Carlo Tresca was the editor-in-chief (or equivalent) at several radical newspapers over his career, but the one that he founded and ran for decades — Il Martello — is the one most closely identified with him, and he with it. Tresca founded Il…
Carlo Tresca was the editor-in-chief (or equivalent) at several radical newspapers over his career, but the one that he founded and ran for decades — Il Martello — is the one most closely identified with him, and he with it. Tresca founded Il…
See the general entry for Il Martello for the years 1918-1943 for the history of the founding and running by Carlo Tresca of this, perhaps the most famous and almost surely the most long-lived of the radical newspapers in Italian in the Italian…
See the general entry for Il Martello for the years 1918-1943 for the history of the founding and running by Carlo Tresca of this, perhaps the most famous and almost surely the most long-lived of the radical newspapers in Italian in the Italian…
See the general entry for Il Martello for the years 1918-1943 for the history of the founding and running by Carlo Tresca of this, perhaps the most famous and almost surely the most long-lived of the radical newspapers in Italian in the Italian…
See the general entry for Il Martello for the years 1918-1943 for the history of the founding and running by Carlo Tresca of this, perhaps the most famous and almost surely the most long-lived of the radical newspapers in Italian in the Italian…
See the general entry for Il Martello for the years 1918-1943 (repeated in a few descriptions of individual issues) for the history of the founding and running by Carlo Tresca of this, perhaps the most famous and almost surely the most long-lived of…
See the general entry for Il Martello for the years 1918-1943 (repeated in a few descriptions of individual issues) for the history of the founding and running by Carlo Tresca of this, perhaps the most famous and almost surely the most long-lived of…
Dedicated to Signora Aida Fraschina. A partially satiric - “Fascismo celeste,” as well as “Fascismo biondo” and “Fascismo bruno,” are titles of some of the chapters - but also serious look at the movement by Crespi at his most playful as well as on…
The stunning front and back covers of Sotto il segno were illustrated by Fort Velona (b. Calabria, 1893 - d. New York, 1965), a socialist, labor organizer as well as cartoonist, who became best known for his anti-fascist cartoons, reproduced widely…
This one-of-a-kind 1926 volume tells of the internal struggles of the Sons of Italy during the fascist era about whether to support the fascist regime in Italy. Benanti seems to have been pro-fascist, but see discussion below of his later…
Ezio Taddei (b. Livorno, 1895 - d. Rome, 1956) was involved in Italian politics at an early age: at thirteen he was arrested for involvement in a demonstration connected with a nurses’ strike in a Roman hospital. When released from prison, he found…
This work is an account, translated from the English original, of a debate between Salvemini and Roselli that took place on January 22, 1927 in New York under the auspices of the Foreign Policy Association on the theme of "Italy under Fascism."…
A two-act, heavily anti-fascist play published by the Detroit anarchist group’s bookstore, the Libreria Autonoma (Autonomous Bookstore). (See also Lolmo, Insurrezione e Rivoluzione, published by same publisher., part of the collecton.) Gigi Damiani…
Preface by Luigi Antonini. Modigliani (b. Livorno 1872 - d. Roma 1947) was an attorney and politician, a Socialist Party Deputy, and brother of Amedeo Modigliani, the painter. His position as an anti-fascist was close to that of Gaetano Salvemini. He…
The Galilei Club was another chosen name for an anarchist group, reflecting the independence of its namesake (whose last name the group used, rather than the more familiar first name, Galileo), as well as his battles with the religious authorities.…
Valera (b. Como 1850 - d. Milano 1926) was a prolific journalist and novelist - referred to as the "Zola of Italy" - who led an even more colorful life than his confreres among anti-fascists. He spent three years in prison in the late 1880s for his…
We can estimate the date of this work because the introduction begins from the vantage point of "21 years after the beginning of the last world war," which was 1914; thus, it is 1935.Among the advertisements on the recto of the last leaf is that of…
First produced in New York on April 19, 1931, at the Civic Repertory Theatre, Madre remains one of the best-known anti-fascist plays written and produced in America by Italians. It is discussed at some length by historian Marcella Bencivenni in…
Vacirca’s anti-fascist biography of Mussolini covers the period from his growing up in poverty to his rise to “Il Duce” in 1925 and emperor in 1936. The bright pictorial cover (artist unknown) is illustrated with a graphic drawing of a red-eyed…
Virgilia D’Andrea (b. Sulmona, 1890; d. New York, 1933) did not live to see this work, published three decades after her death; she died suddenly at the young age of 43. D’Andrea immigrated to the U.S. with her lover, Armando Borghi in 1926 or 1927.…
Quaderni Italiani was an antifascist political review founded and edited by Bruno Zevi (1918-2000) and his wife Tullia Calabi (1919-2011) in collaboration with Aldo Garosci (1907-2000), Renato Poggioli (1907-1963), Enzo Tagliacozzo (1909-), and…
Quaderni Italiani was an antifascist political review founded and edited by Bruno Zevi (1918-2000) and his wife Tullia Calabi (1919-2011) in collaboration with Aldo Garosci (1907-2000), Renato Poggioli (1907-1963), Enzo Tagliacozzo (1909-), and…
Unlike the prior issue, where Bruno Zevi is listed as editor ("redattore"), for editing ("redazione") the reader is directed to a P.O. Box at the Grand Central annex of the Post Office.