204I6tXWm0kLr%7ExjCS3B7ePWNAnDTahG1emcjgBFNQnsf0yA11IiNbz5kEvyoAhWhrP%7EB%7E7GobPbLePSJE48VCRcSOCrEoTHRz%7ECC-d0awaxV5EA3%7EBqrrV9eTvJtAA5pHlAimk3chN%7E9A9b85w05oTX%7EBdy79nToqr86PABMkAxPNo9R6oSpHXxcIyrNvj1yGN6cog3sNz1FJRhuEVnBNU6A__&Key-Pair-Id=K6UGZS9ZTDSZM
5585a8690773b323593a4f2ca9513d56
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/c78e88745c6a3b31e6b92828375be56d.jpg?Expires=1712793600&Signature=IGHJPHeX8KGQuVEn2A7PsbeBGbJtlABgxBbsS76drx7uwHCnS6gSGFLoU3iFGaHVvK10UcvATq8Lh3s51CRqz9mPr3MelKkRR%7EVNJWaVKpDQ0R9jyA2J5DZNy4qeYqVW-Mj8Vr3bJEsUaamqxq9NUNUY2GfWDCGVwvXWrqC48h7qgLdSVnwEWM%7EBCa5F4r-nnCWdfjbnhvTND%7EoWRotKcVcUlRMrmmWq59L4R-GSf6c2RKREpY3ZY7YV1ibz50Al7H0aHWMr%7EwjWmoSl05cEOYFtet1tQpfRr2hwnSJu41W7381pFdToagQ1pAc0bU-ew5Kqm69L41HMxOUXLETjYg__&Key-Pair-Id=K6UGZS9ZTDSZM
92425cc9516846005e5eff75683d120a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Political subversives IV: Arturo Giovannitti, Carlo Tresca, and their circles</em>
Description
An account of the resource
Arturo Giovannitti immigrated to Montreal at the age of 17, where he became a Protestant pastor. He then moved to Pennsylvania, preaching mostly to miners. He later left the church to join the labor movement after becoming interested in socialist ideas. Participating in the great Bread and Roses strike in Lawrence, Massachusetts in 1912, Giovannitti was accused falsely of the homicide of striker Anna Lo Pizzo, and arrested, along with Joseph Ettor and Joseph Caruso. Speaking in his defense while on trial in Salem, he delivered a legendary apologia in English that was subsequently published in both English and Italian under the title “The Walker,” further establishing his charismatic leadership. <br /><br />After 1920, Giovannitti was among the organizers of the committee for the defense of Sacco and Vanzetti, a major leader of the anti-fascist movement, thus of the Anti-Fascist Alliance of North America (AFANA), and a member of the committee formed to push for the investigation of the assassination of his friend Carlo Tresca. A complex intellectual figure, equally comfortable in both English and Italian, Giovannitti is the rare Italian American writer who, despite the extraordinary reception accorded him within American literary culture, never abandoned the Italian community. His English-language poems were often translated into Italian as well as into Sicilian. Only his Italian-language publications are included here, including especially <em>Quando canta il gallo</em> and several issues of a gorgeous literary-political magazine, <em>Vita</em>, published beginning in 1915, a few issues of which became part of the collection only recently (2021). <br /><br />Carlo Tresca was the radical left’s most complex, fascinating character, a powerful thinker, charismatic orator and rabble rouser, ladies’ man and a warm friend who never forgot the human dimension of people whatever their politics. By the time fascism began to take serious root in Italy, Italian American radicals for the most part put aside their factionalism to join in the fight against totalitarianism. Along with Giovannitti, Tresca was one of the founding members of AFANA. <br /><br />However, Tresca’s popularity earned him a lifetime of enmity from Luigi Galleani and his followers. Tresca’s political views evolved over time from a belief in the need for a revolution to destroy the private ownership of property basic to capitalism, to grass-roots union organizing in 1905, when he became its leading Italian proponent and practitioner, to being an anarchist who nevertheless believes in organized unions or syndicates (anarcho-syndicalism) by 1913. His longest-lived newspaper was <em>Il Martello</em> [The Hammer], constantly in financial and political difficulties – for many years of its publication, he had to submit advance translations into English for the Post Office and Justice Department of each issue – and a significant book-publishing venture of the same name – Casa editrice “Il Martello.” In addition to several years of issues of <em>Il Martello</em>, and a couple of works authored by Tresca himself, the collection includes numerous publications of works by others under the Casa editrice "Il Martello" imprint.
