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                  <text>&lt;em&gt;Political subversives II: Anarchists (all types), socialists, syndicalists, communists, anti-clericals&lt;/em&gt;</text>
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                <text>&lt;strong&gt;&lt;em&gt;La donna e la famiglia: conferenza tenuta in Buenos Aires nel antico Teatro Iris, il 25 novembre 1900&lt;/em&gt;&lt;/strong&gt; [The Woman and the Family: lecture held in Buenos Aires in the old Teatro Iris, 25 November 1900]. &lt;strong&gt;Edizioni di propaganda Culmine: Buenos Aires, 1927.&lt;/strong&gt;</text>
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                <text>The founder (in 1925) and editor of the anarchist newspaper &lt;em&gt;Culmine&lt;/em&gt; in Buenos Aires was an Italian anarchist named Severino Di Giovanni (b. 1901 Abruzzo - d. 1931 Buenos Aires). Di Giovanni initiated and carried out a campaign of violence in Argentina in support of Sacco and Vanzetti and anti-fascism. He wrote both for his own paper, which advocated direct action and propaganda of the deed, and for &lt;em&gt;L'Adunata dei Refrattari&lt;/em&gt; in the U.S. (thus explaining the reference below, and note in the photos that Di Giovanni is listed as the contact for getting copies of &lt;em&gt;L'Adunata&lt;/em&gt; and &lt;em&gt;Casa Savoia&lt;/em&gt;). On May 16, 1926, several hours after Sacco and Vanzetti were given death sentences, Di Giovanni bombed the U.S. embassy in Buenos Aires, destroying the front of the building, and seems also to have been at least partially responsible for the bombing of the Ford Motor Company, Citibank, Bank of Boston in the capital, and the statue of George Washington in the Palermo neighborhood of the city. Di GIovanni was executed by firing squad following his role in a gun fight, shouting "Evviva l'Anarchia!"&lt;br /&gt;&lt;br /&gt;Author Pietro Gori was, most would say, an even more famous and internationally known Italian anarchist than Errico Malatesta or Armando Borghi. The inclusion of this South American publication reflects the importance of Gori's role as a leading anarchist thinker and speaker throughout the entire Italian diaspora. &lt;br /&gt;&lt;br /&gt;Indeed, as the title of the introduction by Farina D'Anfiano (author, philosopher, adherent of Benedetto Croce) to the work has it, Gori was "Il Poeta dell'Anarchia," the poet of Anarchism. Gori's main point is that just as workers submit to the economic tyranny of the capitalist class, so women are by custom and by laws enslaved by the masculine sex. It is wrong, he goes on to say, to treat the desire of women for elevation and emancipation as a problem separate from all the other social questions - this desire is not different from that of the worker wanting emancipation from his oppression.&lt;br /&gt;&lt;br /&gt;We also note that in the inside front cover, anarchist publications throughout that broad Italian world - including the U.S.'s &lt;em&gt;L'Adunata dei Refrattari&lt;/em&gt;, for which &lt;em&gt;Culmine&lt;/em&gt; editor/owner Di Giovanni wrote articles, q.v. in the Collection - are reflected in this 1927 publication, when Mussolini's political repression of the left was in full force.&lt;br /&gt;&lt;br /&gt;Note also the advertisement for Paolo Schicchi's &lt;em&gt;Casa Savoia&lt;/em&gt;, q.v. in the Collection.&lt;br /&gt;&lt;br /&gt;On the rear cover, to emphasize the unity of anti-fascist Italians wherever they were by 1927, and consistent with &lt;em&gt;Culmine&lt;/em&gt; editor Di Giovanni's philosophy, it is noted that the "Edizioni a beneficio totale della stampa anarchica e delle vittime politche d'Italia [these editions for the complete benefit of the anarchist press and of political victims of the Italy of today]" &lt;br /&gt;&lt;br /&gt;It was indeed the anarchist press wherever it could be found that kept Italian anti-fascists, who were political victims, united in purpose everywhere, with DiGiovanni as an exemplar of that philosophy.</text>
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                <text>&lt;em&gt;&lt;strong&gt;Per le nuove generazioni&lt;/strong&gt;&lt;/em&gt; [For the New Generations].&lt;strong&gt; New York: Nicoletti Bros Press, 1911.&lt;/strong&gt;</text>
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                <text>Born in Modena in 1877, Forzato-Spezia emigrated with her husband to the U.S. in 1891, and settled in West Hoboken, NJ. &lt;br /&gt;&lt;br /&gt;She opened a bookstore there renowned for its large selection of booklets of socialist propaganda and social novels. By 1907, she had joined the Federazione Socialista Italiana, and her name became associated with that of important revolutionary socialists and syndicalists, such as Edmondo Rossoni, Giacinto Menotti Serrati, Camillo Cianfarra and others. &lt;br /&gt;&lt;br /&gt;Forzato-Spezia gave dozens of lectures (e.g., &lt;em&gt;Il Vate Etneo&lt;/em&gt;, q.v.) to socialist and anarchist gatherings. She regularly wrote articles and poems for radical publications, emphasizing education and knowledge as a precondition of revolutionary organizing. &lt;br /&gt;&lt;br /&gt;In the instant work, she attacked traditional teaching and advocated a rational, secular and libertarian education, rather than that of conventional schools, which had become "the most powerful instrument of domination and enslavement." She criticized average Italian immigrants as "squat, lazy and slack." With the outbreak of WWI, in nationalist pride she joined with Rossoni in support of Italy's intervention. In 1915, she founded a fiercely nationalist newspaper with Rossoni and Onorio Ruotolo. She returned to Italy in 1926, and later registered in the Fascist Party, openly in favor of the regime.