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Verso il nulla creatore [Toward the Creative Nothing]. West NY, NJ: Spec. Ed Virginio De Martin, 1939.
The cover and, such as it is, title page state “Special Edition Edited by Virginio De Martin | Publisher of "Supermen Literature," West New York, NJ 1939”; the cover also states at the top “superuomo: e: iconoclasta” (Superman and iconoclast).…
Ode alla Calabria [Ode to Calabria]. Buenos Aires: Casa ed. "La Voce dei Calabresi," 1933.
This work, published by the book arm of the Italian-language Argentinian newspaper, La Voce dei Calabresi, commemorates and reflects a literary soiree held in Brooklyn in 1930 (and elsewhere, e.g., Toronto) in which the title poem was recited (and…
Ode alla Calabria [Ode to Calabria].Buenos Aires: Casa ed. "La Voce dei Calabresi," 1933.
With a translation (from Calabrese into Italian) by F. Greco, this recounts an evening soiree given in honor of Cordiferro by his friends from Acri (Cosenza) 14 December 1930 in the house of Antonio Meringolo in Brooklyn.See the full description of…
La vendetta: lirica in versi liberi [Vendetta: lyrics in free verse]. New York: La Follia di New York - Marziale Sisca, 1933.
Inscribed by author, as with the copy of Il prisco cavaliere in the collection, to the "scrittrice [writer] Anna Lannutti, con sincera ammirazione/Riccardo Cordiferro/ 22 gennaio, 1933."Of interest is that Lannutti's verses had just appeared in the…
Gabriele D'Annunzio: nella vita e nell'arte [Gabriele D'Annunzio: in Life and in Art]. New York: Cocce Bros., 1938.
This is a lengthy essay by Riccardo Cordiferro on perhaps the then most celebrated political, journalistic and literary figure of Italy, who was also known for the torrid love affair he carried on with actress Eleonora Duse. D’Annunzio had a…
La "Montanina": Melodrama in 3 atti. New York: [typescript], [1930s].
This libretto was gift to me from the late Gloria Iodice, a friend whose much older husband (Gloria's music teacher) composed the operatic score to this libretto. Though he sometimes also composed music, Picchianti (b. Florence, 1871 - d. New York,…
Perché la guerra in Africa [Why the War in Africa?]. New York: Casa ed. "Unità"/ Società ed. "L'Unità", [1935?]
We can estimate the date of this work because the introduction begins from the vantage point of "21 years after the beginning of the last world war," which was 1914; thus, it is 1935.Among the advertisements on the recto of the last leaf is that of…
Discorso radiofonico in Italiano sulla campagna elletorale: domenica, 23 ottobre [Radio Speech in Italian on the electoral campaign of Sunday, October 23]. The Bronx: Il Partito Comunista della Contea del Bronx, [1938].
Nunzio was the pseudonym of Mike Salerno, who edited L'Unita Operai, a Communist newspaper.It is curious to me that there was a Bronx County chapter of the Italian Communist Party in America, rather than just, say, a New York City chapter.Note that…
Come i falchi: bozzetto sociale in due atti [Like Hawks: dramatic scenes in two acts]. Philadelphia: Ed. a cura del Circolo d'Emancipazione Sociale, 1939.
The cover has a variant (from the title page) of the title of the work, namely, Come i falchi: Scene dramattiche in due atti.Postiglione (b. 1893 L'Aquila; d. 1924 L'Aquila) left Italy in 1910, embarking at Le Havre for New York, whence he went to…
Madre: dramma in 4 atti [Mothers: drama in 4 acts]. Chicago: Italian Labor Publishig [sic] Co, 1931.
First produced in New York on April 19, 1931, at the Civic Repertory Theatre, Madre remains one of the best-known anti-fascist plays written and produced in America by Italians. It is discussed at some length by historian Marcella Bencivenni in…
Memorie di vita di tempeste sociali [Recollections of a Life in Social Storms]. Chicago: A cura del Comitato "Vittorio Buttis," 1940.
The gorgeous cover art is by Fort Velona, one of the great graphic artists (see Sotto il segno del littorio, q.v.) and labor organizers active in leftist causes. The preface is by radical activist Angelica Balabanoff, q.v. The title page of this work…