Subject
The topic of the resource
Giovannitti and Tresca stand out as vibrant, charismatic individuals, not unlike Galleani and Borghi but with a broader political and non-political following and personal drama to match.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em><strong>L'attentato a Mussolini ovvero Il segreto di Pulcinella</strong></em> [The Attempt on Mussolini: or the Secret of Pulcinella]. <strong>New York: Casa Ed. "Il Martello", 1925.</strong>
Description
An account of the resource
The premiere performance of this play opened at the Central Opera House, located at 205 East 67th Street in New York on Sunday, December 13, 1925. It was based on actual historical circumstances — namely, a staged <em>attentato</em>, or attempt (to assassinate Mussolini). <br /><br />When its opening was announced in advance, the Fascist Party ambassador to the U.S. asked the State Department, which considered anarchists like Tresca to be troublesome “Reds,” to prevent the performance from taking place. FBI agents and Bomb Squad officials invaded the theatre on that opening night, and stopped the opening curtain on the specious grounds that the performance would violate New York’s Sunday “Blue Laws.” <br /><br />Tresca took the stage, faulted the government’s prohibition for acting at the behest of Mussolini, whose fascist dictatorship, he exclaimed, was in the thrall of high-finance capitalism. <br /><br />The New York press, which normally disapproved of anarchists like Tresca, expressed sympathy in this case for the anti-fascists, raising questions as to why a foreign government was being placated by American authorities in this way. <br /><br />The claimed attempt on Mussolini’s life was the pretext for the repressive “emergency laws” in Italy of November 1926.
Creator
An entity primarily responsible for making the resource
Carlo Tresca
Publisher
An entity responsible for making the resource available
Casa Ed. "Il Martello"
Date
A point or period of time associated with an event in the lifecycle of the resource
1925
Format
The file format, physical medium, or dimensions of the resource
22 x 14.5cm; 32 p.
Language
A language of the resource
Italian
English
1921-1930
anti-fascist
Carlo Tresca
drama
Durante
Il Martello
New York
newspaper press
-
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/b344ee824cdd296d38c873aceef6058d.jpg?Expires=1712793600&Signature=gcBoBSF0JNzM2JxnSBui3Y5mqOH7Su9alpDO-MeqyaFSZwXMVhlcYdQQ1inmmw3SBAEBQkYkzdambMrFpNsYiF-5KHDE7f6AeZdnXmbpofPOmS12rCALJUgsY9SVQD1I41DXvuMf1hEGDfS12jL8SVcSRw3yt9m5BVHcJaaG9DmDrkLnNwPQrt4NuuWidqphwndvdA6cjV5ZwMT48Bs7vZCXZqg7lg1gOcSconZjrbP5Jp1-BIUC9rDZeQ-%7EIQ%7Ex7KeogTA3nZW7G3gTeXruatE9ajDqAoOD13SvAI0prIqZsm1Es%7EZBQmOHyQJ-dxx9rzCfzNA3woH4W98glEb0LA__&Key-Pair-Id=K6UGZS9ZTDSZM
8f2d9fbd76bf77ff140485c1b4f4a66b
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/a523e13fdb6f4f06b101b464805017d4.jpg?Expires=1712793600&Signature=ct8-3CuPGmFLS2uRLC8eBTiQgd3vyF8E7jjXgcjlZ7eL5eCi3h4mCFQ9daS2gBg-4Otf3mjctNZmtcbTHL7zQXw4ldQtuEeqp4FgzszYOq1c6Tq9tSZtJj-mxGFPpPGePnAhpyUrmI0OXGuELwWDQNFJhT0Cab8Q-VKLJG6FxXZP4eSqMsBXtDAc9LZnHXb4yoGqsBiShQafmkejopyg0EYZAdB1g0nc1-1Y%7E2SJv9zTHi3i3iklPPZ-w9rSl0EIqvIgifPBCzmG-budSmavER1nezKlUbyzH8csWWk7VNx5qWCES5xnAe6rhpQtO4qlKAZW0BCt5-mAzqXTrc8shg__&Key-Pair-Id=K6UGZS9ZTDSZM
f1ca5e03286ad8f86c407aed1ba6c786
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Political subversives III: Fascists and anti-fascists</em>
Description
An account of the resource
<p>The Anti-Fascist movement embraced diverse leftists, including Carlo Tresca, as noted above. Opposition to Mussolini from the left was reflected by activities of the Anti-Fascist Alliance of North America, which formed common ground for anarchists, socialists/syndicalists and communists to temporarily set aside their differences and unite against fascist oppression. Gone, at least temporarily, were the debates about proper philosophy of the left: the goal was to unite in order to defeat fascism.<br /><br />As for fascism itself, its roots were in the nationalist fervor stoked by Italy’s late 19<sup>th</sup> and early 20<sup>th</sup> century imperialist ventures in Africa, which are reflected in several items in the collection. Fascism itself<span>, with its </span><a href="http://en.wikipedia.org/wiki/Political_radicalism">radical</a><span> nationalist agenda, </span>came to prominence in the first quarter of 20th-century Europe, originating in Italy during<span> </span><a href="http://en.wikipedia.org/wiki/World_War_I">World War I</a>. Benito Mussolini founded the Fascist Party, a right-wing organization which launched a campaign of terrorism and intimidation against its leftist opponents, and forced the king in 1922 to name him the Prime Minister as a result of the fascists’ show of force in the March on Rome. </p>
