Browse Items (50 total)

  • Tags: anti-fascist

Domenico Saudino, La Genesi del Fascismo.jpg
The stunning front and back covers of Sotto il segno were illustrated by Fort Velona (b. Calabria, 1893 - d. New York, 1965), a socialist, labor organizer as well as cartoonist, who became best known for his anti-fascist cartoons, reproduced widely…

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This is a collection of anti-fascist articles Borghi had published in the then New York-based Il Proletario about Matteotti’s assassination by Mussolini’s blackshirts. It is introduced by his preface written from Paris in June 1925. Both the…

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Preface by Sébastien Faure. That the story of the transnational work of a figure like Malatesta was written in Italian, published in New York, and printed in Paris by an Italian printer, Tipografia Sociali, is testimony to the international nature of…

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For a full description of this work and its significance, see the description of it in the entry for the 1927 edition (published in New York) of Mussolini in camicia, q.v. It took 11 years for Borghi's work to return in translation to New York, where…

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Dedicated to Signora Aida Fraschina. A partially satiric - “Fascismo celeste,” as well as “Fascismo biondo” and “Fascismo bruno,” are titles of some of the chapters - but also serious look at the movement by Crespi at his most playful as well as on…

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Virgilia D’Andrea (b. Sulmona, 1890; d. New York, 1933) did not live to see this work, published three decades after her death; she died suddenly at the young age of 43. D’Andrea immigrated to the U.S. with her lover, Armando Borghi in 1926 or 1927.…

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"Appeal of the Italian National Front at the Underground Conference in Milan, December, 1942." L'Unità del Popolo was the Italian-language newspaper of the Communist Party U.S.A.

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This anonymous work, an elegantly written and substantial (nearly 300 pages) mock-epic in terza rima of sixteen cantos, is of course about the life and work of Mussolini. It bears signs of perhaps more communist than either socialist or anarchist…

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Unlike Tears, this collection of Balabanoff's poetry contains only poetry in Italian. It is dedicated "To the victims of Fascism, to the Martyrs for Liberty," named in the prefatory remarks by "gli incaricati" (those in charge). The referenced…

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This is a collection of essays by Camillo Berneri and Armando Borghi. Berneri was an Italian professor of philosophy, anarchist militant, propagandist and theorist. Along with Carlo Rosselli and Mario Angeloni, he organized anti-fascist militiamen in…

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A two-act, heavily anti-fascist play published by the Detroit anarchist group’s bookstore, the Libreria Autonoma (Autonomous Bookstore). (See also Lolmo, Insurrezione e Rivoluzione, published by same publisher., part of the collecton.) Gigi Damiani…

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The title on the cover also states, “Giustizia Capitalista” (Capitalist Justice), not present on title page. This work recounts the mass trial of I.W.W. members from 1917–1918 in the I.W.W.’s hometown of Chicago, in which a total of 820 years of…

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The Galilei Club was another chosen name for an anarchist group, reflecting the independence of its namesake (whose last name the group used, rather than the more familiar first name, Galileo), as well as his battles with the religious authorities.…

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Antonio Margariti (b. Ferruzzano, Reggio Calabria, Italy, 1891 – d. Willow Grove, Pennsylvania, 1981) published these memoirs in 1979 at age 87. This "savage and touching" book (Durante) awakened a vast interest, so much so as to be a finalist for…

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Preface by Luigi Antonini. Modigliani (b. Livorno 1872 - d. Roma 1947) was an attorney and politician, a Socialist Party Deputy, and brother of Amedeo Modigliani, the painter. His position as an anti-fascist was close to that of Gaetano Salvemini. He…

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Ezio Taddei (b. Livorno, 1895 - d. Rome, 1956) was involved in Italian politics at an early age: at thirteen he was arrested for involvement in a demonstration connected with a nurses’ strike in a Roman hospital. When released from prison, he found…

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Other editors include Renato Poggioli and Enzo Taglicozzo (Silvio Carli); the collection has Vol. 3 in two formats, one like other numbers, and an odd one smaller than the others.The collection includes: Quaderni italiani, Vol. 1 - Gennaio [January]…

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Quaderni Italiani was an antifascist political review founded and edited by Bruno Zevi (1918-2000) and his wife Tullia Calabi (1919-2011) in collaboration with Aldo Garosci (1907-2000), Renato Poggioli (1907-1963), Enzo Tagliacozzo (1909-), and…

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Quaderni Italiani was an antifascist political review founded and edited by Bruno Zevi (1918-2000) and his wife Tullia Calabi (1919-2011) in collaboration with Aldo Garosci (1907-2000), Renato Poggioli (1907-1963), Enzo Tagliacozzo (1909-), and…

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Note that this copy of Vol. 3 of the Quaderni italiani has a different cover from the other copy in the Collection, red instead of green.

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Unlike the prior issue, where Bruno Zevi is listed as editor ("redattore"), for editing ("redazione") the reader is directed to a P.O. Box at the Grand Central annex of the Post Office.

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The premiere performance of this play opened at the Central Opera House, located at 205 East 67th Street in New York on Sunday, December 13, 1925. It was based on actual historical circumstances — namely, a staged attentato, or attempt (to…

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First produced in New York on April 19, 1931, at the Civic Repertory Theatre, Madre remains one of the best-known anti-fascist plays written and produced in America by Italians. It is discussed at some length by historian Marcella Bencivenni in…
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