&lt;br /&gt;&lt;br /&gt;The bio of the author is drawn from Marcella Bencivenni.&lt;br /&gt;&lt;br /&gt;Preface by Eligio Strobino, an anarchist who (according to Rudolf Vecoli) a few years later, was among those who were discouraged by the deportation of anarchists like Galleani, and the tar-and-feathering of anti-war and labor organizers, like Nino Capraro, and were thereby silenced, dropping out of the anarchist movement.</text>
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                <text>Bellalma Forzato-Spezia</text>
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                <text>16.5 x 11cm; 31 p.</text>
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                  <text>&lt;em&gt;Political subversives II: Anarchists (all types), socialists, syndicalists, communists, anti-clericals&lt;/em&gt;</text>
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                <text>&lt;strong&gt;&lt;em&gt;Argomenti libertari (pagine di propaganda antiparlamentare) &lt;/em&gt;&lt;/strong&gt;[Libertarian Arguments (pages of anti-Parliamentarian propaganda)].&lt;strong&gt; Milano: Libreria Editrice Sociale, 1911.&lt;/strong&gt;</text>
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                <text>Stamp on front: "Libreria ed. ELVIRA CATELLO 1946 First Avenue, New York City|Manifattura di Calendari Artistici e Cartoline Illustrate| Catalogo a Richiesta [manufacturer of artistic calendars and illustrated postcards | catalogue on request]"; Printed in Milano, tipografia E. Zerboni, via Fiamma 7.&lt;br /&gt;&lt;br /&gt;Concordia (b. 1877 (&lt;span&gt;Asigliano Vercellese, Vercelli, Piemonte) &lt;/span&gt;- d. 1942?) was a dedicated anarchist, imprisoned several times in Italy for articles in &lt;em&gt;L'Agitatore&lt;/em&gt; and similar publications that incited "class hatred." He slipped in and out of Italy, often using pseudonyms, but there is no evidence that he joined any of his many fellow anarchists in the U.S.&lt;br /&gt;&lt;br /&gt;The collection has several Elvira Catello publications, i.e., U.S. imprints, but her bookstore imported many socialist and anarchist works from Italy like this one. &lt;br /&gt;&lt;br /&gt;This appears to be the rare case - perhaps even a first - of a woman-owned - Italian or otherwise - bookstore in that period of U.S. history. &lt;br /&gt;&lt;br /&gt;Catello, an immigrant from Locorotondo, Puglia, is the subject of a 2011 work by American historian and distinguished Italian-Americanist Jennifer Guglielmo, and several scholars from Italy, entitled &lt;em&gt;Elvira Catello e la "Lux" tra utopia e liberta; una pacifista pugliese a New York nel 900 &lt;/em&gt;[Elvira Catello and the "Lux" between utopia and liberty; a pacifist Pugliese in New York in the 1900s]. Bari: Edizioni dal Sud.&lt;br /&gt;&lt;div class="product-description"&gt;
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&lt;p&gt;A writer as well as publisher and bookstore owner,&lt;i&gt; s&lt;/i&gt;he was the guiding force of one of the most important political-cultural circles of an anarchic and libertarian tendancy in New York. A pacifist and thus opposed to militarism, she founded, together with her husband Elio Perrini, the Libreria Ed. "Lux", and thus had a distinct role within the anarcho-radical Italian American press. &lt;br /&gt;&lt;br /&gt;She was also the set designer of a theatrical company whose plays had women at the forefront, a fact that attracted the attention of the whole American feminist movement.&lt;em&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="410">
                <text>Tomaso Concordia</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="411">
                <text>Libreria Editrice Sociale</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="412">
                <text>1911</text>
              </elementText>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="413">
                <text>16 x 11.5cm; 31 p.</text>
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                <text>Italian</text>
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        <name>1911-1920</name>
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        <name>Elvira Catello</name>
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        <name>feminist</name>
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        <name>Milano</name>
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        <name>New York</name>
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        <name>propaganda</name>
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        <name>published in Italy</name>
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