<p>In America, active fascist supporters started two magazines that vied for primacy with Mussolini as instruments of the Fascist Party in America. Agostino de Biasi’s <em>Il Carroccio</em>, (The Chariot) was published from 1915 until 1935 - most years of the magazine are in the collection - with a circulation of about 10,000–12,000, long-lived initially but ultimately with a circulation of only about one-third of Domenico Trombetta’s far more militant <em>Il Grido della Stirpe</em> (The Cry of the Race), which became the largest circulation pro-fascist periodical at about 30,000 at its height in the mid-late 1920s, dropping to about 5,000 in the late 1930s as Italian Americans soured on Mussolini.</p>
<p>Mussolini also promoted teaching the Italian language to Italian American schoolchildren, reflected in several items in the collection.</p>
<p>Both fascist and therefore anti-fascist activities were not confined to New York, Chicago and other big cities. By the early 1920s, Fascist Party cells in the United States were present in Buffalo, Albany, Rochester and Syracuse.</p>
<p> </p>
Subject
The topic of the resource
This section of the collection reflects tensions between fascists and anti-fascists. But the anti-fascist movement in the U.S. among Italians and others had far less to fear from Mussolini than did such dissidents in Italy itself. Savage portrayals and caricatures of Mussolini and of fascism are fully reflected in the collection.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong><em>L'Italia sotto il Fascismo: ii suoi aspetti economici, politici e morali: discussi in contradittorio dal Prof. Gaetano Salvemini e dal Prof. Bruno Roselli: con premessa e commenti di G. Di Gregorio</em></strong> [<span>Italy under Fascism: its economic, political and moral aspects: discussions in debate of Prof. Gaetano Salvemini and of Prof. Bruno Roselli, with introduction and comments of G. Di Gregorio]. <strong>New York: "Il Martello" Publ. Co., Inc., [1927]. </strong></span>
Description
An account of the resource
This work is an account, translated from the English original, of a debate between Salvemini and Roselli that took place on January 22, 1927 in New York under the auspices of the Foreign Policy Association on the theme of "Italy under Fascism." <br /><br />Salvemini (1873-1957) was a towering intellectual figure among Italian anti-fascists in the U.S. for the entire fascist era. There are several works by him in the collection, one published by Carlo Tresca's<em> Il Martello,</em> and the others by (and in issues of) <em>Controcorrente</em> of Boston, the anti-fascist group with which he was most associated while a professor of history at Harvard. <br /><br />He acquired his reputation as an imminent historian and a politician in Italy, and was exiled by the Mussolini government. He established his credentials upon graduation from the University of Florence, where his work included medieval Florence, the French revolution and Giuseppe Mazzini. <br /><br />Salvemini watched is wife, five children and a sister perish before his eyes in the earthquake of 1908 in Messina. He held several appointments at other universities, culminating in his appointment in Florence in 1916. He was associated with the Partito Socialista Italiano for many years. In exile, he continued to organize resistance to Mussolini in France, England and finally the U.S.
Creator
An entity primarily responsible for making the resource
Gaetano Salvemini
Bruno Roselli
Publisher
An entity responsible for making the resource available
"Il Martello" Publ. Co., Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
[1927]
Format
The file format, physical medium, or dimensions of the resource
20 x 14cm; 64 p.
