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                  <text>&lt;em&gt;Histories, philosophy, biographies, directories, bibliographies, almanacs, catalogues, annuals, religious, educational, and travel literature&lt;/em&gt;</text>
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                  <text>These largely non-political works reflect a broad pallette of non-fiction reflections on the history of Italians in the U.S., travel literature, biographies (like that of the Peanut King, Obici), or the religious, like Sister, later Mother, and final Saint Cabrini.</text>
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                  <text>In these non-fiction works, Italians reflected upon themselves and their American experiences. Representing the non-&lt;em&gt;sovversivi&lt;/em&gt; type of immigrant, who were more interested in becoming American and “making it” in America than in stoking class warfare and remaking society, They began to place themselves in the context of contemporary American society and the history in America. &lt;br /&gt;&lt;br /&gt;The release in 1921 of Alfredo Bosi’s &lt;em&gt;Cinquant’anni di vita italiana in America&lt;/em&gt;, the first history of Italians in the United States, represented a watershed - the first 50 years of Italians in America - and allegedly arose from a conversation between journalist Bosi and King Vittorio Emanuele of Italy in 1901, in which the king expressed curiosity about the Italian colony in America. &lt;br /&gt;&lt;br /&gt;Luigi Roversi’s biography of Palma di Cesnola proudly places that Italian within the august homes of white Anglo-Saxon Protestant America, into which di Cesnola had married, and where he ruled as the first director of the Metropolitan Museum of Art. &lt;br /&gt;&lt;br /&gt;More than the first half of Flamma’s “biography” of the greatest mayor New York City had ever seen, Fiorello LaGuardia, has little to do with La Guardia, unfortunately, but the work did reflect his obvious pride that after electing mayors in 29 other cities, Italians “finally” elected (in 1933) a mayor of Italian heritage to the country’s most important city. &lt;br /&gt;&lt;br /&gt;The directories discussed here, from New York to San Francisco, provide a particularly rich source of information about the different businesses and professions Italians had in virtually every state of the union, from as early as the 1880s (in San Francisco) to the first few decades of the 20th Century (primarily in New York).</text>
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                <text>&lt;strong&gt;&lt;em&gt;La strada della gioia&lt;/em&gt;&lt;/strong&gt; [The Road to Joy]. &lt;strong&gt;New York: Liberal Press, Inc., 1946.&lt;/strong&gt;</text>
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                <text>This work, with a cover illustration by W. Vercellino, is a series of philosophical essays, apparently all written by Pietro Novasio, about the “art of life,” with barely a page gone by before the writer invokes Schopenhauer, Emerson, Vico, Aristotle, Manzoni, Lao-Tse and Dostoyevsky in rapid fire. Among other interesting things in his life, Novasio for a time directed the magazine &lt;em&gt;Divagando&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;Franco Lalli explains in the preface that Novasio, a former deputy in the Italian Parliament, was a self-proclaimed political exile living in New York, where he broadcast a regular radio program from his office at the New York Public Library’s 42nd Street Research Library. &lt;br /&gt;&lt;br /&gt;Advice to the reader in bold includes such nostrums as “Weak men wait for opportunities; great ones know how to create them.” &lt;br /&gt;&lt;br /&gt;Odabella’s specific contribution to the work is not specified, but may be the last chapter, translated here as “The Rules of a Good Life,” printed in a smaller-sized typeface.</text>
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                <text>Liberal Press, Inc.</text>
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                <text>1946</text>
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                <text>20 x 14cm; 160 p.</text>
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