Language
A language of the resource
Italian
1921-1930
anti-fascist
Bruno Roselli
Gaetano Salvemini
Il Martello
New York
newspaper press
-
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/0fcd44063ec3167f60a831db99e1753d.jpg?Expires=1712793600&Signature=SzzDvtCGr6GwjedmJUeAhWz7pVJwNHW5Gcc%7EYWUxGgRlEou7v5f5D0ExFSAtL85Nx-cujDiPpbIduAYYKc028fvaI0nbkNtp8z4nBVJwk8R6JH9ag7QzBnjOEoulgedJHmdkh00Bs9SKUYmAb%7EayXcszfVf9H7ebkOsikSldHFCRkpET5stBXM7xkQW0fRU9r965yj5fVIPzWyoVrT8Oo8WZ290poX8WAASBuagllDzGmzDydUnh2URhcraluOtv1cJnGqNxW-bAnByICk6vZHaTIMaepRZmt8lfFvqEmWM8n7BDt0ghimb-thUSlyqgS8B2sa390W%7EhVUQXe59G1A__&Key-Pair-Id=K6UGZS9ZTDSZM
066685f032a19f0f939a0b95fc430a02
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/311fd68afa75e192a1dd675702fbf4ac.jpg?Expires=1712793600&Signature=J1oozumKg-dt9JqHIgTENNoKwcJXs93Q44XKu4Bv1cGjwLMKJWTErQC0U64oVN5zbQjMHGNobpw7HnTYaPo3g6d6YCbYNTqchjfH8qdPkgempbCraIhA9CEBMbXDPWazQ7XkYY4aAQHnjWJewheYfCS7QXftiaCk0ONw2MJdeN1gVpMCxlCSgOLtlB4yJ2SztvVJoUYhajZkhtIIwhrua%7EFwIZ0eScbEgAoUfXRjzyx2XqWx%7E4mJazlzYovbuMCILsoT%7EQ6tAStcaoBmoI0m4Uia3npL2mHwUkYRySdAovJlDxv2-jP67ZWLzkvx7i2Kj1YUS-N17Tk5mgylBsa7VA__&Key-Pair-Id=K6UGZS9ZTDSZM
2b84ec098709e4bf68c7a5c5103dee2f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Histories, philosophy, biographies, directories, almanacs, annuals, religious, educational, and travel literature</em>
Subject
The topic of the resource
These largely non-political works reflect a broad pallette of non-fiction reflections on the history of Italians in the U.S., travel literature, biographies (like that of the Peanut King, Obici), or the religious, like Sister, later Mother, and final Saint Cabrini.
Description
An account of the resource
In these non-fiction works, Italians reflected upon themselves and their American experiences. Representing the non-<em>sovversivi</em> type of immigrant, who were more interested in becoming American and “making it” in America than in stoking class warfare and remaking society, They began to place themselves in the context of contemporary American society and the history in America. <br /><br />The release in 1921 of Alfredo Bosi’s <em>Cinquant’anni di vita italiana in America</em>, the first history of Italians in the United States, represented a watershed - the first 50 years of Italians in America - and allegedly arose from a conversation between journalist Bosi and King Vittorio Emanuele of Italy in 1901, in which the king expressed curiosity about the Italian colony in America. <br /><br />Luigi Roversi’s biography of Palma di Cesnola proudly places that Italian within the august homes of white Anglo-Saxon Protestant America, into which di Cesnola had married, and where he ruled as the first director of the Metropolitan Museum of Art. <br /><br />More than the first half of Flamma’s “biography” of the greatest mayor New York City had ever seen, Fiorello LaGuardia, has little to do with La Guardia, unfortunately, but the work did reflect his obvious pride that after electing mayors in 29 other cities, Italians “finally” elected (in 1933) a mayor of Italian heritage to the country’s most important city. <br /><br />The directories discussed here, from New York to San Francisco, provide a particularly rich source of information about the different businesses and professions Italians had in virtually every state of the union, from as early as the 1880s (in San Francisco) to the first few decades of the 20th Century (primarily in New York).
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong><em>Errico Malatesta.</em> New York: Casa ed. "Il Martello", [1922].</strong>
Description
An account of the resource
<span style="font-weight:400;">Nettlau (b. Neuwaldegg [Vienna], 1865; d. Amsterdam, 1944) was a German anarchist - indeed, according to Paul Avrich, Nettlau was the foremost historian of anarchism - who met Malatesta in London, and remained friends for the rest of their lives. Realizing that the history of anarchists would be lost as the first generation began to pass away, he planned on interviewing them and writing their biographies. </span><br /><br />This 304-page biography of Malatesta, composed more than two decades after the earlier Nettlau work in the collection, is comprised of 20 chapters documenting the most important events in Malatesta’s life. The publication date of 1922 is a surmise arising from the fact that 1922 is the latest date of an event in Malatesta's life in the work, appearing at end of the chronological essay in Chapter XX.<br /><br />The cover of this work contains a kind of subtitle not found on the title page, "materialismo e libertà." <br /><br />The interesting bibliographical fact about this work is that there was issued, apparently in the same year, and clearly by the same publisher, a lengthier and in other respects slightly different edition, which is also in the collection, q.v.
Creator
An entity primarily responsible for making the resource
Max Nettlau
Publisher
An entity responsible for making the resource available
Casa ed. "Il Martello"
Date
A point or period of time associated with an event in the lifecycle of the resource
[1922]
Format
The file format, physical medium, or dimensions of the resource
18.5 x 12.5cm; 304 p.
Language
A language of the resource
Italian
1921-1930
anarchist
biography
Errico Malatesta
Il Martello
New York
newspaper press
-
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/4e70e14a56ea958f96af292712d752ba.jpg?Expires=1712793600&Signature=gwqXIO6ZFZSkPQt%7EiFCaQFI-nihAVzMbbaePKmH1USAjH4fxc8hFAeMg0eUCzrFdkHT3f%7EjcMf20CwVBda9OFpgpk7vMsoL8M7mSElVP80YWdSdeMvJCWW6Ko1IuIw%7EWc7qYCgmTIrcVobYwptRrg4gfEqHJtC7V64CZFClNjS5nnMkL9f8vUNHQp-E%7EqvplIOz8RGO-YTUl-OG3V5o7QAVh9GcJGNw9Rq0lc%7Ex%7EOdwvwFC%7EC4bVCR8I0Xv%7E-xFUHSKhGGSU3evDFEBWMRDKSVy49jlFbWlf06y6PkuOU7qPOm1ZvcFYLLS8PPlm-3RBvntrs-lWlEIW2vJ3UDRXBw__&Key-Pair-Id=K6UGZS9ZTDSZM
021437d78591d6c64ae70c6d98df8415
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/8308704024a774dd167f533b67743179.jpg?Expires=1712793600&Signature=DM2s3UXWj-THUrA4XAwCRyA2K9CUwVWFTD50DthOYcZTeMZwCd4rJI%7EcR0MtIGXQjsEijzJGP-LBsdgz5mcF%7EHvYl5sb6BB5-nJdgPMPN3H%7EjovNrNChQGish9fo4-ZeY0vomTi4GzMVA2AEci%7EjOK7sADPR1293RpFQQu1%7E2svhl51ovNbTDCMqFmBx7%7EH0oUNiTpeZrkhHHKnxeddNutfGNnvbeJjJOPcVqVSMM0bwCZaS8agk1GSFhFsZ9vydHBsfDodZfYmUn1zZIMRQjuR7FEF7Db3yDX3HdpciBDJVJ2QDblb1FsIfQphsFovmwyt5eL%7EFAZbTD2NtzFy5JA__&Key-Pair-Id=K6UGZS9ZTDSZM
ecc62a270a7d1491394523f43c4fda5a
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/16d258292b178618e64577a040de85a5.jpg?Expires=1712793600&Signature=MwV5CYa%7EuIVPPwWcG7vFU92SJKMOkSofZW-wRSmdzhWERC5z7%7E2qa8m6%7Eq4jXL9swfLRT7iyjLQ%7Exw9VpPtxDSFNhCHyGVRHcjKJxJfENatLB8aTNdmXg8IRSZPt4gfuAKlHjZ0r8zoO8cwgCXBlIDcEHugGSmUtpT-h44lf7TwjTC288r2Cz2ZNA29CyRnc3BDwfvYJxX4CZaiS8tsibPiwznrUGfztmO-89iEaN7DhLDoc3hkV8TybSJz7bFvdFptNVoIjajHmpkWHjUhtSEjRYi4YjjX110y3kDSiBe49Tt1wPvkfJkGSwhfC6jsDCPBlvBjdWCDlxRwN4%7EP83w__&Key-Pair-Id=K6UGZS9ZTDSZM
cb1e203e9c7aece73e64a66b8cc041b7
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Political subversives II: Anarchists (all types), socialists, syndicalists, communists, anti-clericals</em>
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong><em>La responsabilità e la solidarietà nella lotta operaia: rapporto letto alla "Freedom Discussion Group" il 5 dicembre 1899</em></strong> [Responsibility and Solidarity in the Workers' Struggle: report read to the "Freedom Discussion Group," December 5, 1899]. <strong>Barre: Casa ed. L'Azione, 1913.</strong>
Description
An account of the resource
Biblioteca di Propaganda Rivoluzionaria. A short report written by German anarchist Max Nettlau. It was published by the book arm of <em>L’Azione</em>, a critical weekly of revolutionary propaganda based in Barre, VT, where Luigi Galleani settled after postal authorities made it too "hot" for him to remain in Newark or East Boston.<br /><p>Max Heinrich Hermann Reinhardt Nettlau<span> (b.</span> 1865 – d. 1944) was a German anarchist and historian. Raised in Vienna, he lived there until the <em>anschluss</em> to Nazi Germany in 1938. Nettlau retained his Prussian (later German) nationality throughout his life. A student of the Welsh language, he spent time in London where he joined the Socialist League and met<span> William Morris, and</span> anarchists such as<span> Errico Malatesta and Peter Kropotkin, with</span><span> </span>whom he remained in contact for the rest of his life. </p>
<p>In the 1890s, realizing that a generation of socialist and anarchist militants from the mid-19th century was passing away and their archives of writings and correspondence being destroyed, he concentrated his efforts and a recent modest inheritance from his father on acquiring and rescuing such collections from destruction. (Much of that collection made its way in the 1930s to the International Institute of Social History in Amsterdam.) He also made many interviews of veteran militants for posterity. <br /><br />Nettlau wrote biographies of many famous anarchists, including Mikhail Bakunin and Élisée Reclus, as well as one of Errico Malatesta, q.v., published by <em>Il Martello</em> in New York in 1922. He also wrote a seven-volume history of anarchism.</p>
Creator
An entity primarily responsible for making the resource
Max Nettlau
Publisher
An entity responsible for making the resource available
Casa ed. L'Azione
Date
A point or period of time associated with an event in the lifecycle of the resource
1913
Format
The file format, physical medium, or dimensions of the resource
20 x 11.5cm; 21 p.
Language
A language of the resource
Italian
1911-1920
anarchist
Barre VT
Errico Malatesta
German original
Il Martello
L'Azione
Max Nettlau
newspaper press
political
socialist
translated
-
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/32832e5f8d5ea991126940a954894289.jpg?Expires=1712793600&Signature=seL3LFBZ0k0lfV6YHSGs67PW51CLZjQutDRxt05a09tPmD93nZCdMSXXWXc0lODNvoqXkQcDuRICjkmgQ7LesZh-LaQ6w0yjO2aR5AiT03kMvv597ia9AATnOH0iM8FAczSnMtDA1XTxBn6pAqY%7ECGCQorTQTPYdVwHvoPIRFv7FVD-mopMz8VZCaP6PNj-LkBf5WYXaN0nSC0ceHKY52rQ-ic6oA1rA72cUr6LSDrMDUpn5CQfNVvS0N10XKarvXuyqh2dvi3m0w1SPnajBeH8qxYYAd0Ldpk1oVmu6nVl0L--pLV4-dsFnmga5TiE1oc3UgTUGBEH1bF0OecGyyg__&Key-Pair-Id=K6UGZS9ZTDSZM
eaa7a89b74db6b68ad245342ef6380ed
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/25c69c74fe1c033883432f7febaf58ba.jpg?Expires=1712793600&Signature=t1CpWnN2bvNgfPZg3t1piJXodA1M8njhVJIbVMNeVlBakSPEvvuiHbIX3NqV9jjHV8Jzp1A2u6bnMlBnSIrgckj1pIYUVBMS8JRIvSKK8OG9a5RRq13RjC-a1hI%7EhP3c1T4152-7OcPySQysdeEbEi1X3AxvaUqziQ1v9THLDJmDSnkCkhyoDO1zQcuJbgpxf3SAEuaPAp5e8yowNB61YVF9aHbvx8TH1XS-i5ozsAWseO8ehBfANoEcpv7NuKoEmwg9KuSAWRNiu%7EB%7EJMnrdVxogwd0F2ySA7Cw1BIEF-3y1TfL7qGJSzwh6eEO-3myS8WYnvWTm7ZLG2JJv-PxLA__&Key-Pair-Id=K6UGZS9ZTDSZM
1f97a3b616fe358dac9832f7fefaeae8
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/f30c1ff4d44aecd9f336a71024f465a7.jpg?Expires=1712793600&Signature=gJX533%7Ez96rgXaDyTWLNvxvuxfHW0s6m4EeRlrCxw3zK8LkSD0LhQaor6fw8riBuPL9fLjSis97au0YDA9pK5F-aki2YJuvrdx7J2sgqCNvw%7EvVWogPbBwiipls2Bl9zUyK1yYTo6oif%7EWAdHIcf3iWpYfQ8JfvMvrm9X-NTrz8rdMhighCyOKAD3ijUgRo6g7GGU-gXhlXZLGXbiN2ezrYe3nd6yWs0fs9Ms-eCQtEM-fPo8cBsRGKOX7WZCX8OlAuMZnMnN7QYEy9GqALlyiMhg7F3hCeG0jPUUpcHVBsml41T50z3S%7EaPG14s6gTAXWrcN833NdJVsBr4ZchxFQ__&Key-Pair-Id=K6UGZS9ZTDSZM
b1e9a1caa9ea6403fca5449ee8d1fceb
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Histories, philosophy, biographies, directories, almanacs, annuals, religious, educational, and travel literature</em>
Subject
The topic of the resource
These largely non-political works reflect a broad pallette of non-fiction reflections on the history of Italians in the U.S., travel literature, biographies (like that of the Peanut King, Obici), or the religious, like Sister, later Mother, and final Saint Cabrini.
Description
An account of the resource
In these non-fiction works, Italians reflected upon themselves and their American experiences. Representing the non-<em>sovversivi</em> type of immigrant, who were more interested in becoming American and “making it” in America than in stoking class warfare and remaking society, They began to place themselves in the context of contemporary American society and the history in America. <br /><br />The release in 1921 of Alfredo Bosi’s <em>Cinquant’anni di vita italiana in America</em>, the first history of Italians in the United States, represented a watershed - the first 50 years of Italians in America - and allegedly arose from a conversation between journalist Bosi and King Vittorio Emanuele of Italy in 1901, in which the king expressed curiosity about the Italian colony in America. <br /><br />Luigi Roversi’s biography of Palma di Cesnola proudly places that Italian within the august homes of white Anglo-Saxon Protestant America, into which di Cesnola had married, and where he ruled as the first director of the Metropolitan Museum of Art. <br /><br />More than the first half of Flamma’s “biography” of the greatest mayor New York City had ever seen, Fiorello LaGuardia, has little to do with La Guardia, unfortunately, but the work did reflect his obvious pride that after electing mayors in 29 other cities, Italians “finally” elected (in 1933) a mayor of Italian heritage to the country’s most important city. <br /><br />The directories discussed here, from New York to San Francisco, provide a particularly rich source of information about the different businesses and professions Italians had in virtually every state of the union, from as early as the 1880s (in San Francisco) to the first few decades of the 20th Century (primarily in New York).
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em><strong>America! America!: atti e memorie del popolo</strong></em> [America! America! Acts and Memoirs of the People]. <strong>Casalvelino Scalo [Salerno]: Ed. Giuseppe Galzerano, 1979 [1981].</strong>
Description
An account of the resource
Antonio Margariti (b. Ferruzzano, Reggio Calabria, Italy, 1891 – d. Willow Grove, Pennsylvania, 1981) published these memoirs in 1979 at age 87. This "savage and touching" book (Durante) awakened a vast interest, so much so as to be a finalist for the Viareggio Literary Prize. <br /><br />The education of the poor Calabrian immigrant took place entirely in America through his frequenting of anarchist circles; Margariti committed himself, among other things, to the circulation of <em>L'Adunata dei Refrattari</em> and of <em>Il Martello</em>, as well as to committees for Sacco and Vanzetti and to antifascist initiatives.<br /><br />For Margariti and many other immigrants, the anarchist circle represented therefore a social occasion that, for the first time, allowed them to attend theatrical events, concerts, picnics, and dances. It also offered educational opportunities, a school for critical thinking (often a real school, with teachers, courses, and classes). Here one could better define and give historical breadth to those spontaneous and rebellious inclinations that the helpless confrontation with priests, bosses, and all sorts of profiteers had nurtured for a long time. <br /><br />Workers from all over the country became <em>galleanisti</em> (followers of Galleani), even if this did not mean that they were strict observers of the famous leader’s doctrine. These memoirs, written in Calabrian dialect by the unlettered Margariti, were translated into Italian by the publisher.
Creator
An entity primarily responsible for making the resource
Antonio Margariti
Publisher
An entity responsible for making the resource available
Ed. Giuseppe Galzerano
Date
A point or period of time associated with an event in the lifecycle of the resource
1979 [1981]
Format
The file format, physical medium, or dimensions of the resource
19.5 x 14cm; 136 p.
Language
A language of the resource
Italian
anarchist
anti-fascist
Calabria
dialect
Il Martello
L'Adunata dei Refrattari
memoir
Salerno
-
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/7dcdc4b0873078785ad979f512e38f15.jpg?Expires=1712793600&Signature=EeqRZxSiKyiYxM74SOqYwiww%7ETrkRuZS%7EYIBgL8lT9vQ1JJqM96vx9nzB4hbbjGDJJqytW9EQOTMNNnPWHO34PhQCRxcsK6-HO9Q3-AJZlmfrweEGCBJTzoz5fGbd9aW46JVb2AM4G0Cd2mz5HK40SWTAnznZSabP2AcrYuNg98S4tvYwpLvtZvvrX14xBoueq48aLZdmWW3LQ6oeaUgs1SVP7ccSEZacMqn3o%7EznruafqiJw46Wbh8e3ckmDB1bAXc0JAABNyRWvSXVxmq18s%7EDKrTR%7EhX9zxzvXf4ZaqOt3BtorvGYtj2zzp2wAXEwxB70o8NI9658R123QlRs5Q__&Key-Pair-Id=K6UGZS9ZTDSZM
bfaa0b7b4e083fbf1ee2f60694f6f211
https://d1y502jg6fpugt.cloudfront.net/58817/archive/files/d448d5a34678944fc036105660970154.jpg?Expires=1712793600&Signature=JHOdyLlfeTb4jaBAmVuAcOUOn8MPBf0BGxjHLAWEFvhIr2DZckS8f%7EwlPMcXHKvnJnw2BDHRJ5HMuK8HWfAJRjSRYwtm7E7-9RePiq6%7EbXiX-szIB%7E2aMG-dtOiGtwUhWb1RTts3PpHK7rtAY81Nw6B5LYnv2G--1iHJnDSEt4mL4-UepQCk5fR%7EJHrDlUql32fwG6fWvJWGjXBCr2SFNsbsLccyR--T1MGfa8b5pHDDb-K3cVt5FVKh%7E7r52KOx5ba46ysSiv4WrPo7yGhPwhn%7E%7ETfV2YK2lSt%7EUy7DUV6t7aapqKROkPAVCGre1CFWwfpa%7Ea0em7IkCyM6xZVrQw__&Key-Pair-Id=K6UGZS9ZTDSZM
3eceb084b3a9e838d539d047d9c80276
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>The global impact of Sacco and Vanzetti</em>
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong><em>Vita e morte di Sacco e Vanzetti</em></strong> [Life and Death of Sacco and Vanzetti]. <strong>New York: Il Martello Publishing Co., 1928.</strong>
Description
An account of the resource
The original, published in English in 1927, by International Publishers, is also in the Collection. This, the most dramatic, galvanizing (including after their execution) and dispiriting historical event of the era involving Italian anarchists led to mass demonstrations in Paris, London and elsewhere around the world protesting the injustice of the executions of two immigrant Italians for their political views as much as any activities. <br /><br />This seemed to be an “instant” (post-execution) biography of those two men who became the most famous of anarchists, written and published first in English, and then translated and published by Tresca’s press in the following year. But in fact, Lyons<span> had spent most of 1921 and 1922 working with Sacco Vanzetti, visiting them often in prison. </span> <br /><br />Eugene Lyons<span> (b. 1898, Russia – d. 1985) was an American journalist and writer, a Jewish immigrant from Russia as a child. A Communist sympathizer of Russia </span>in his younger years, Lyons later became highly critical of the Soviet Union after several years there as a correspondent for United Press International.
Creator
An entity primarily responsible for making the resource
Eugene Lyons
Publisher
An entity responsible for making the resource available
Il Martello Publishing Co.
Date
A point or period of time associated with an event in the lifecycle of the resource
1928
Format
The file format, physical medium, or dimensions of the resource
19 x 14cm; 195 p.
Language
A language of the resource
Italian
1921-1930
biography
English original
Il Martello
Italian and English
New York
newspaper press
Sacco & Vanzetti